Meet The Designers
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Silvana Landa McAdam. Visit landabags.com for more!
TELL US ABOUT YOUR BACKGROUND.
My name is Silvana Landa McAdam, and I am half Argentine, half Italian, and I moved to Ireland 20 years ago. I gained a significant mix of experience working with multinational giants such as the L’Oreal group launching luxury brands in the country. I also worked in the Management team at Brown Thomas, where I learned about retail and the luxury customer.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Working with the L’Oreal luxe Paris team was a dream and a defining moment. It was just incredible to see how big brands are made from scratch.
From trips to the gardens where the ingredients where extracted, to the labs where they were developed, to marketing meetings at the top of the Eiffel tower or on a speed boat in Monaco, everything was just so inspiring (and glam)!.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
We want to see LANDA worn by women around the globe and our accessories to be recognized for their beauty, quality and most of all, functional features.
WHERE DOES YOUR BRAND NAME COME FROM? LANDA is my surname, and we were always so proud of it. My dad was a huge influence in developing my career and my entrepreneurial journey. I couldn’t think of a better name to encapsulate this all. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? LANDA is an Irish brand with a South American soul. Every step of the creation process, from how we produce to communicate with customers, has this “Argentinian” stamp and warmth. WHO IS YOUR DREAM MUSE? WHY? It’s always Latin American women for me. From Carolina Herrera (Venezuela) to Johanna Ortiz (Colombia) to Eva Mendes (Cuban), they all share this elegance, fun and “sunshine” through their fashion choices and life approach. YOUR DREAM COLLABORATION? It would be with Johanna Ortiz. We could create some super cool pieces combining both brands’ love for texture, materials and add that South American soul with a global appeal. Also, Chufy. She is Argentinean too, and I think we could do something pretty cool together. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Ireland is my home and where my family lives now. Seeing the enormous talent in the country makes me super proud. I love seeing new fashion and accessory labels being born here and recognized globally. WHO DO YOU WANT TO WEAR IRISH? Irish brands are right up there with the big names in the fashion world. Irish brands are expanding and getting more and more recognition worldwide, and this is not surprising. TAKE US THROUGH YOUR CREATIVE PROCESS. For LANDA, functionality plays a massive role. A bag must be beautifully designed and gorgeous to see, but it has to be wearable. Every shape, size and detail starts there. We think about how our customers will wear the handbag or accessory and start there. We think about women in big cities around the world and women in the countryside with different lifestyles. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland and nature play a huge role in our brand—from color inspiration through the magic of the mountains and the sea to Ireland’s wide variety of trees. All our products are named after trees (in Spanish: Olivo, Teca (teak), Olmo (elm), etc.) because we truly love nature and trees, and we are spoiled for choice on this beautiful island. MOST COVETED ITEM IN YOUR COLLECTION? It is definitely the TECA bag with the super cool Plexiglass chain. We have six colors (for now) and I wear all of them. I can’t leave the house without one of them. THREE THINGS YOU CAN’T LIVE WITHOUT? A great pair of sunglasses, an amazing face moisturizer and a perfect pair of jeans. YOUR GO-TO STYLING TRICK? A pair of trousers with a perfect fit makes your outfit. You just have to add a plain white tee and some cool sunglasses and you look polished and put together. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. We live between Ireland and Portugal. We work between the two places, and for me, having that sunshine, a mango a day and walking barefoot brings me closer to my roots and the weather I grew up in Argentina. I get more creative and productive that way.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Finbarr Power. Visit samplafootwear.com for more!
TELL US ABOUT YOUR BACKGROUND.
I’ve always had a keen interest in product and design for as long as I can remember. Growing up in Waterford, with GAA and soccer being the main sport, I was inspired by the apparel and footwear around the culture, as well as music and streetwear. When I was a kid, I would spend hours just gazing at shoes, visiting the different shoe shops around the city. Over time I found myself more interested in how the products are made, so much that I decided to create a product of my own. At this moment, I know that this is where I need to be, and this is what I need to be doing.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Deciding to leave my previous role to pursue my passion and create Sampla.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
I’m not here to create just another shoe brand; I’m here to make a statement within the industry. I want each person to be proud to wear Sampla, knowing that they are both giving back to our planet as well as owning a premium product. This is where luxury meets responsibility.
WHERE DOES YOUR BRAND NAME COME FROM? Sampla is the Irish word for “example.” The word resonated and felt fitting as the goal from the very beginning was to set an example within the industry. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Where timeless design meets innovative materials; elegance without consequence. WHO IS YOUR DREAM MUSE? WHY? I would have to say German industrial designer Dieter Rams. When designing the model elppá, I took from Rams’ “10 principles of good design” for each aspect of the shoe. YOUR DREAM COLLABORATION? The collaboration that would be the most ambitious for the brand would be Waterford Crystal. Once a pinnacle for the City of Waterford and Irish design, creating luxurious, unique and timeless pieces. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish is a movement that should be encouraged as much as possible as it helps put emergent independent designers on the map globally. WHO DO YOU WANT TO WEAR IRISH? Every single person on this planet! TAKE US THROUGH YOUR CREATIVE PROCESS. When designing a product, I always keep the big picture in mind, which is to have a premium product that is as sustainable as possible. Constant research of innovative materials and production techniques fuels the creative process. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? With Sampla being a proud Irish brand, it draws the benefits of being constantly surrounded by amazing people, landscapes, food, music and culture. Without these essential parts, the creative process cannot be duplicated outside Ireland. MOST COVETED ITEM IN YOUR COLLECTION? Sampla bio-acetate sunglasses, a small collection that was handmade for friends. Something that will soon be available exclusively on the Sampla page. THREE THINGS YOU CAN’T LIVE WITHOUT? Spotify playlists, friendships with our suppliers and a teletext jumper by @Robynlynchireland. YOUR GO-TO STYLING TRICK? Always brush your teeth. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. A new collection of products are on the way alongside interviews and collaborations with upcoming artists worldwide. Follow us over on Instagram @samplafootwear, and don’t forget to subscribe for exclusive updates (samplafootwear.com).
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Mila Bolikava. Visit unlocktofly.com for more!
TELL US ABOUT YOUR BACKGROUND.
I was born in Belarus and obtained a university degree in Slavic Languages and Literatures. In 2007, I came to Ireland and settled down. My career isn’t common. I’ve been working in two fields—in the creative realm as a designer and visual merchandiser, and alongside all aspects of disability support.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Being invited to the Wearingirish campaign and realizing my pieces are being worn by actual people worldwide.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
Making unique, single pieces and selling them in the auction format.
WHERE DOES YOUR BRAND NAME COME FROM? Unlocktofly is a mix of the initials of my inspirational character. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Sophisticated and dramatic. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement helped me realize that I am an Irish designer—regardless of my background. WHO DO YOU WANT TO WEAR IRISH? Anyone anywhere all over the world. TAKE US THROUGH YOUR CREATIVE PROCESS. I always have a million ideas, but I procrastinate. I always promise to make notes and sketches to keep track of my ideas. I could then make an entire collection within an extremely short period. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? In Ireland, the feeling of inner comfort and inspirational nature and surroundings feeds my creative mind. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Per my brand name, being Irish means being free. MOST COVETED ITEM IN YOUR COLLECTION? My collection of cuffs called “Roses.” THREE THINGS YOU CAN’T LIVE WITHOUT? Family, inspiration and drama. YOUR GO-TO STYLING TRICK? Glasses and good shoes. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I collect small antique pieces: books, dolls, textiles, etc.
It is essential to retain a true identity and strong personality in our fast-changing environment, which the Wearingirish movement has successfully done.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Meritta and Bridget Geoghegan. Visit misetusa.ie for more!
TELL US ABOUT YOUR BACKGROUND.
Meritta: I designed and hand-sewed my first suit when I was nine years old. My grandmother was a dressmaker, and I had to prove myself before I was allowed to use the sewing machine. I’ve been designing and creating ever since.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Meritta: Starting my label and opening my first shop in 1996, after returning from London, where I worked for several design houses as a pattern cutter.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
To create standout, feel-good, authentic pieces which are also timeless.
WHERE DOES YOUR BRAND NAME COME FROM? Meritta: Mise is the Irish word for ‘me’ and tusa means ‘you.’ The name represents connection and the new chapter of being business partners with my daughter Bridget. YOUR DREAM MUSE? WHY? Meritta: Having designed for diverse and fabulous women over the years, I no longer have just one muse but rather am inspired by all the women who wish to express their individuality. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Bridget: The WearingIrish movement has been incredibly inspirational as it has provided a platform and community to showcase the wealth of Irish talent on the international stage. WHO DO YOU WANT TO WEAR IRISH? Bridget: We are both huge fans of Jane Fonda. She is a true icon who uses her platform to fight for climate justice, something that is really important to us, so seeing Jane Fonda wearing Irish would be incredible! HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Meritta: I feel very grateful to be based on the Wild Atlantic Way in Ireland; it inspires all aspects of my work. This season, the Mise Tusa ‘Imagine’ collection embodies warm earthy tones inspired by our rolling fields and woodlands, tranquil blue hues reminiscent of our magical wild Atlantic way and a delicate infusion of floral prints inspired by Ireland’s unique flora and fauna. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Bridget: For me, I associate being Irish with a strong sense of community, warmth, creativity and values that influence all aspects of our business—from creating a community of like-minded women to collaborating with other Irish creatives. MOST COVETED ITEM IN YOUR COLLECTION? Bridget: I’d have to say our ‘Draíocht’ (Irish for ‘magic’) coat. It truly is an exceptional, innovative and uniquely Irish design. Imagined by Meritta one late night at the studio, this coat is the ultimate shapeshifter, as it can be styled in several ways (even upside down!). Each coat is individually created using Irish tweed and is unique in its shade variation. You can watch a video of me styling the coat here.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Niamh Gillespie of Tidings. Visit tidings.ie for more!
TELL US ABOUT YOUR BACKGROUND.
I graduated from The National College of Art and Design in 2002 with a degree in printed textiles. I spent time gaining invaluable experience in London: four years working alongside Paul Smith, designing prints across three womenswear labels; designing prints for Alexander Mc Queen, Conran, Liberty’s of London, House of Hackney and Topshop, among others. I also enjoyed some collaborations with Gordons Gin and Waterstones. Family and life brought me back to Ireland five years ago, where I launched my label Tidings in September 2020; it’s been a whirlwind since then!
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Having the opportunity to launch Tidings in Brown Thomas for Create 2021 has, without a doubt, been the most defining moment of my career so far.
WHAT’S YOUR AMBITION FOR YOUR BRAND? To create standout, feel-good, authentic pieces which are also timeless. WHERE DOES YOUR BRAND NAME COME FROM? Whilst out walking along my local beach, I came across a beautiful old message in a bottle that sparked the idea for Tidings. Tidings can mean “message,” and I love that it also incorporates the tidal element, linking my brand and all that inspires it to the sea. All Tidings products convey uplifting messages, whether of hope, fun or positivity. YOUR DREAM COLLABORATION? At the moment, I have some very exciting projects happening with luxury Irish brands in other industries. I love collaborating and sharing skills to create something unique. I genuinely believe in the power of sharing ideas and skills, and this process always seems to spark new ideas and build even stronger creative results. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? WearingIrish is such a wonderful platform to showcase Irish design. I feel particularly excited to see design work developed during lockdown in 2020. I feel sure that despite the challenges, a vast amount of existing work is emerging. Silver Linings and all! WHO DO YOU WANT TO WEAR IRISH? I would love to see Tidings worn by people who use their profile and platform to reinforce the mission of the pieces I create: positivity, strength, friendship, kindness, hope. Perhaps I’ll see Kamala Harris, Elton John, Sarah Jessica Parker or Jill Biden wearing a Tidings piece. But whether the wearer has a public profile or not, it is always gratifying to know that my design work is valued and that Tidings designs are worn with pride. Of course, I have a few dream Tidings pinups I’d love to see showcasing the collection, but every wearer and customer is hugely important to me. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? For me, making the move home to Ireland was a catalyst for all the creativity that now embodies Tidings. Living beside the sea where I walk or run or wild swim most days is a constant source of inspiration and keeps me grounded in the beauty and scenery of Ireland. The colors and shapes, the natural beauty of home inform my designs, my collections, and the impact of being in Ireland underlines the positive messages that each piece of the brand conveys. I often think of something Paul Smith said while I was working with him: “You can find inspiration in everything. And if you can’t? Look again.” I love this and find truth in it each time I walk out my front door. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am, first and foremost, Irish. No matter where I’ve lived and worked and what inspiration and motivations I’ve gained along the way, Ireland is my home, and the history and natural beauty of the country will always influence my work. The community around the creative arts in Ireland is hugely welcoming. And there is so much to draw from–the beaches to farmland, green grass to city. Ireland’s massive amount of creative talent only confirms that. I’ve appreciated building up a network of fellow designers whose feedback and support have helped me launch and grow Tidings this past year. MOST COVETED ITEM IN YOUR COLLECTION? One of my favorites and favorite with Tidings customers is my “Bloom with Grace” scarf. This stylized linear hand-painted floral print has been a best-seller and has been featured in Vogue, GQ, Grazia, Image, Social and Personal and The Irish Examiner. THREE THINGS YOU CAN’T LIVE WITHOUT? I wear dresses most days and love to style them up with heels or dress them down with trainers. I also wear a lot of black, which works perfectly with my Tidings collection, injecting some color into every outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I also run another homeware Interior brand, “Niamh Gillespie Design.” I recently launched an “Abstract Faces” collection, which has been very popular. The collection is a mix of contemporary art prints using monochromatic tones with pops of fluorescent color. Abstract forms and typographic styles are the main inspiration.
Apart from my husband and two daughters, a cup of tea, red lipstick and of course a Tidings Silk Scarf.
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Charlotte Mooney of Charlotte Lucas. Visit charlottelucasstyle.com for more!
TELL US ABOUT YOUR BACKGROUND.
I am originally from Offaly and now live by the sea in Dalkey, Co Dublin. My career began in business and marketing, but my passion was always in a more creative environment. After a serious illness, I decided to take the plunge and change careers. I went back to college to study fashion and from day one, I knew I had found ‘my thing.’
In 2013 I graduated from the Dublin Institute of Design and went on to work with Diane von Furstenburg in London and Paris. I returned to Ireland to work with Bespoke Bridal Designer Dawn Fitzgerald and Irish Fashion Houses, Jennifer Rothwell and feeG. I now have my own brand Charlotte Lucas, and I am a part-time lecturer in Fashion Design with the Fashion Academy of Ireland.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Being nominated for ‘One to Watch’ at the Irish Fashion Innovation awards was a very proud moment. Seeing my collection on the catwalk at the ARC Fashion Show in the RDS was a real pinch-me moment, too.
WHAT’S YOUR AMBITION FOR YOUR BRAND? I want to grow my brand to be stocked in beautiful independent boutiques across Ireland and overseas. I love working directly with customers, so I will always have a bespoke element to my business. Sustainability in fashion is essential to me. I want to expand my business while staying true to my core values of “investing in quality pieces, choosing well and buying less.” HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? I am inspired by the romance and decadence of a bygone era. My work epitomizes modern elegance with a timeless, feminine and effortless attitude. WHERE DOES YOUR BRAND NAME COME FROM? I love the old Irish saying, “Grow where you are planted.” I wanted to have a nod to my roots in my brand name. I am from an area called Mount Lucas, so I combined this with my own name, Charlotte. WHO IS YOUR DREAM MUSE? WHY? Florence Welch, the ultimate ethereal goddess. YOUR DREAM COLLABORATION? Designer Matthew Williamson, for anything! He is my fashion hero, and the reason I went into fashion. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? The WearingIrish movement is an excellent initiative to encourage the Irish living abroad to support Irish design and fly the flag of Ireland worldwide. WHO DO YOU WANT TO WEAR IRISH? Irish people! I feel a large majority of Irish people do not support Irish designers. I would like to see more politicians and CEOs of Irish companies support Irish design. For example, Caroline Keeling, Francesca Mc Donagh and Ann O’Leary. TAKE US THROUGH YOUR CREATIVE PROCESS. I examine the trend forecasting reports for the season I am working on and choose the themes, fabrics and silhouettes I would like to explore further. I then research these themes and create moodboards, mind maps and inspiration boards to tease out a theme that represents my brand and customer. From there, I work on my design development and come up with new styles and silhouettes. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? A sense of place is very important to me. I always design with a particular woman in mind. That woman is usually Irish, whether a businesswoman who has a big event to go to or a bride looking for something unique to wear for her wedding. I want Irish women to raise the bar with fashion and style. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am extremely proud of being Irish and believe Irish people can be as stylish and charismatic as any other nationality in the world. MOST COVETED ITEM IN YOUR COLLECTION? I love my ‘Ava’ dress from one of my first ‘Next Day’ collections. It is named after my very cute niece Ava, and I think of her every time it sells; she is a real lucky charm. THREE THINGS YOU CAN’T LIVE WITHOUT? Less is more! Elegant clean lines styled with timeless accessories will bring you anywhere.
Fashion, dogs and my VW Beetle.
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Aoife Rooney of Aoife. Visit aoifelifestyle.com for more!
TELL US ABOUT YOUR BACKGROUND.
I have a Bachelor of Arts degree in interior architecture and furniture design from the Dublin Institute of Technology and a diploma in fine art textiles/print. I continued to study fashion at the Grafton Academy. I completed a master’s in education and a diploma in business along the way and spent years working in project management. I felt it was time to hone my skills to curate and bring to fruition my circular fashion brand AOIFE®.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
We represented our brand AOIFE® at a circular fashion event alongside National Geographic, with various biochemists who were just as passionate about circular fashion and sustainability. Other defining moments include being chosen in Create ’21, stocked in Brown Thomas Dublin and the recent selection for VOGUE UK’s accessory gallery.
WHAT’S YOUR AMBITION FOR YOUR BRAND? We have continued plans to grow and expand our sustainable luxury lifestyle brand nationally and internationally; this has always been the intention since making solid preparations in 2017 when we registered our brand globally. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Together with our customers, we champion a new consciousness and eco-friendly culture in contemporary circular fashion. WHERE DOES YOUR BRAND NAME COME FROM? Our name (pronounced EE-fa) is Irish for “beauty.” Like the circular beauty found in nature, AOIFE® is an Irish brand that is innovatively circular in its design principles, demonstrating how brands can be innovative, modern and fully sustainable while maintaining high-standard, quality products. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? There is such a unique, creative talent in Ireland. The WearingIrish movement is a beautiful celebration and appreciation of this talent and a great support network for Irish designers. Margaret is excellent at creating awareness about Irish design. WHO DO YOU WANT TO WEAR IRISH? Anyone who adorns our products stands for so much more than a fashion statement. Our tribe wants to see a positive change in fashion now, and we are supporting this shift in mindset towards sustainable circular fashion. Our gender-neutral products support ecological and social initiatives; we help restore natural resources while producing functional quality products for people to enjoy. And for every product we sell, we plant a tree in Ireland and donate to ocean cleanup; my mission is deeply rooted in a vision I hope for the future. TAKE US THROUGH YOUR CREATIVE PROCESS. Our products are handcrafted from regenerated, reclaimed and bio-based materials. Every aspect of production is carefully planned to establish a circular model. I aim to use what we already have as resources to create rather than using virgin materials in the production process. After the designs and technical packs are developed, an accessory sample is made from cork to test the product’s function before moving to the following creative process. We help transform fabrics destined for landfills into new textiles; we buy yarn created from ghost fishing nets and we custom make our fabrics before the bags are created in Italy. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland has and always will inspire my creative process. Our entire brand and its original color palette were made from natural resources and dyes derived from Irish vegetation found in the environment and an organic, delicate fine art printing process. Literally, from the roots up, I wanted our customers to pick up an AOIFE® product and know it is an Irish product simply by looking at the authentic color palette. I knew the roots of this color palette and development process would allow me to speak about our Irish heritage. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? “Níl a tinteán mar do thinteán féin, mar a déarfá!” (There is no place like home!). Sounds like something out of The Wizard of Oz! But I think they must have borrowed the most famous Irish proverb! I speak Irish, breathe the culture, the craic, love the chancers and absolutely adore the people. There is no doubt being Irish has influenced my creations; looking at my Instagram grid lately all I could see was the tricolor! MOST COVETED ITEM IN YOUR COLLECTION? Without a doubt, it must be our convertible Gallery Totes—a versatile, lightweight statement piece that features multiple pockets and compartments. Each bag is designed with the care and attention that is associated with our brand. The luxury tote to backpack has been crafted with your lifestyle and posture in mind and features extendable straps, compartments for your phone, laptop, accessories and keys. We realize that design needs to be more than just a fashion statement. We have put great thought into creating an optimized bag to protect and enhance your posture. The backpack distributes weight evenly and offers multiple carrying options such as extendable and detachable straps. Our design allows you to switch styles easily whilst always ensuring support and comfort, navigating from day to night seamlessly in comfort. THREE THINGS YOU CAN’T LIVE WITHOUT? A quality jacket, shoes and of course, a multi-functional stylish, sustainable bag! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I believe you can be many things in life. I am a qualified teacher and an avid life-long learner. There is a saying by Ralph Waldo Emerson that I love and resonates in how I would strive to live my life: “To leave the world a bit better, whether by a healthy child, a garden patch, or a redeemed social condition; to know that even one life has breathed easier because you have lived—that is to have succeeded.”
Love, laughter and good health. (And a glass of Tuscan vino!)
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Siobhan Quinn of BallyBoy Design. Visit ballyboydesign.ie for more!
TELL US ABOUT YOUR BACKGROUND.
I worked in marketing and management consulting but had a lifelong love of Irish fashion and design and always wanted to set up my own business. Some years ago, I was searching for an Irish-made cape for myself. My search was fruitless, and thus BallyBoy Design was born.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
Deirdre McQuillan published a piece on me in The Irish Times; the phone started ringing after that!
WHAT’S YOUR AMBITION FOR YOUR BRAND? For BallyBoy Design to be recognized worldwide as synonymous with quality Irish design. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Luxurious Irish tweed capes with sumptuous silk linings in vibrant colors that reflect the beautiful hues of the Irish countryside. WHERE DOES YOUR BRAND NAME COME FROM? The townland where I live in County Longford. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? I think WearingIrish is a fantastic initiative that has taken on a life of its own and continues to grow and bring the quality and breadth of Irish design to a worldwide audience. WHO DO YOU WANT TO WEAR IRISH? Everyone. TAKE US THROUGH YOUR CREATIVE PROCESS. I am very influenced by the colors and textures of the Irish landscape and my travels abroad. I take photos, gather bits and pieces, create mood boards. I love talking to women about what they want from a garment and then playing around with prototypes and keep refining and refining. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Reflecting our Irish heritage and Ireland’s incredible and varied landscapes, BallyBoy Design reinterprets traditional Irish tweed in a contemporary fashion. Sumptuous colors inspired by the nature we see around us, such as sunburst yellow, sapphire blue, and fuchsia pink, are used in the tweed and silk lining. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? It is crucial that I use quality Irish textiles and that my products are made in Ireland. Each cape is hand-cut and perfectly crafted to be worn, kept and loved forever; that is the essence of what BallyBoy Design is all about. MOST COVETED ITEM IN YOUR COLLECTION? A cape I made especially for an Arc Fashion Show—extra-long and with stunning feather epaulets. It has the “wow” factor. THREE THINGS YOU CAN’T LIVE WITHOUT? You can’t beat having a good white shirt and a black polo neck in your wardrobe; they will bring you anywhere. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I love cooking for friends and family.
Barry’s tea, a daily walk and dark chocolate.
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Ruth McEwan-Lyon of NI Silver. Visit nisilver.com for more!
TELL US ABOUT YOUR BACKGROUND.
My name is Ruth, and I run nisilver.com from my home studio in Holywood, Northern Ireland (NI). I make quality Irish jewelry that represents home and where your ancestors lived. I also undertake commission work and host bespoke/VIP beginner’s jewelry-making workshops. Memories of Ireland are closer than you think!
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
The most defining moments of my career are following my creative passion and realizing that with lots of hard work I can achieve running my own successful business around my family whilst keeping our own and my father’s name alive forever. #livingthedream
WHAT’S YOUR AMBITION FOR YOUR BRAND? To leave my mark around the world so that someone will look at a piece of jewelry in years to come and, after researching the hallmark, will know my name and when I made it. Knowing that I have enough of a following to keep my business successful, unique and bespoke enough while reaching a more global market. I don’t want to grow into a big brand; I thoroughly enjoy the level of success that the brand has achieved. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? It sounds cliché, but customer service is the heart and soul of my brand. I am a sole trader who works tirelessly to give my clients exactly what they want. I work far too many hours, but I’d rather my jewelry family were pleased, so that pleasure gives me the ultimate sense of fulfillment. WHERE DOES YOUR BRAND NAME COME FROM? Most other jewelry artists use their name as their brand. I wanted something different that would let my customers remember me if they couldn’t remember my name, so coming from Northern Ireland (N.I.) and making silver jewelry seemed an obvious choice: NI Silver. WHO IS YOUR DREAM MUSE? My dream muse is Sophie Peirce-Evans, aka Lady Mary Heath, for her courage, bravery and dogged determination. I have always tried to live my life this way and experience everything when the opportunities present themselves. You only get one shot, after all! My life has been a myriad of unusual experiences and living it to the full. #noregrets WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? I love the boldness of the WearingIrish movement. We are small, but we are mighty creative, and our designs are world-class. Helping each other along the business journey is also very important to me and being part of this group is a real privilege. I want locals, expats, tourists, historians, trendsetters and silver surfers to wear Irish jewelry. Everyone deserves something that evokes memories of Ireland and what better way than to wear something precious close to your heart. TAKE US THROUGH YOUR CREATIVE PROCESS. I use various traditional jewelry-making techniques to create my pieces. Generally drawing, then piercing (hand-sawing) out a piece of silver/gold, filing it down, texturing and shaping it before soldering, polishing and finishing it. Other techniques involve carving wax and casting or melting metal to create unique forms. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I returned to Belfast when the country was starting its revitalization/restoration process, and the energy around Northern Ireland was infectious. I wanted to create a “little piece of home” for everyone to send out worldwide, something valuable and wearable, allowing them to touch/feel home (Ireland) again. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Living overseas for years has taught me that being Irish makes you the most friendly and acceptable nation in the world, hands down, ergo anything made here is sought-after! MOST COVETED ITEM IN YOUR COLLECTION? Our beautiful solid silver or gold 20g Dara Knot pendant, which represents the sacred Oak tree empowering leadership, strength and wisdom. THREE THINGS YOU CAN’T LIVE WITHOUT? I am not known for my dress sense, but I love wearing my lip gloss and earrings. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Oh my goodness, lots of worldly life experiences, but to name two, I have flown on the Concorde before it was retired and have recently dived in the Maldives with whale sharks!
WHO DO YOU WANT TO WEAR IRISH?
Family, work and being outdoors.
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Betzy Medina of Sandia. Visit sandiadublin.com for more!
TELL US ABOUT YOUR BACKGROUND.
My background is quite broad, from going to engineering school to working in Tv production for more than 10 years and moving to Dublin in 2010 to learn English and work in bars and restaurants until I decided my creativity was coming out in jewellery form. I grew up surrounded by creative people in a family of architects and musicians. I also remember my mom buying jewellery to resell back in the 80’s.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Winning the Irish Made 2018 in the jewellery category for the Irish Country Magazine was the most defining moment of my career so far. I believe my pieces are very unique and innovative. Being around markets, shops and daily life around Ireland for a couple of years have shown stylish people and fashion lovers what Sandia Dublin designs really are. WHAT’S YOUR AMBITION FOR YOUR BRAND? Selling in New York and London best fashion boutiques. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Bright, Light, Bold. WHERE DOES YOUR BRAND NAME COME FROM? Sandia is my mother’s surname, Dublin is where my brand was born. YOUR DREAM COLLABORATION? Vivianne Westwood WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? To see the amount of amazing designers and their creativity. WHO DO YOU WANT TO WEAR IRISH? Anyone anywhere in the world who loves style and color. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? In my case, living in Dublin and walking around the city has given me a great source of inspiration. I can always see people wearing their own style mixing irish brands, second hand, vintage, retro and high street combined perfectly to express their own personality. MOST COVETED ITEM IN YOUR COLLECTION? The V-Shape Necklace definitely. It’s big, bright, very attractive and extremely light weight. THREE THINGS YOU CAN’T LIVE WITHOUT? Clean hair and good shoes. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I’m from Venezuela and I’ve been living in Ireland since 2010. I also work in radio and music inspires me everyday.
Creativity, Music and Cheese.
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Julie Peelo of Peelo. Visit peelo.ie for more!
TELL US ABOUT YOUR BACKGROUND.
I’m a graduate of fashion textiles from NCAD Dublin. I spent over 20 years working as an accessory designer for international fashion brands including Marni in Milan, John Galliano’s studio in Paris, setting up the accessory division for DVF in New York and then reinvention of Juicy Couture. Coming full circle and moving home to Dublin, I was so thrilled to set up my own studio and brand here called PEELO.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Walking in on my first day at John Galliano’s’ Paris studio and seeing all the craftspeople working away in the atelier dressed in their white coats, hand sewing embellishments onto a beautiful couture gown was a real pinch-me moment. Seeing a necklace I created for Marni on the cover of British Vogue was also an incredibly career-defining moment for me. WHAT’S YOUR AMBITION FOR YOUR BRAND? To become an internationally recognized Irish accessories brand. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? I’m passionate about creating quality accessories. PEELO creates modern pieces that people will love and cherish. WHERE DOES YOUR BRAND NAME COME FROM? It’s my family name; I wanted something simple and could be unisex as a brand. YOUR DREAM MUSE? WHY? My dream muse is Saoirse Ronan. I adore her style and the varied acting roles she chooses for herself. They’re always so challenging and unique. I’ve never met her but would definitely hope to one day! WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? I’m so incredibly proud to be Irish, and I love to wear and support Irish designers and artists, so I adore what the Wearing Irish movement has created. It gives designers great exposure and has helped elevate many Irish brands to an international level. TAKE US THROUGH YOUR CREATIVE PROCESS. I am forever inspired by art and culture. For my latest collection, which launched as we were emerging from the pandemic, I wanted to create something that sparked positivity and joy. I had purchased a beautiful colorful print from Irish print maker Luke Reidy before Christmas. It was the foundation and inspiration for the colors I used, and we created a series of bright colorful bags together. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? For me, being Irish means knowing what is important in life; valuing loyalty, friendship and family. It has influenced me in my creations to be positive and courageous. THREE THINGS YOU CAN’T LIVE WITHOUT? Always add some color to an outfit, whether it’s a bright scarf, handbag or even something as small as painting your nails. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. My husband believes I have an insanely large collection of handbags; I don’t agree with him.
First would have to be my family. As crazy and chaotic as family life is with three small children and juggling a business, I wouldn’t change it for the world. Being a working mom, time is always at a premium, so my organizer is the second thing I cannot live without. And third is my daily walk when I can reset and carve some headspace for myself.
YOUR GO-TO STYLING TRICK?
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Máirín Ní Bheacháin of Mise Collars. Visit misecollars.com for more!
TELL US ABOUT YOUR BACKGROUND.
I’m a Dublin-born girl and love this city. I attended Trinity College and loved browsing the shops and frequenting the cafés as a student—and still do!
I have always been a lover of fashion, style and color. Both of my parents love to travel, and as a result, we spent many holidays in Europe; I later traveled to Canada, America, Central America and Vietnam. Traveling is always so inspiring in terms of colors, people, traditions and people.
As a personal stylist, I work with men and women on developing their sense of style. For me, styling is about having fun and taking charge of how you present yourself to the world.
I love to accessorize, and in November 2020, during Covid, I began to think of ways to bring style and color to the screen, and Mise Collars was born!
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Waking up on a Saturday morning, drinking a cup of coffee and seeing Mise Collars featured in the Irish Times Weekend Magazine in a piece by Deirdre McQuillan. YOUR DREAM COLLABORATION? I would love to make a bespoke Mise Collar for Roisin Murphy. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? The WearingIrish movement is a brilliant concept. I love the idea that I can put one of my collars in the post, and within a few days, it will find a new home somewhere in the world. WHO DO YOU WANT TO WEAR IRISH? Anyone anywhere in the world who loves style and color. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Growing up, my dad spoke Irish to us, and we attended an all-Irish speaking school. Even my mum, who was born in Belfast and emigrated to Canada as a five-year-old learned Irish! I love how it sounds, and it has contributed to my strong sense of where I belong. I spent a lot of time down in Connemara and loved the way of life there. The Irish language is very musical and is very similar to French, which I went on to learn. Plus, it comes in handy when traveling! THREE THINGS YOU CAN’T LIVE WITHOUT? YOUR GO-TO STYLING TRICK? Have one focal point in your outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Growing up, I loved to read. In March 2016, I was diagnosed with a rare condition called Moyamoya. The only treatment was brain surgery which I underwent and during which I suffered a stroke. When I woke up, I was unable to speak, read or write but I was alive! I began a 2.5-year journey to learn to read and write again. When something like this happens, it makes you think about what you really want to do with your life. I knew I wanted to do something creative. I volunteer with Dress for Success and now run my own personal styling business (www.MoStyle.ie), give talks on new beginnings and now, Mise Collars (www.misecollars.com).
Walking, chocolate and color.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Stuart McGrath. Visit armoura.com for more!
TELL US ABOUT YOUR BACKGROUND. I enjoyed a career as a master sculptor restoring historical architecture and designing monuments incorporating ornamentation, typography and symbolism. In 2012, I had an accident which meant I could no longer work on large scale sculptures. This influenced me to follow my true passion—designing contemporary jewelry based on the principles learnt through sculpture. My pieces retain the distinctive characteristics of form, weight, finesse and a tactile nature.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? One moment that stands out is having several of my pieces featured in Swarovski’s annual design trend forecasting book for the past four years. The book is sent to all the finest fashion design houses around the world in order to show what might be in style over the coming years. It was an honor to be included in this, and I received a lot of great feedback from interesting companies around the world. WHAT’S YOUR AMBITION FOR YOUR BRAND? I want Armoura Jewelry to continue to push the boundaries of innovative design and bring this to a global audience. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart and soul of the brand is to design ranges that encompass understated elegance that have a subtle wow factor with very refined taste, precious and semi-precious stones. WHERE DOES YOUR BRAND NAME COME FROM? Armoura is a play on the word ‘armour/armor’ and the fact that jewelry often acts as an amulet and talisman to the wearer, acting like a suit of armor. The name also plays on the French word for ‘love/passion,’ which is ‘amour.’ WHO IS YOUR DREAM MUSE? WHY? Saoirse Ronan has a great sense of classic style and exquisite taste when it comes to award dresses and gowns. YOUR DREAM COLLABORATION? I’m a huge fan of Gwen Stefani’s style, and I would enjoy the process of designing a collection with her as I imagine that she would bring so much energy, creativity and fresh perspective to any project. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? For thousands of years, Ireland has cultivated a heritage of fine crafts such as silver and goldsmithing, crystal to woolens and more. WearingIrish shines a spotlight on exciting designers who are putting crafts and contemporary design on the world stage to people who may not be aware otherwise. WHO DO YOU WANT TO WEAR IRISH? Creativity is central to our DNA in Ireland, whether that be through music, literature or art. I am lucky to have been exposed and nurtured through an environment that values this innovation in our culture. It has allowed me to transition from working through the medium of stone to precious stones. My customers come from all different countries, backgrounds and cultures; the one thing that binds them together is a high regard for refined design and sumptuous materials. TAKE US THROUGH YOUR CREATIVE PROCESS. I find a lot of inspiration in cities as well as while hiking; it can be a moment anywhere that inspires a design. Then I explore concepts through a lot of sketching. Once a design is finalized, it is created by hand and then cast into metal, stones set into it before final polishing. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland has such an abundant history of craft, design, artifacts, storytelling, myths and legends, and impressive landscapes that help foster a fertile canvas for creativity. Due to our geographical location and a thirst for international travel, Ireland also benefits from various subtle international style influences from all over Europe and the Americas, which feed into my concepts and collections. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish, I believe that we value and draw on our rich tapestry of heritage and culture while also looking outward and appreciating it in other nations and striking a balance of influences in design to reinterpret and produce new innovative collections. MOST COVETED ITEM IN YOUR COLLECTION? The ‘Somewhere Over The Rainbow’ statement earrings are a fun depiction from the song lyric and incorporate 14K white gold, a yellow diamond, clear diamonds, mother of pearl and colored sapphires representing the rainbow. These are sure conversation starters! THREE THINGS YOU CAN’T LIVE WITHOUT? YOUR GO-TO STYLING TRICK? My customers have shared with me that investing in a fine-jewelry piece brings individualism to any outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Having spent a summer in Cararra, Italy learning to sculpt marble in the same place where Michelangelo carved the David, as well as many other eminent sculptures, helped shape my understanding of form, texture and design.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Susannagh Grogan. Visit susannaghgrogan.com for more!
TELL US ABOUT YOUR BACKGROUND. From Wexford, Ireland, my lifelong love of print design began at Wimbledon College of Art UAL London. I specialised in Printed Textile Design at Chelsea College of Art & Design UAL London. From there, I developed my skills working as Surface Pattern/Textile Designer and Art Director for studios and designer labels in New York, London and Cape Town. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The moments change and come and go but being awarded ‘Accessory Designer of the Year’ at The Fashion Innovation Awards and being awarded ‘Best New Product Award’ and ‘Best Overall Creative Island Award’ from The Designs Craft Council of Ireland at Showcase Ireland’s premium show were all very proud moments. For St Patrick’s Day at the White House, Ireland’s Attorney General, Máire Whelan, gave a Susannagh Grogan scarf to Associate Justice of the U.S. Supreme Court, Ruth Bader Ginsburg. My scarves have been chosen by the US-Irish Alliance pre-Oscar party as gifts for guests that included Michelle Williams and Melissa McCarthy. Gaining commissions to design for The Royal Collection and Aerlingus gave the label a great kudos. Mrs. Higgins wore one of my scarves to the opening of BLOOM, which was a lovely surprise seeing it on the front pages of the press.
WHAT’S YOUR AMBITION FOR YOUR BRAND? I just celebrated 10 years of Susannagh Grogan Design. In an appreciation of slow fashion, last year, I decided to design a simple range that was non-seasonal: an ongoing/permanent collection. The Empowerment collection was to launch into shops here & in the USA in March. The collection was designed as a talisman, a token of affection, a gift to others or yourself—to someone who needs to be reminded how loved, strong, brave, extraordinary or empowered they are. Each scarf has the option of the empowering word in English or Irish. The English word scarves come with a postcard with relevant, inspirational quotes and the Irish with a translation card. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? It is born from a love of print, colour and an appreciation of excellent design. It is designed to induce a feel-good and fun factor as well as a bit of luxury. And ultimately, our customer is our #1 priority. WHERE DOES YOUR BRAND NAME COME FROM? It is my name; it is important to me that quality and standards are kept high and that I continue to be proud of using it. WHO IS YOUR DREAM MUSE? WHY? Anyone who chooses to buy from my brand, either for themselves or as a gift, is my muse. I am incredibly grateful and appreciative of every single one of our customers. I love it when I see someone wearing one of my pieces; I am so thankful. YOUR DREAM COLLABORATION? My background as a surface pattern/print textile designer spans 25 years, so I have a great deal of experience in collaborating and designing with and for other labels. Since launching my own label, I have had some great collaborations with Anthropologie UK & USA (one season my scarf was #1 seller in the USA), Aer Lingus and The Royal Collection/Buckingham Palace label—so more of the same, please. I was working on collaborative projects near completion, before the pandemic, so I hope that those can still come to fruition. WHAT INSPIRES YOU ABOUT THE WEARING IRISH MOVEMENT? Ireland has a tiny fashion industry, so any outside support that increases the profile of Irish designers abroad is most welcome, to be applauded and thanked. It is great to get support and a platform to bring our work to new customers as that is one of the main obstacles, getting in front of your customers. WHO DO YOU WANT TO WEAR IRISH? Anyone who appreciates good original design and gets pleasure from it. There is such a broad range of Irish design to suit any aesthetic. TAKE US THROUGH YOUR CREATIVE PROCESS. I design two collections a year for my scarf range, and I have a collection of holiday tunic cover-ups. I start with sketching and hand painting, and it evolves from there. It is quite instinctive now when I design a collection. I use Photoshop to fine-tune for printing and final production in Como, Italy. I have been a print designer for nearly three decades, so I now have strong commercial knowledge, and with commissions, I would work closely together to put a client’s vision into reality. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I live beside the sea in Killiney, Dublin, and the sea air and beautiful walks locally give me the headspace and calm to be creative. I have lived in many places all over the world, and this is my favourite; it suits me. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am incredibly proud of my heritage. My first scarf collection 10 years ago had a print derived from a sea bass caught off the coast of Donegal, and the scarves had Oscar Wilde quotes printed on them. They are still in my permanent collection and one of my best-selling ranges. MOST COVETED ITEM IN YOUR COLLECTION? I launched my EMPOWERMENT Collection this year, it is an ongoing permanent addition to my range in recognition of slower fashion. It has been designed as a talisman, a token of affection, a gift to others or yourself—to someone who needs to be reminded how loved, strong, brave, extraordinary or empowered they are. There are five different prints with ten words, and each scarf has the option of an empowering word in English or Irish. They are very personal to me and getting such a positive reaction with press and sales. THREE THINGS YOU CAN’T LIVE WITHOUT? My dog, Messi a miniature wirehaired dachshund who keeps me company on my long coastal and mountain walks. My family. And my network of friends scattered around the world. YOUR GO-TO STYLING TRICK? Don’t be too precious with a silk scarf. Often they look better slightly thrown on. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am a competitive sea rower with Dalkey Rowing Club, rowing traditional wooden skiff boats. Last year, I rowed across the Irish Sea to the Welsh coast as part of an all-female crew of 12, which took us 19 hours 27 minutes.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Shauna Keogh. Visit 5428apparel.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born and raised in Dublin, the youngest of three girls. I moved to London in my early twenties, where I worked in the media industry before relocating to New York in 2009. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I don’t have one defining moment as such, but I do have many life experiences that have brought me to where I am today. My move to the United States and being nominated for an Emmy was a great achievement. But it’s the people I have met along the way and the lessons I have learned—the good and the bad—that has been my defining moments to date. WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition is to have 5428 Apparel in every territory globally and to have the LGBT brand sold in stores where you can purchase the product 365 days of a year, for every occasion—birthdays, Christmas, Valentine’s Day, etc.—not just when Gay Pride comes around once a year.
HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? It’s all about identity and inclusion—having a line of clothing that the LGBT community can identify with and feel part of is crucial. YOUR DREAM COLLABORATION? Matthew Williamson and Lady Gaga. WHO DO YOU WANT TO WEAR IRISH? The objective of 5428 Apparel is to have as many nationalities and genders WearingIrish. Just like the messaging of the brand, it’s all about inclusion. TAKE US THROUGH YOUR CREATIVE PROCESS. Developing an idea from my head, moulding, and shaping it into the final product is what I enjoy most. The creative part is by far, my passion; it’s all about the connection you build through your work. People relate to people, and we are all emotionally connected. The creation of my brand came from my connection with my clothing while I was still struggling with my sexuality and coming to terms with my internal homophobia. While I was struggling to accept myself, I could relate to others in the community through my clothing; it gave me a sense of belonging and identity. I also wanted to create a line of clothing that wasn’t always heavily branded with rainbows and unicorns to illustrate sexuality. The creation of the logo with the numbers 5428 was code for LGBT and having it in the enclosed bracket was how you feel connected in the community. I felt growing up, dealing with my sexuality, that I fell outside the bracket, but I turned that into a positive and wanted it as part of the logo. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I am immensely proud of growing up in Ireland and being Irish. I have been fortunate enough to travel the world, and there is no place like home. My country hugely inspired the creation of 5428 Apparel. The support and acceptance from my family, friends but more importantly, the support the country showed for equality. It’s hard to believe that not so long ago it was a crime to be gay in Ireland. I look at how far we have come, and to create a brand that represents being gay and being Irish is what I am immensely proud of. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish means so much to me; it’s at the core of who I am. No matter where I have travelled in the world, I have met Irish people and the connection, and the reception has always been the same. We shoot our content on location in Ireland to showcase our heritage and where we came from. I feel that love for one’s heritage increases when you are away. Coming back always brings that sense of pride. THREE THINGS YOU CAN’T LIVE WITHOUT? My family, food, and being able to create. YOUR GO-TO STYLING TRICK? Wear whatever makes you feel good. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am a massive advocate for empowerment, and I would always advise others to do what they want and be what they want to be. Don’t let anyone tell you, you can and cannot achieve something.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Emily Jean. Visit emily-jean.com for more!
TELL US ABOUT YOUR BACKGROUND. I started with a third level qualification in jewellery, fashion & textiles. I then went onto study millinery at the London College of Fashion. Following this, I interned with established milliners in the UK and with Maison Michel, the millinery house of Chanel in Paris. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Opening my first boutique atelier in Galway city in 2007 was a defining moment in my career. I had an established client and supplier base, so I felt confident to take the next step with a boutique atelier where I could work with clients in a more professional environment. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement inspires me to keep thinking global while surrounding myself with a truly authentic Irish brand. WHO DO YOU WANT TO WEAR IRISH? Anyone who embodies a sense of Irish culture. They don’t have to be Irish, but if they relate to a sense of Irishness, then they will carry and showcase Irish craft at its best.
TAKE US THROUGH YOUR CREATIVE PROCESS. I design two collections a year: autumn/winter and spring/summer. Each season is inspired by what is current and relevant in today’s market, along with my signature twist. I visit trade shows in Europe, where I source unique trimmings and fabrics. These raw materials influence and inspire the creative process. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I am fortunate to live and work on the shores of the wild Atlantic way. The raw and rugged landscape is ever-changing and never ceases to inspire. Ireland has a robust heritage and sense of identity. We are recognized internationally for our natural fabrics and unique creative skills. My artistic journey began at a very young age, and as I progressed in my career, I traveled further afield. It was during my time abroad that I began to have a deeper understanding of the Irish craft and how important it is for me to have my roots in Irish soil. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Irish heritage has influenced my creations from linen, to lace and even Aran knits. MOST COVETED ITEM IN YOUR COLLECTION? My bespoke embellished headband. THREE THINGS YOU CAN’T LIVE WITHOUT? Needle, thread and thimble! YOUR GO-TO STYLING TRICK? A simple headband can add a touch of glamour to any outfit; it will stylishly bring you from day to night.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Jacqueline Quinn. Visit jacquelinequinn.com for more!
TELL US ABOUT YOUR BACKGROUND. I started at Grafton Academy of Fashion Design in Dublin. I then moved to New York in 1995 and was a designer for Jessica Simpson, head designer for DKNY and the creative director for Betsey Johnson. I currently started my clothing line that launched in the US in 2019 and Europe in 2020. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Being named head designer at DKNY. WHAT’S YOUR AMBITION FOR YOUR BRAND? For more women to experience the brand and feel fabulous wearing it. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Feminine, sustainable and timeless. WHERE DOES YOUR BRAND NAME COME FROM? My love of Jacqueline Kennedy; I was also named after her.
WHO IS YOUR DREAM MUSE? WHY? My fascination with Mrs. Kennedy and her iconic style. YOUR DREAM COLLABORATION? It is coming true currently, now that I can design with the Kennedys for my Jacqueline Kennedy brand. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The fact that WearingIrish exposes so much Irish talent and creativity. WHO DO YOU WANT TO WEAR IRISH? Those who want to help promote the designers who show their Irish creativity. TAKE US THROUGH YOUR CREATIVE PROCESS. At the beginning of every season, I research mood boards, magazines, books, movies, and wait to be inspired. When that inspiration comes, that is when the real creative process begins with choosing fabrics, colors and much more. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Currently, for my master’s in fine arts and fashion, I am studying Georgian house stucco in Ireland, and it has influenced a new fabric for my collection. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I have been exposed to great Irish painters and writers, and so many of them have been a source of inspiration for my collections; my favorite Irish painter is Jack Butler Yeats. MOST COVETED ITEM IN YOUR COLLECTION? I purchased the original sketches of the inaugural gala gown that Oleg Cassini designed for Jacqueline Kennedy in 1961 and it has influenced a lot of my work. THREE THINGS YOU CAN’T LIVE WITHOUT? My daughter and her success in fashion, my dog Coco and a good manicure. YOUR GO-TO STYLING TRICK? Black with good accessories. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Being told by my Harvard professor that my writing skills were very strong opened new horizons for me.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Helen Hayes. Visit helenhayesclothing for more!
TELL US ABOUT YOUR BACKGROUND. I originally studied graphic design at the Limerick School of Art and Design. After my daughter started school, I went back and studied fashion design at the Grafton Academy. Since graduating, I have begun building up my brand. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Being one of the designers selected to participate in ‘Create,’ a showcase of Irish design organized each year by Brown Thomas Dublin, one of Ireland’s premier stores. WHAT’S YOUR AMBITION FOR YOUR BRAND? I want to build a brand reputation for pieces that are crisp and contemporary with very well considered design details.
HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? I want to combine my background as a graphic designer and my love of exquisite packaging with my love of textiles to create pieces that are tactile with hand-crafted details in a very contemporary, sculptural way. WHO IS YOUR DREAM MUSE? WHY? There is more than one, and it is the mind-set of each, and many others, that I find the most inspiring. The first time I saw a piece by Madame Grès, I was blown away. Likewise, the pleated garments by Sybil Connolly. They both took an idea, explored it, and developed it, and truly made it their own. It is this sense of determination and individuality I admire. YOUR DREAM COLLABORATION? I love the work of Joseph Walsh who makes wonderful pieces in wood. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? We have an ancient heritage of craft and textiles in Ireland, which allows us to stand apart internationally. This heritage fits perfectly with the slow fashion movement that has emerged. WHO DO YOU WANT TO WEAR IRISH? Women who value our rich heritage and contemporary design. TAKE US THROUGH YOUR CREATIVE PROCESS. This varies depending on the project. I like to start on a small scale and develop an idea with paper. I do a lot of work on half-size dummies exploring shape and silhouette. I spend a lot of time sourcing fabric and developing textures, tweaking as I progress until it all comes together. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I grew up on a farm in the middle of Ireland, surrounded by a wonderful culture of weaving and knitting. Most people consider my work to be quite urban, but to me, it all stems from nature and a love of native crafts. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? It means rich colours, woven fabrics, dramatic scenery, and architectural innovation. It is an exciting time to be Irish when individuality is embraced and encouraged. MOST COVETED ITEM IN YOUR COLLECTION? My red satin ‘squares’ skirt. This was my first ‘squares’ piece made from over 225 individual squares that are I hand-cut, hand-folded, and hand-sewn together. THREE THINGS YOU CAN’T LIVE WITHOUT? Books, coffee, and my daily walk. YOUR GO-TO STYLING TRICK? A beautiful white shirt is perfect for any occasion.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Louise Elliott. Visit fishermanoutofireland.com for more!
TELL US ABOUT YOUR BACKGROUND. I studied at NCAD Dublin and graduated in 1991. That summer, I went to NYC on a J1 student work visa with my portfolio in hand. I was very fortunate within a short space of time to land a design job at DKNY. Later, I worked at Fenn Wright Manson. Then I worked with Adrienne Vittadini before returning to my native Cork in September 1997 to accept a job as a designer for Fisherman Out of Ireland, which is owned by Blarney Woollen Mills. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? In December 2000 when Bill Clinton was in Dublin, he picked up a Fisherman sweater from the old Blarney Woollen Mills shop on Nassau St. The heading on a news story in The Irish Times the following day was “Purchase of a new jumper brings traffic to a standstill.” So, you see, sometimes a good sweater can stop everyone in their tracks!
WHAT’S YOUR AMBITION FOR YOUR BRAND? I’d like to see the Fisherman brand increase its profile at home and abroad in more of the upscale retail settings. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? That would have to be the dedicated, tight-knit group of skilled people that work at the factory in Kilcar, County Donegal where everything is made. WHERE DOES YOUR BRAND NAME COME FROM? It comes from both our location and inspiration—the Irish coastal landscape and its fishing communities. WHO IS YOUR DREAM MUSE? WHY? For women, I think Bono’s wife, Ali Hewson looks relatable, cool and comfortable in her own skin and I admired her Edun mission. My not shy, American husband beside me here is saying he is my male muse. YOUR DREAM COLLABORATION? To work with a prestigious department store such as Selfridges, Liberty London or Barneys New York. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish has given much needed valuable exposure to the many talented designers creating right here in Ireland. WHO DO YOU WANT TO WEAR IRISH? Anyone with good taste who cares about provenance. TAKE US THROUGH YOUR CREATIVE PROCESS. It all starts with the yarn, which then becomes a knitted fabric and finally a garment. I work with spinning mills to create, in some cases, bespoke yarns and colours. The next step is stitch and pattern development to create the fabrics and then finally designing the knitwear shapes. Trips to Pitti Filati yarn show, London and Donegal along the way all provide the ingredients with which to make the cake that is the next collection. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Knitwear is all about texture, colour and handle, and the beautiful, Irish coastal landscape has this in abundance. I am very blessed to be a part of creating a brand that is produced right here in Ireland as there is nowhere else I’d rather be. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I was born in England to Irish parents, and we moved back to County Cork as kids. As a child, my very “proud to be Irish” mother knit outfits for my dolls and Aran sweaters for Blarney Woollen Mills. She was my most significant influence and fan and was buried in a willow coffin in her favourite Fisherman cardigan. MOST COVETED ITEM IN YOUR COLLECTION? First introduced in 2006, our two-button, horizontal ribbed cardigan for women continues to be our absolute best seller every year. THREE THINGS YOU CAN’T LIVE WITHOUT? When on working trips in Donegal it’s my hot water bottle, healthy packed lunches, and Seamus, our knitwear programmer, he makes it all happen. YOUR GO-TO STYLING TRICK? If an outfit looks good on you, it doesn’t matter how many times you’ve worn it or how many people have seen you in it already; it looks good on you! This is what the “buy less, buy better” message ultimately entails. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I’m not a limelight loving person, but I do enjoy seeing a Fisherman sweater pass me by on the street.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Jennifer Kiernan. Visit scribbleandstone.com for more!
TELL US ABOUT YOUR BACKGROUND. I grew up in the north inner city of Dublin and have since studied commerce, fashion, and textiles and have qualifications in graphics, too. In 2010, I jointly set up the collaborative retail space Design Lane in Dublin’s Temple Bar. Work from over 50 local designers & makers is sold there, and I have been selling my own products under the brand Scribble & Stone since then. I now focus on developing jewellery products and have supplied probably about 40 shops over the years. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Probably being interested in music because I saw how amazing things started as small ideas. As a student, I knew a lot of DJs, producers, and promoters who had launched labels, club nights, or festivals on a shoestring. Edinburgh, where I went to art college, was great for that; so entrepreneurial and inclusive. For the first time, I could see how someone could be self-employed and create a job if they remained focused and committed. It gave me that entrepreneurial courage to do my own thing.
WHAT’S YOUR AMBITION FOR YOUR BRAND? I would love to expand the business and have more time for the creative rather than the business side. I would love to outsource all production, bearing in mind sustainability and fair trade, so we could focus on design. I would like to go back to textiles too in some way, and I have plans to do some things with a fair trade initiative in Nepal this year. I have so many ideas, but trying to fit it all in with family life can be challenging! HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Eclectic and inclusive! WHERE DOES YOUR BRAND NAME COME FROM? Initially, when I started, I was drawing a lot, so “scribble” referenced my illustrations; “stone” referred to gemstones and related to the jewellery. WHO IS YOUR DREAM MUSE? WHY? Cate Blanchett. Not only does she embody great style, intelligence, and beauty, but she does so much good work with the UN and speaks out in support of women’s rights. YOUR DREAM COLLABORATION? I would LOVE, LOVE, LOVE to design a collection for Marni. I adore their jewellery collections and would love to work with a big brand like that who have access to top-class production and materials so that all your imaginings could be brought to life in an exceptional, polished way. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The opportunity to bring our products to a broader audience and potentially to be able to develop collections with that in mind, rather than being constrained by the limitations of a slightly conservative local market. WHO DO YOU WANT TO WEAR IRISH? Everyone and anyone who likes the products and wants to support small-scale producers and keep retail diverse and exciting—and not just recognizable high street brands! TAKE US THROUGH YOUR CREATIVE PROCESS. The first part would be research and trend analysis. We tend to survey what’s going on across a lot of areas, from exhibitions to films to what’s happening on the catwalks. I’ll also look at things I’m personally interested in, from architecture to interior design to natural landscapes. From there, we’ll collect visual research and create beautiful mood-boards to use as reference points. Once you are surrounded by things like this, the rest just flows; materials and colours will suggest themselves. You get a feeling for what combinations of elements might work, and then you start to play about draping on a mannequin, or drawing elements that you could get 3D modeled. At this point, a collection will begin to evolve. From there, it’s about refining the ideas and of course, costings. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I can’t get away from it to be honest. It seeps into your bones in terms of preferred colours and textures. I grew up in a crumbling 18th-century Georgian house in the north inner city so peeling paint, distressed surfaces, muted colours look normal to me. I always return to that in terms of textures and palette and when working with colour, it’s always more muted, with shiny gold to brighten it. The architecture of the city always inspires, whether its grids and lines of scaffolding and building sites or stacked squares of Perspex inspired by the contemporary buildings of the Grand Canal Dock. I think the weather here and colours of the sea are endlessly inspirational and when developing things, it’s never going to be tropical brights! WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I’m not sure how to answer that. I guess it’s nice to come from a place that is known for being quite friendly and welcoming. The Irish market does influence my creations as it is small, so that can limit you in terms of what will sell well. People here are so supportive of local brands though, and that’s really lovely, to be honest! MOST COVETED ITEM IN YOUR COLLECTION? Our triple strand minimal bracelet. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, friends, and laughter. YOUR GO-TO STYLING TRICK? Statement earrings—currently hoops! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. My folks are conservationists of an 18th-century building and they were hugely active in the movement to save Georgian Dublin from demolition in the ’60s and ’70s. Thanks to them and their peers in The Preservation Society, North Great George’s Street is now one of the finest preserved and restored examples of an 18th-century street in Ireland. Perhaps it’s the memories of my Dad meticulously restoring stucco plasterwork with homemade moulds that planted the seed of my creativity!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Lorraine Rooney. Visit baalandtanit.com for more!
TELL US ABOUT YOUR BACKGROUND. I worked in Marketing for over ten years before starting Baal & Tanit. We returned to Ireland from the UK in 2014 after ten years in London. My third child arrived in 2016, at which point I decided to take some time out from consulting. It was during this time Baal & Tanit was born. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The first time I saw a stranger wearing one of my products abroad. It was only then I allowed myself to believe that what had started as a hobby turned into a small business. WHERE DOES YOUR BRAND NAME COME FROM? The brand name refers to the God and Goddess of Ibiza—Baal & Tanit. Ibiza is a place close to my heart; it’s where my husband and I were married.
YOUR DREAM COLLABORATION? We have so much variation in our designs that nearly every week we get to work on a new exciting collaboration with a customer. Our customers have creative control, and we will work with them on colours, materials, and design to create what they have in their minds and bring it to life. It keeps it fresh and exciting for us, and we love experimenting with all the different combinations. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It’s wonderful seeing a focus on Irish fashion and the passion Margaret has for shining the spotlight on Irish designers and brands. WHO DO YOU WANT TO WEAR IRISH? With so many incredible Irish designers, there is something for everyone. It’s an opportunity to show your support and always have a piece of home with you wherever you are in the world. TAKE US THROUGH YOUR CREATIVE PROCESS. Many of the product styles and designs are driven by a passion for creating functional, beautiful pieces that will be useful and serve a purpose while looking great. I love the flexibility of the brand and getting to work on different styles and designs depending on the customer requirements. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Living and experiencing the beauty of Ireland can’t but help shape your creative process and thinking. It’s not just the beauty, but more the culture, positivity, and belief that comes from the people which has personally encouraged me to develop the brand. MOST COVETED ITEM IN YOUR COLLECTION? Our personalized, straw boat hat. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, friends, and coffee! YOUR GO-TO STYLING TRICK? A good blow dry. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I worked in professional sport for eight years before starting Baal & Tanit.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Jane Asple. Visit emmabyjane.com for more!
TELL US ABOUT YOUR BACKGROUND. Before founding my brand, Emma by Jane in 2017, I was a fashion buyer. I studied fashion buying and merchandising at London College of Fashion. I then got a job with Primark in the UK, where I was responsible for designing collections based on current trends, sourcing suppliers, building strategies for the growth of my product areas. After five years with Primark, it was finally time to do my own thing. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? There have been some memorable defining moments which have led me to more significant moments, but one that stands out is being featured in three different issues of British Vogue. I was so shocked when I received the email from the team that I ignored it for a few days—I didn’t believe that it was Vogue! —until a friend made me contact them back. WHAT’S YOUR AMBITION FOR YOUR BRAND? To be world-renowned. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart of the brand is the women that we are designing for; they are our inspiration. I created a brand that features high-quality, fashionable pieces but at a more affordable price point because women deserve to treat themselves. Everything we do is for the women who work hard and can’t wait to receive a piece of our jewellery.
WHERE DOES YOUR BRAND NAME COME FROM? My best friend Emma was wearing half my wardrobe, and someone said “it’s like you’re styled by Jane”—Emma by Jane. WHO IS YOUR DREAM MUSE? WHY? Anine Bing. Her style is incredible, but her journey is even more incredible. YOUR DREAM COLLABORATION? Anine Bing. She is just an inspiration to me in so many ways. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? We are a small country and to have someone like Margaret spearheading a movement and promoting all the greatness we Irish are producing is exceptional. Margaret is opening doors for us in the United States. It’s incredible and such a joy to watch. WHO DO YOU WANT TO WEAR IRISH? Every woman who believes in themselves and their dreams—and who won’t stop fighting until they achieve them. TAKE US THROUGH YOUR CREATIVE PROCESS. My creative process is never-ending. I mostly get inspired when I am putting an outfit together as I will always think ‘what is it missing?’ And if we don’t have it, I immediately start drawing, so I don’t forget. Once I am satisfied with the design, I brief our suppliers, and we go back and forth for weeks to make sure the supplier has captured every detail. We then receive a sample of the piece; we try it with other pieces in the collection to make sure that our customer can build an outfit with their jewellery and once we are happy the design goes into production. Every piece of Emma by Jane is handmade by amazingly skilled people, and we are so proud of the team we have that help us bring everything to life. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland is home. I lived away for six years, and nothing beats coming home. I find the scenery amazing for opening your mind, taking you out of the pressures of life and business. It gives me a chance to breathe, reset, and refocus when I need to. MOST COVETED ITEM IN YOUR COLLECTION? Blazers are great, no matter what you’re wearing. They add a touch of style and class to any outfit. I have several colours in my wardrobe. THREE THINGS YOU CAN’T LIVE WITHOUT? My family, my dog, and chocolate. YOUR GO-TO STYLING TRICK? Accessories! My favourite outfits are a basic tee and jeans and then using all our Emma by Jane pieces to make it unique and to complete the look.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Yvonne Ross. Visit yvonneross.com for more!
TELL US ABOUT YOUR BACKGROUND. Initially, I studied Fine Art at Dublin Institute of Technology. After finishing my degree, I spent some time travelling, falling in love with the rainbow array of gemstones in the markets of Bangkok. Back home I enrolled in any jewellery short courses available and launched my first business “Yvonne Ross Designs,” selling high-end beaded jewellery in The Loft Market, Dublin. In 2009 I moved to Kilkenny to take a place on the renowned DccoI Jewellery Skills course, launching my goldsmithing business “Yvonne Ross Jewellery” in 2013.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? That’s a hard one to answer as there are so many. If I had to choose just one, I’d have to say winning the Company of Goldsmiths of Dublin (Assay) Award in the RDS National Crafts Competition in 2012—just a year after I’d finished my training. It gave me a huge confidence boost at that critical time when I was finished studying but not quite established. I went on to launch “Yvonne Ross Jewellery” the following year, opening my showroom/studio in Kilkenny City in 2015. WHAT’S YOUR AMBITION FOR YOUR BRAND? To continue to work independently of trends, focusing instead on my own evolving collection, creating balanced contemporary pieces using clean lines and quality materials. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Contemporary jewellery lovingly handcrafted using traditional goldsmithing skills in the heart of medieval Kilkenny city. WHERE DOES YOUR BRAND NAME COME FROM? For my brand name, I kept it simple and descriptive (mostly to make it easy for people to find me). WHO IS YOUR DREAM MUSE? WHY? Dawn O’Porter wore a large pair of gold pearl earrings of mine to the Oscars earlier this year, which was a total muse situation. I love her style. YOUR DREAM COLLABORATION? There are so many amazing designers out there but keeping it Irish, I’d like to work with Una Burke as I’m a big fan of her leather creations and I think we could make some interesting pieces together. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The #wearingirish movement is a great way to raise the public profile of Irish Design, but it also strengthens the design community here at home by having an online platform where we can connect. WHO DO YOU WANT TO WEAR IRISH? For my brand, I’d say someone with a keen eye for contemporary design and craftsmanship, but there is such an extensive range of Irish design that there is something for everyone. TAKE US THROUGH YOUR CREATIVE PROCESS. The creative process varies from piece to piece. Sometimes inspiration will come from a shape or structure, and I will begin with sketches. Other times a spectacular gemstone will guide the design. With a commissioned piece, we start with a design consultation (or two) followed by sketches, the choice of stones and then creating the bespoke piece. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I’m based in Kilkenny which is often referred to as the centre of craft in Ireland and have been a member of the “MADE in Kilkenny” craft collective for a few years. We have makers, from a wide range of traditional crafts, basket weavers, potters, glassblowers, and jewellers to name a few; we work together every year to produce a body of work for a curated exhibition. This immersion in local, Irish craft has been invaluable to my creative process. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish is an intrinsic part of me and all of us here on the Emerald Isle. Having lived abroad in numerous countries, I can say that there is a particular “way” about the Irish. We are hardworking, creative, often self-deprecating, and generally quick-witted. I think all of these characteristics influence both the way we work & the creations themselves. MOST COVETED ITEM IN YOUR COLLECTION? It would have to be my “Halved Halo” ring. Each ring is handcrafted and individually built around the client’s choice of gemstone, forged in gold, platinum or palladium and finished off with pave set, rare white diamonds. THREE THINGS YOU CAN’T LIVE WITHOUT? It’s family first and foremost—my daughter and fiancé (also our puppy Rosie) and of course the rest of our many siblings, parents, nieces, nephews, in-laws. Both myself and Paul are from large Irish families, so you get the picture! Of course, friends are next in line with crafting jewellery coming in a very important third place. YOUR GO-TO STYLING TRICK? Jewellery can finish off an outfit, but I always make sure the end result works. It’s a collaboration between clothes and accessories. A simple outfit showcases large eye-catching jewellery, but if you’re wearing an outfit that’s big and bold simple jewellery tends to work better.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Vivien Walsh. Visit vivienwalsh.com for more!
TELL US ABOUT YOUR BACKGROUND. I grew up in a creative environment… my father was a furniture designer and so it seemed very natural for me to follow a career in design. Jewellery came about almost by accident! I am entirely self taught. While I was living in London in the 1980’s I became captivated by the small bead shops around me and decided to try my hand at creating my own pieces. On returning to Ireland I launched my first jewellery collection and have been creating ever since. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I think my heart skipped a beat the first time I saw someone wearing a piece of my jewellery in real life. I realized, “I’m actually doing this!” Thankfully that feeling never went away, and I still get the same thrill to this day.
WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition is to grow my brand both nationally and internationally through my website and collaborations with like-minded retail partners. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? I design jewellery to be loved and worn, that makes the wearer feel good. WHERE DOES YOUR BRAND NAME COME FROM? It’s my name. For me, it’s important that people know there is a real person behind the brand. WHO IS YOUR DREAM MUSE? WHY? My current muse is Maria Bernad. I adore her easy-going style. YOUR DREAM COLLABORATION? To collaborate with Iris Apfel would be amazing; her sense of freedom is inspiring. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I love the contemporary approach WearingIrish is taking to highlight the creative talent on our small island. WHO DO YOU WANT TO WEAR IRISH? She is independent and travels her own path. Trends do not define her; instead, she sets her own style. She chooses to wear Irish. TAKE US THROUGH YOUR CREATIVE PROCESS. An idea will strike me: it could be anything, at any time and I might jot down a note or somehow record the memory. When I start to work on that idea, it is the materials themselves that speak to me. I rarely draw. I go directly to my workbench and begin to play with the stones, chains, metal pieces, and that’s when the designs start to flow. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? The sense of freedom that comes from living on an island is something that influences the person I am and the way I work. Our rich culture and history, along with the natural beauty of our landscape, is a constant inspiration. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? We are storytellers, romantics, and rebels all rolled into one; my creativity flows from those three things. MOST COVETED ITEM IN YOUR COLLECTION? Right now, the multi-strand floating pearl necklace from my City collection. THREE THINGS YOU CAN’T LIVE WITHOUT? Loved ones, music, and an emerald ring that belonged to my mother. YOUR GO-TO STYLING TRICK? Keep it simple and understated and add a pop of interest. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT WE DIDN’T ASK. Inside, I’m a piano playing architect!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Conor Holden. Visit holdenleathergoods.com for more!
TELL US ABOUT YOUR BACKGROUND. Born and bred in Dublin, I started my working life as a trainee hotel manager, at the age of 17. I moved to London at 19 and worked in local government. A course at Cordwainers College (now part of London College of Fashion) in Leathergoods Design and Production caught my eye: this was the beginning of my journey back home, and the beginning of Holden Leathergoods, which I set up in 1989. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? A holiday in Dingle in 1988, which ultimately lead to setting up the workshop in this beautiful and inspiring location. WHAT’S YOUR AMBITION FOR YOUR BRAND? For the Holden name to be totally synonymous with quality and integrity—of design, craftmanship and sustainability.
HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? We are dedicated to producing leathergoods of the highest quality you will find anywhere in the world, maintaining a commitment to sustainability and the very opposite of ‘fast fashion’: we are the leather equivalent of the slow food movement! We do our own thing, our way, for people who know their own minds. WHERE DOES YOUR BRAND NAME COME FROM? Holden is my family name, and I get a great sense of pride when I see it on my work. WHO IS YOUR DREAM MUSE? WHY? I always imagine Audrey Hepburn carrying a Holden ‘Isabel’ bag! Her enduring elegance and style inspire our own modern classics. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement is a great way to encourage and support designers and makers in Ireland to reach a wider audience. WHO DO YOU WANT TO WEAR IRISH? There are over 35 million Americans with Irish heritage; if every one of these were to wear or carry just one piece of Irish design, imagine how much growth and security this could bring to Irish designers and makers! TAKE US THROUGH YOUR CREATIVE PROCESS. Most of our bag designs are collaborations between myself and my wife, Claire. We set aside some time to work through new ideas and prototype them, usually when we receive the samples of new leathers we’ve selected from our tanneries in Italy and are buzzing with inspiration and creativity! It’s one of the aspects of my job that I most enjoy. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? The Dingle Peninsula is not only breathtakingly beautiful, it’s steeped in history, and encompasses so much about being Irish: it has a spiritual draw which continues to this day to attract and inspire creativity in writers, musicians, poets, philosophers, dancers, artists and artisans. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish is an integral part of who I am. My heritage is very important to me: It gives me a sense of place in the world and a pride and confidence in what I do. MOST COVETED ITEM IN YOUR COLLECTION? The Holden ‘Laptop Backpack’—even we have been surprised by its appeal, to men and women. It’s the perfect excuse to treat yourself; useful and practical with all the luxury details you’d expect from a Holden: meticulously handcrafted full grain leather, with a hardwearing soft suede lining. THREE THINGS YOU CAN’T LIVE WITHOUT? My family above all else followed closely by coffee and chocolate! YOUR GO-TO STYLING TRICK? A classic Holden ‘Aoife’ bag looks equally amazing dressed up for an evening or dressed down with denim; choose a Holden bag you love—you’ll have it for years! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT WE DIDN’T ASK. This year is the 30th anniversary of Holden Leathergoods! I was a bearded, long-haired 25-year-old when I started all this!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Aoife McNamara. Visit aoifemcnamara.com for more!
TELL US ABOUT YOUR BACKGROUND. I am a Limerick School of Art and Design graduate and hold a BA Honors Degree in Fashion Design. My knowledge and background spans interning with Marc Jacobs, working with a Vogue stylist in Paris, supplying fashion to noted celebrities such as Vogue Williams, Roz Purcell, Suzanne Jackson, and working practically with Irish companies in uniform design and Capsule collections. I have also won Irish Country Magazine Fashion designer of the year 2019 and nominated in the top 5 for Gossies Fashion Designer of the year 2019. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The most defining move in my career would have to be, moving to Paris straight after college by myself with no French, no job, and a dream to pursue a career in the fashion industry. I had previously been in NYC working, but Paris was a whole other level—learning the true detail to design and how cutthroat the real fashion industry is. Working many different jobs from styling to couture—I think throwing yourself in the deep end straight after college is the best way to learn and grow as a young designer.
WHAT’S YOUR AMBITION FOR YOUR BRAND? Becoming a 100% ethical brand is what I want AOIFE Ireland to grow into. As a young up-and-coming designer, it is vital to have a voice in what I create and how I choose to represent my line. For me, that is reducing my carbon footprint anywhere we can—keeping my production in Ireland and choosing sustainable materials. We are not perfect, but we strive to achieve a brand that is known globally for its ethical morals. WHERE DOES YOUR BRAND NAME COME FROM? I wanted to keep my brand name very simple, clear and 100% Irish—choosing AOIFE Ireland just made sense. YOUR DREAM COLLABORATION? Copenhagen Stylist Emili Sindlev. Her style is like no other. She is 100% my muse, from her colour palette to how she styles her clothes. It would be a dream to collaborate with her on an AOIFE line. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? A lot of different aspects inspire my creative process—the main one being Ireland and its beautiful sunsets. My current SS20 collection is called ‘She’s A Dreamer.’ I collaborated with Irish woolen mill John Hanly to create my Irish wool, which represents our beautiful skyline. THREE THINGS YOU CAN’T LIVE WITHOUT? My phone, Filofax and a pocket sketchbook. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT WE DIDN’T ASK. I am obsessed with training, whether it’s for a triathlon or first thing in the morning. I feel it clears my head and helps me work a lot more productive for the day.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Aideen Bodkin. Visit aideenbodkin.com for more!
TELL US ABOUT YOUR BACKGROUND. The Aideen Bodkin label was established in 1999 to offer Irish women timeless, tailored contemporary style with a vintage twist. It was a career that chose me from a young age, having been influenced by the glamour of classic Hollywood films that I watched as a child with my mother and grandmother. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? As a relatively new designer on the Irish market, I was chosen to design an outfit for the then Irish President Mary McAleese for her inauguration for her second term. The attention this outfit received from the public and media gave the label a huge boost, and the brand gained a loyal following. WHAT’S YOUR AMBITION FOR YOUR BRAND? I would like to see the brand gain a following in other markets, showing that Irish design can sit alongside and complement international labels.
WHERE DOES YOUR BRAND NAME COME FROM? My brand name is my given name, and the surname “Bodkin” coincidentally is a blunt needle used by tailors for sewing leather. YOUR DREAM COLLABORATION? I would love to collaborate with an Irish weaving company to reintroduce Irish handcrafts in a contemporary way to a worldwide audience. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish is a fantastic platform that presents the best of Irish design to a worldwide audience. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? A sense of place is part of the fabric of being an Irish person and is key to our culture. Irish designers understand the sense of occasion and family that is at the heart of many of our celebrations. We design clothes to suit the uniqueness of our culture and the several occasions that we celebrate. MOST COVETED ITEM IN YOUR COLLECTION? A great dress that can be worn to an event or dressed down for everyday wear. THREE THINGS YOU CAN’T LIVE WITHOUT? Books, family, and friends.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Niki Collier. Visit designireland.ie for more!
TELL US ABOUT YOUR BACKGROUND. Niki Collier is a genuine story of modern Ireland. Twenty years ago, I arrived from Bulgaria to complete a doctorate. Today, my handmade designs and art pieces have been appreciated as part of the Irish creative movement. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? There have been many defining moments in my career including being the first Irish felt designer to be sold at the British Museum Shop and the first felt designer to be sold in Kilkenny Design. WHAT’S YOUR AMBITION FOR YOUR BRAND? To collaborate with film, music and fashion houses, while keeping my boutique stockists and developing the workshop as a destination for curious folk looking to enjoy a unique studio experience. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? A yearning to tell authentic stories through products that capture my passion for heritage, materials and origin—such as my Wild accessory range, the first truly Irish felt tweed.
WHERE DOES YOUR BRAND NAME COME FROM? My name. I am a small studio with occasional support for exhibitions and big orders who was never interested in having any notions. WHO IS YOUR DREAM MUSE? WHY? Katniss Everdeen the Mockingjay. She’s a character with a purpose and a voice, who never fails to be both human and hero—even when faced with adversity. YOUR DREAM COLLABORATION? I would love to make a hugging scarf for Oprah—the woman known for giving best hugs—and also be on the list of go-to craftspeople for director Peter Jackson. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish showcases our work with grace and love and inspires designers to create authentic pieces with strong stories. WHO DO YOU WANT TO WEAR IRISH? The list is long! Stephen Colbert’s wife, Evelyn McGee-Colbert and all of the Emmas: Stone, Watson and Thompson. Also, Christy Turlington, Rhianna, Meghan Markle, and Michelle Obama. TAKE US THROUGH YOUR CREATIVE PROCESS? My process is simple. It starts with something that I see as a problem, and I look for ways to solve it. This need transpires into a collection that people wear or in sculptural pieces that I share with folk with a passion for visual interpretation of our world. Initially, I start with complex ideas and an array of materials. During the process, I learn and simplify the concept and the elements so that the message is powerful, and the piece is elegant and sophisticated. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? The Irish culture, community and textile heritage have made me who I am today. I collaborate with local sheep and alpaca farms, developing pieces that are truly Irish. Ireland informs everything—from my first truly Irish felt, to my interpretation of an Aran sweater. MOST COVETED ITEM IN YOUR COLLECTION? Coats and hats. THREE THINGS YOU CAN’T LIVE WITHOUT? Hope, my family and textiles. YOUR GO-TO STYLING TRICK? Layering because it allows you to hide and emphasize different areas of the body. For example, a piece of luxury textile could be used as a coat, wrap, dress, top, trousers, skirt, or scarf. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I work with one hand as I have nerve damage from birth, which has influenced all my designs and narratives. All my pieces are easy to put on, and they are very playful, yielding to the transformation of function and interpretation of purpose, but never making you faff around. Textile is my voice and identity—it enables me to connect with people around the world.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Peter O’Brien. Visit peterobriendesign.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born in London to Irish parents but moved back to Ireland as a child. I seem to have spent my entire childhood with a pencil in my hand (invariably drawing grand ladies in ballgowns). At 19 I moved to London and worked in window display—now called visual merchandising. Prompted by a meeting with a fashion journalist I applied for a place a Saint Martin’s School of Art. I graduated with a degree in fashion design and subsequently did a year on an exchange program with Parsons in New York doing fashion illustration.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Probably my first week working as a lowly assistant in the couture studio at Dior in Paris. There was a WWD preview, and I found myself on the Pont Alexandre III bridge with two models in evening gowns, a photographer, various hair & make-up people, Andre Leon Talley and me! I felt like Kay Thompson in “Funny Face.” I kept pinching myself to be sure I wasn’t dreaming. WHAT’S YOUR AMBITION FOR YOUR BRAND? That as many women as possible get to wear my clothes and get pleasure from wearing them. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Quiet drama. I love making impact with a whisper. WHERE DOES YOUR BRAND NAME COME FROM? My name. WHO IS YOUR DREAM MUSE? WHY? I like to design for real women. YOUR DREAM COLLABORATION? To design the costumes for a production of Sondheim’s “A Little Night Music” that would be directed by Marianne Elliott and starring Laura Linney as Desiree and Olympia Dukakis as Madame Armfeldt. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Getting the message out there about Irish design can only be a positive thing. WHO DO YOU WANT TO WEAR IRISH? As many people as possible! TAKE US THROUGH YOUR CREATIVE PROCESS? I draw and draw and draw and draw…and procrastinate! The starting point is almost invariably a piece of fabric that inspires me. I don’t do anecdotal clothing; I never ‘tell stories’ about kidnapped princesses or imaginary journeys. I design very instinctively, informed I guess by a lifetime of being a culture vulture. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I think anyone who does creative work will acknowledge that a sense of place deeply, if not always consciously, informs the design process. I lived outside of Ireland for 35 years, so my influences cannot be anything other than a sum of the many lives I have lived. I work from the gut, so in a sense, the concrete influences of being Irish or living in Ireland are almost impossible for me to articulate. I fear I’m not much given to navel-gazing—I just do it. MOST COVETED ITEM IN YOUR COLLECTION? Women seem to love our coats, and I’ve built up a loyal following of ‘collectors.’ THREE THINGS YOU CAN’T LIVE WITHOUT? My books, Steven Sondheim’s music, and Serge Lutens’ Iris Silver Mist Eau de Parfum from Le Palais Royale in Paris. YOUR GO-TO STYLING TRICK? Simplify! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I hate electric guitars.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Aisling Duffy. Visit aislingduffy.co.uk for more!
TELL US ABOUT YOUR BACKGROUND. I grew up in Dublin. I wanted nothing more than to attend art college; the day I received my acceptance letter to the National College of Art & Design, I cried. I spent four years at Ncad where I specialized in printed textiles. After graduation, I was accepted to the Edinburgh College of Art, where I spent two years developing my design style. I graduated with a master’s with distinction in textiles. I moved to London and worked as a Print Designer for a small studio. When the studio closed down, I decided to be brave and start my printed fashion label! WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? If I had to pick one moment, it would be seeing my designs on the runway at The Rose of Tralee International Festival in August 2019. I worked tirelessly within a limited time frame to produce three catwalk looks. Each look explored Irish identity through print and hand-embellishment. I felt so proud of what I have managed to achieve and incredibly thankful to be given such a huge opportunity to showcase my work.
WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition for my brand would be to produce fully sustainable, ethical, and unique collections with instant brand recognition and to be worn by musicians on stage and seen in music videos. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Print, hand-embellishment, personal exploration and ethics. WHERE DOES YOUR BRAND NAME COME FROM? It’s my name—Aisling Duffy. Given my label and designs are so much about personal exploration, it seems natural to hold onto my name. Plus, ‘Aisling’ is such an Irish name, and it is fun having always to tell everyone how to pronounce it all the time! WHO IS YOUR DREAM MUSE? WHY? I have so many! I am mainly drawn to people’s journeys, artistic talent, and drive to change the world for the better. I would love to dress Jonathan Van Ness, Billie Eilish, or Charli XCX, but equally, I find the personal journeys of the people around me, such as my grandmothers, my mother, and my friends so inspirational. YOUR DREAM COLLABORATION? A pop-up or window display for Brown Thomas; stage costumes for Charli XCX, Billie Eilish, or Grimes; or a fashion collaboration with Stella McCartney (leading the way for ethical fashion), or Simone Rocha (one of my favourite designers). WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Being an Irish designer based away from Ireland, I have found the WearingIrish movement has helped me understand that I am an Irish designer regardless of my location. This insight has given me strength and clarity when I have struggled with how to define myself. WHO DO YOU WANT TO WEAR IRISH? I want to think that Irish design could be worn globally. I would love to see more designers promoting themselves as Irish designers when they show at London Fashion Week. TAKE US THROUGH YOUR CREATIVE PROCESS? I generally begin by making collages and artwork using imagery related to the theme of the collection. I then create fabric prints using my artwork. I develop pattern cuts and styles for my fashion collection, mainly from my collection of vintage items. I hand make and hand embellish all my collections at my London studio. It is a genuinely immersive and inspiring process for me, and I hope I never lose that element from my work. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I grew up in the suburbs of Dublin near the coast. This mixture of urban and nature has always played an influential role in the imagery I use for my collection. I love the contrast between the beauty of nature but also the beauty of urban life—graffiti, derelict buildings, windows, and reflections. My family, their Irish accents, Irish sayings, their homes, and stories, all of which are uniquely Irish, are all part of my inspiration, and I draw from this constantly when creating new work. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? This question has always inspired my work. My recent collections have explored Irish identity through print and imagery. I utilize a lot of Irish symbols, native animals, and the Irish language. Living away from home, you start to question your sense of self. But in a way, I feel even more Irish now. When I introduce myself to others, I say, “I am an Irish designer based in London,” so I believe my sense of being Irish is vital to me and my work. MOST COVETED ITEM IN YOUR COLLECTION? The most coveted item is probably a transparent oversized vest I created in 2018. It is covered in velvet patches, sequins, vintage buttons, and reclaimed gems. It took days to create. It isn’t for sale, but it is so popular that I allow it to be used in photoshoots and styling edits—as long as those using the vest guarantee to take good care of it! THREE THINGS YOU CAN’T LIVE WITHOUT? Vintage finds, the freedom to create, and family. YOUR GO-TO STYLING TRICK? Always wear whatever you want regardless of trend. I’m rarely seen without a beanie or a load of jewellery, and I’m nearly always wearing vintage or thrifted finds. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am incredibly clumsy, and I am a proud member of the left-handed club!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Triona Spellman. Visit darcybow.ie for more!
TELL US ABOUT YOUR BACKGROUND. I grew up in Gorey, Co. Wexford and while I travelled all over the world and lived in London when I decided to settle down with my husband, we returned to Gorey. I am still cabin crew with a large international airline, so I get to satisfy my passion for travel and keep an eye on fashion trends across the world. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I made my goddaughter a dress for her first birthday because I just couldn’t find “the dress.” She wore it for her party and I received so many compliments and requests that I knew there was an opportunity to turn this into my dream job. Now, I am being stocked by The Tot in the United States.
WHAT’S YOUR AMBITION FOR YOUR BRAND? I would love to see a return to people buying quality clothing that has been designed to be worn and worn again—the clothes we wear are part and parcel of our childhood reminiscences. I want to see Darcybow become part of childhood memories for generations to come. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Inspired by timeless, classic tailoring with a touch of whimsy, each piece is lovingly made by hand anddesigned for your child’s comfort—while never relinquishing on style. It is clothing intended to become her favourite and treasured always. WHERE DOES YOUR BRAND NAME COME FROM? When it came to the name I knew it would incorporate “bows” in some way—I have been obsessed with them since I was a child. My married name is Darcy, so I decided to combine the two. WHO IS YOUR DREAM MUSE? WHY? Princess Charlotte. This little girl is breaking perceptions of what a princess should be—fun and fearless with boundless energy. She seems to delight in the world around her. YOUR DREAM COLLABORATION? Emilia Wickstead—I love everything she designs as they are timeless, sophisticated and unique. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I love that the WearingIrish movement is showcasing the incredible talent and the diversity of styles that we have in this country. For so long we thought of Irish design as tweed and wool, but to see what designers are now doing with these incredible materials, it sparks our imaginations and reminds us what a wealth of culture and style we have to inspire us. TAKE US THROUGH YOUR CREATIVE PROCESS? As a child, I was obsessed with clothes, especially dresses. I was very particular about colours, how it felt when I wore it, how the cuff closed, and where the ribbons were placed. I keep all these details in mind when I am designing for kids. For me, the fabric is critical—you need to feel the quality just by touching it. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I love that the Irish people still “get their glad rags on.” We choose to step out of our everyday wear for something special when we wish to mark an occasion; what we wear is intrinsically linked to those special events. That is what Darcybow is all about, creating something beautiful and unique for that extraordinary occasion. MOST COVETED ITEM IN YOUR COLLECTION? Darcybow Capes—they encapsulate my design values, timeless, elegant style in sumptuous fabrics that can be enjoyed across seasons. Our capes tend to sell out as people love their versatility. THREE THINGS YOU CAN’T LIVE WITHOUT? My boys, my phone and a decent cup of tea. YOUR GO-TO STYLING TRICK? Love what you wear! Keep it simple with good tailoring, great fabrics and be comfortable. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am a great listener and I LOVE to hear people’s stories—there is nothing more enjoyable than meeting new people (preferably over a strong cup of tea).
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Karen and Ellen Yates. Visit tayloryates.com for more!
TELL US ABOUT YOUR BACKGROUND. Karen Yates: I worked for Jaeger, a company that made clothes for M&S and then, in the family design & print business before founding Taylor Yates. Ellen Yates: I’m still at university in Manchester. I return in September to complete my degree in Fashion Business Management, after a placement year working full-time at Taylor Yates.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Karen: That’s a hard one to answer! Eighteen months after launch, we were invited by the British Fashion Council to London Fashion Week, which was amazing. We have had tremendous support from our friends and family; in the beginning, most of our sales were to people we knew. When we received our first online order from America—from someone we didn’t know—it was a true “wow” moment. WHAT’S YOUR AMBITION FOR YOUR BRAND? Karen: To be a British luxury brand, founded with a beautiful purpose—authentic, socially conscious, and sustainably focused. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Karen: To change lives and protect the planet by making beautiful things for people to love. WHERE DOES YOUR BRAND NAME COME FROM? Karen: It is the combination of my maiden name and married name. Also, Ellen’s full name is Ellen Taylor Yates, so the name serves as a tribute to the strong women that surrounded me growing up. WHO IS YOUR DREAM MUSE? WHY? Karen: Can we have two?! Emma Watson and Helen Mirren are our dream muses. We love how active they are in advocating for equality for women. They both live an “attitude, not age” philosophy, and we love both of their styles. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Karen: We love what Margaret has achieved. Irish designers and brands are receiving valid recognition from the WearingIrish movement, and it allows brands to expand their audience in countries they might not otherwise have been able to reach. WHO DO YOU WANT TO WEAR IRISH? Karen: Everyone! TAKE US THROUGH YOUR CREATIVE PROCESS? Karen: We typically start with the shape. Since leather is soft, it enables us to create forms not often possible with standard leather. We love the development process. Colour also plays an important role. We have long debates about whether a shape or style will work in a specific colour. Sampling can be expensive, and as a small business, we sometimes have to go with our gut feel and trust our customers will like our pick! HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Karen: Our colour palette takes inspiration from Ireland’s stunning north coast, where we live. It is hard not to be influenced by the beauty of the country. The sea, the sky, and the land continually transform with the weather. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Karen: Ireland is all about being warm, friendly, and approachable; the Irish can be quite understated, too. MOST COVETED ITEM IN YOUR COLLECTION? Karen: The Tilly bag in petrol has been our most popular style, but the new Agnes bag in plum is becoming quite desirable among our customers. YOUR GO-TO STYLING TRICK? Karen: Use bronzer as eyeshadow and of course, add a Taylor Yates bag to your outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Karen: Taylor Yates is a business with a beautiful purpose. We want to build a company that gives back and supports young women from a young age. Currently, we are helping a group of local girls to launch their own business.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Heidi Higgins. Visit heidihiggins.com for more!
TELL US ABOUT YOUR BACKGROUND. When I finished secondary school, I took a year out to concentrate on my portfolio for art college. The following year I started studying at the National College of Art and Design, where I specialized in Fashion Design. When I was in college, I spent a summer in New York and worked in Fitzpatrick Hotel at the reception desk and did an internship with Daryl Kerrigan. In 2009 I set up my label, and in 2010, I opened my flagship store in my home town of Portlaoise, Co. Laois. This year marks my tenth year in business! WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Opening my store as it gave me the shop window to showcase my designs and professional retail space to meet my customers. I have my design studio upstairs from my boutique too, which is great to have the whole business all under one roof. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Elegance with a twist! WHERE DOES YOUR BRAND NAME COME FROM? Luckily, it’s my name!
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I have always worn Irish design as it’s unique and I know how much work goes into making them, so I think it is great to see the #wearingirish movement helping shine a light on Irish brands! WHO DO YOU WANT TO WEAR IRISH? Since I have started selling online, we have customers from all over the world who have no connection to Ireland but love the brand. I find these customers exciting as they just came across my collection and saw what they liked and of course we have great support from the Irish abroad too! TAKE US THROUGH YOUR CREATIVE PROCESS? As I have my store, I am very aware of what my customers are looking for, so that is always a crucial starting point when designing. I travel to Premier Vision in Paris twice a year, which is the largest fabric fair to source fabrics and meet my suppliers. Travel is an excellent source of inspiration and takes you out of the day to day running a business, so your creativity can come to life. I work mostly on the mannequin and draping the designs I want as I adore working with beautiful fabrics. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Although I enjoyed my time in New York when I was a student, I have never had a desire to work anywhere else but Ireland. I love to travel and bring ideas home with me, but I am very proud to have my store in Ireland and still have an international brand that sells to customers worldwide! Irish ladies have a great sense of style and love colour, which is a big part of my collections! MOST COVETED ITEM IN YOUR COLLECTION? My Daphne coat; it’s a classic HH design that I have recreated many times as it’s so timeless and elegant. An investment coat is a must in Ireland! THREE THINGS YOU CAN’T LIVE WITHOUT? Besides my family and friends: my phone, my shoe collection, and my Mini car! YOUR GO-TO STYLING TRICK? Add a pop of colour either in the garment you choose or through your accessories—it will uplift your mood and help you put your best foot forward!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Lou Brennan. Visit loubrennan.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born in London to Irish parents from Co. Mayo, and I was the first graduate on the MA programme in Fashion from NCAD, Dublin over 20 years ago. I went on to work as the textile manager for John Rocha before returning to London to establish my studio. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? My friend Seta Niland was the stylist for Alexander McQueen and fashion editor for The Face magazine, and she introduced me to Lee after I finished my first degree. I started producing textiles and catwalk pieces for him and will never forget seeing my first design for him in The Observer Life magazine. WHAT’S YOUR AMBITION FOR YOUR BRAND? I wish to create a brand of beautiful textiles with a strong Irish DNA, a recognizable ‘Lou Brennan’ handwriting and with a strong international appeal. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? My love of Irish textiles is at the heart of my collections, and the quote from a recent Irish Times article about my new range perfectly described the brand— “Brennan’s fusion of romance and heritage is a winning combination.”
WHERE DOES YOUR BRAND NAME COME FROM? I decided to use my name for my brand with “Brennan” having a strong Irish identity and history. WHO IS YOUR DREAM MUSE? WHY? My dream muse would be an amalgamation of strong, beautiful, creative women not afraid to carve out their path, such as Maud Gonne, Georgia O’Keeffe, Eve Arnold—women with great personal style. YOUR DREAM COLLABORATION? I am particularly inspired by the collaborations that Dior’s artistic director, Maria Grazia Chiuri, is forging with numerous creative practitioners, with an emphasis on handicraft and tradition, merging new and old-world techniques. Closer to home, I would love to collaborate with a woolen or linen mill to produce a range of embroidered/printed scarves. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement has galvanised so many Irish designers to promote their businesses on a broader international stage. The spotlight that is being shone on those participating makes me so proud to see the wealth of talent and creativity in Ireland today. WHO DO YOU WANT TO WEAR IRISH? I have created my business and this first collection of luxury scarves to appeal to women who seek out something special in their wardrobe. The inspiration behind my collection, that of the story of Irish textiles has a universal appeal as our fabrics have been cherished through the centuries. TAKE US THROUGH YOUR CREATIVE PROCESS? For this first collection, I was inspired by the iconic Galway shawls, many with paisley designs and lace borders. I hand drew motifs from my vintage Carrickmacross wedding veil and repeated and arranged the motifs to echo the patterns in the shawls. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I live in Mayo, in a boathouse, on the edge of Lough Conn surrounded by nature and space to create, so my surroundings continuously inspire me. Once there were lace schools and linen mills all around and fortunately, one of Ireland’s last working woolen mills, founded in 1892, is nearby. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? As the daughter of emigrants to London in the 1950s, my sense of being Irish is exceptionally acute. It was said that the spirit of loss was magnified, which is why I’m so drawn to the history and the culture of Ireland. Like the playwright Martin McDonagh, it’s the Irish stories that I’m more qualified to tell. MOST COVETED ITEM IN YOUR COLLECTION? The “Kathleen” Irish lace print scarf in magenta and port wine, so named after my mother, who gave me my vintage Carrickmacross wedding veil that inspired this design. THREE THINGS YOU CAN’T LIVE WITHOUT? Other than my family, which are everything to me, I love communicating with people and learning, so my iPad is never far away. I paint, so my art materials are vital as well as my sewing machine. YOUR GO-TO STYLING TRICK? Naturally, I would have to say one of my scarves whether it’s one of the generously proportioned cashmere blended styles or a silk twill square tied in a bow with a mother of pearl scarf ring. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. My life as a freelance textile designer allowed me to travel the world as my husband is a musician, attending the Grammys twice and designing stage clothes for Peter Gabriel’s “UP” tour. At Alexander McQueen’s “Banshee” show in at The Café de Paris, I was the voice of the banshee.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Julie Danz of Juvi Designs. Visit juvidesigns.com for more!
TELL US ABOUT YOUR BACKGROUND. We are a husband and wife duo. After studying art history in UCD Dublin, I moved to New York City to work in the world of interior design. Vincent is a talented silversmith who honed his skills in Mexico. Having both returned to Ireland, we set up Juvi Designs from our living room in Rathgar, Dublin in 2006. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Winning “Best Accessory Designer” at Dublin Fashion Week was a big break for us and allowed us to open a pop-up at Dublin’s most prestigious department store, Brown Thomas. This was the catalyst for a change in our business and our profile.
WHAT’S YOUR AMBITION FOR YOUR BRAND? To be a world-renowned destination brand for anyone looking something special for themselves or as a gift for a loved one. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Storytelling is at the heart of all we do. Jewellery is such a personal possession, and everyone has a story reflecting how they came to own a specific piece, the memory behind it or what it symbolizes. This is synonymous with the Irish charm; everyone has a story to tell. Our tag line is “each piece is a story brought home” – the creation of each piece is guided by our story, but we are most inspired by the stories the wearer brings to their special piece. WHERE DOES YOUR BRAND NAME COME FROM? Juvi is exactly who we are—Ju from Julie; Vi from Vincent. We are a partnership, and we both bring our strengths, inspiration, style, and vibe to every collection. WHO IS YOUR DREAM MUSE? WHY? I love Helena Christensen. She is naturally beautiful and emits that effortless boho vibe that inspires us. She is a fabulous photographer and oozes creativity. YOUR DREAM COLLABORATION? Philip Treacy and Temperley London always inspire me. Their flair for colour, femininity, intricate craft, and the inclusion of natural elements like feathers, leaves, and fine materials lures me in every time. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I love that the WearingIrish movement is dedicated to advocating for Irish craftspeople, recognizing the craft, ethos, and beauty created and inspired by our little island. We may be a small country, but we are competing on a global stage. WHO DO YOU WANT TO WEAR IRISH? I think everyone who appreciates craft, storytelling, heritage, and design should wear Irish. TAKE US THROUGH YOUR CREATIVE PROCESS? Travel is always the starting point for our creative process. We travel the world searching for beautiful, ethically sourced gemstones, and I still spend the return flight sketching. When we return to our studio, Vincent and I work together to bring my sketches to life, experimenting with finishes, different gemstones, and feeling out the story we want the collection to tell. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? We are so lucky that our studio is nestled at the foothills of the Dublin Mountains. From our workshop, our views are of the rugged and ever-changing landscapes as the seasons change. As we move into autumn and winter seasons, I feel the pull of darker gemstones like garnet and onyx, yet as the brighter evenings roll around, I am inspired to work with exotically colored stones like aqua chalcedony and green tourmaline. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I think Irish people have an affinity with nature and the wilderness. Our little island is always affected by the elements, and likewise, for such a small part of the world, the Irish are known to be forces of nature. This is reflected in our jewellery—we work directly with gemstones created and forged naturally from the Earth. MOST COVETED ITEM IN YOUR COLLECTION? Rings, colourful rings! THREE THINGS YOU CAN’T LIVE WITHOUT? My kids, dog walks by the sea and my sketchpad. YOUR GO-TO STYLING TRICK? I believe any casual outfit can be transformed with a good pair of earrings. I am always drawn to black, so a great vibrant pair of earrings can add that perfect pop of colour. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Interior design is still a huge inspiration and creative draw for me. Having worked under Carlton Varney, one of America’s most adventurous and bold interior designers, I am always chatting all things design. From colour combinations, redecorating our home and studio and helping friends with their interior design plans. I am all about colour!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Elaine Madigan. Visit madigancashmere.com for more!
TELL US ABOUT YOUR BACKGROUND. I learned my trade as a young teenager from my very talented mother, Maureen. She taught me how to create beautiful garments from beautiful fabrics. I studied knitwear design at Limerick IT. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The most defining moment of my career has been the realization that people want to be part of our story and choose to buy into the Madigan brand. WHAT’S YOUR AMBITION FOR YOUR BRAND? To continue to develop our luxury Irish products within the brand and to market worldwide. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Designers, manufacturers and purveyors of Irish luxury. WHERE DOES YOUR BRAND NAME COME FROM? Madigan is our family name, which for five generations has been synonymous with making and selling luxury Irish goods.
WHO IS YOUR DREAM MUSE? WHY? My dream muse is Coco Chanel. She personifies elegance, determination, and self-belief. YOUR DREAM COLLABORATION? My dream collaboration would be with Chanel. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The recognition of our historic Irish design skills, taking them into the now, which will allow them to evolve into the future. WHO DO YOU WANT TO WEAR IRISH? Everyone should get the opportunity and experience of WearingIrish. TAKE US THROUGH YOUR CREATIVE PROCESS? We make everything here ourselves in Ireland. From my studio in County Kildare, I design and create the first of everything. I then work with my team of ladies to produce our cashmere collection. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My sense of place is what fuels my imagination. I’m lucky to live in the countryside in Straffan, which continues to offer me something special to inspire my creative process. It is where the magic happens. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish gives me a tremendous sense of identity and heritage, and this is what has influenced my creations. MOST COVETED ITEM IN YOUR COLLECTION? My new Madigan Heritage Aran collection. THREE THINGS YOU CAN’T LIVE WITHOUT? Space for creativity, family, and great food. YOUR GO-TO STYLING TRICK? Start your day with the piece you want to wear and make everything else work around it. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Having set up many businesses over the past thirty years, I’ve finally found my niche, and I’m doing what I love.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Natasha Sherling.
TELL US ABOUT YOUR BACKGROUND. I have a business degree from Trinity College, but after graduating I followed my love of design to magazines; I worked as a fashion editor for several years, but the draw of jewellery was too strong! I moved to New York to study gemmology before returning home, where I continue to source the most beautiful gemstones for my collections. WHAT’S YOUR AMBITION FOR YOUR BRAND? I have been so lucky that my pieces have been used to celebrate the most beautiful moments—marriages, babies, promotions and even a trip to the Oscars. All I can ask is for that to continue—for me, it will always be about the story at the heart of the jewellery. WHERE DOES YOUR BRAND NAME COME FROM? It’s my name—there’s such an essential element of trust with fine jewellery, I have always believed that it’s imperative to have my name over the door.
WHO IS YOUR DREAM MUSE? WHY? Ashley Olsen accessorises like no one else; her appreciation for antique and contemporary jewellery is evident. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I have always maintained that we have some of the best creative talents in Ireland. The WearingIrish movement is key to shining a spotlight not just on the makers but on the stylish people who choose to wear their work. TAKE US THROUGH YOUR CREATIVE PROCESS? In terms of bespoke work, everything starts with the stones, which I then design around. Depending on the intricacies of the piece, we go between sketches, CADs and even 3D prints to try on! Having a team of goldsmiths here in Dublin is imperative to my process; nothing beats face-to-face discussions when it comes to jewellery details. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I find Ireland to be quiet but majestic. This sense of elegance is what runs through my work; perhaps unassuming at first, but ultimately powerful—the best gemstones, weighty gold and clean lines for a sense of polish. Our heritage, our wonderful tradition of storytelling—it all feeds into my work, which is designed to be multigenerational, carrying new stories within each piece. I always say jewellery tells our story better than anything else we could choose to wear. MOST COVETED ITEM IN YOUR COLLECTION? It has to be my first morganite and diamond ring. It was a bespoke piece that featured a six-carat Asscher cut morganite surrounded by diamonds set in platinum. I fell in love with morganites while studying gemmology—and I was one of the first in Ireland to use them regularly in my collections. I remember being told I’d never sell the pieces as no one knew what morganite was! Now they have become so popular, and I get so many requests for them. That original ring was made for Brown Thomas and appeared in their Christmas windows and ad campaigns, but I’ve created so many others based on the original design—with different centre stones too, including sapphires, peridot, and diamonds. THREE THINGS YOU CAN’T LIVE WITHOUT? My family, gold bangles and cashmere. YOUR GO-TO STYLING TRICK? Pearl earrings are an instant pick-me-up! If your skin isn’t looking great, pearls are a must—they bounce light back onto complexions, giving an added glow. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I love the sea and would swim in it every day if I could—although when it’s a bit too cold to get in, a pleasant walk along the shore is the perfect tonic.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Margaret O’Rourke of MoMuse.
TELL US ABOUT YOUR BACKGROUND. Fifteen years ago, I started to sell some pieces on Cow’s Lane, Temple Bar. It wasn’t until MoMuse that I found an outlet for the creativity I always knew I had. We began in ‘The Loft,’ a market-style space for independent designers, before opening the same standalone store we still call home. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? July 2017, when MoMuse was featured in the New York Times as one of “Five Places to Shop in Dublin.” The article was hugely validating for us as an independent business and introduced us to an international customer base who still shop at MoMuse today. WHAT’S YOUR AMBITION FOR YOUR BRAND? As long as we continue to adorn our customers in simple, timeless jewellery that become their most valued everyday pieces, we’re happy! HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Simple, fine, and elegant jewellery, which is something we come back to time and time again.
WHERE DOES YOUR BRAND NAME COME FROM? Initially, I had thought about calling the brand ‘Muse,’ but a friend recommended adding a personal element. My full name felt too long to use, so I decided on ‘Mo.’ It’s a name many of my closest family and friends would call me. In Irish, it means ‘my.’ WHO IS YOUR DREAM MUSE? WHY? For me, my customers are my muses, but I’m also inspired by Julianne Moore and our very own Saoirse Ronan. YOUR DREAM COLLABORATION? Alexander McQueen—I’m a long-time wearer—or Simone Rocha. Both brands have an ethereal quality that I feel marries well with MoMuse. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish has fostered a great sense of community and support for small businesses and Irish designers. WHO DO YOU WANT TO WEAR IRISH? With the wealth of talent that exists within the Irish design community, I feel that everyone should have a piece of Irish design in their wardrobe. We have everything here from luxurious cashmere brands, such as Eilis Boyle to the handmade bespoke couture of Helen Cody and the tailored genius of Peter O’Brien. TAKE US THROUGH YOUR CREATIVE PROCESS? Travel and people inform my process. I have a small creative studio in the heart of Dublin city where I sketch and design; it’s a very peaceful space. Early on, we designed pieces that we continue to produce today: our fine stacking rings, simple gold disc necklace, and delicate stud earrings. Focusing on what we and our customers and we love and staying true to this is an integral part of this creative process. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My childhood in Killarney gave me an appreciation for the outdoors. I spent my summers exploring Muckross House and Gardens, where my Dad worked. Today, I’m fortunate to live near Dublin’s Phoenix Park. It gives me a tremendous sense of space and freedom each time I visit and reboots my creativity if I’m ever in need of it. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Every time I travel, I’m struck by the reception we Irish people receive abroad—we’re seen as a nation of genuine and caring people (who tend to talk a lot!). My pieces are simple and charming, and I think you could say the same thing about the Irish character. MOST COVETED ITEM IN YOUR COLLECTION? Our classic 9kt gold interlinked circle necklace is still one of our most coveted pieces. For me, it epitomises MoMuse—minimal, simple, and enduring. The two circles symbolise eternal support and unconditional love. THREE THINGS YOU CAN’T LIVE WITHOUT? I cannot live without travel, friends & family, and Dublin humour—particularly my husband’s! YOUR GO-TO STYLING TRICK? A classic black look with red/coral lipstick and fine jewellery. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I come from quite a musical family and got to perform in New York’s Carnegie Hall with Jury’s Irish Cabaret. I was still in school, so it was incredibly exciting.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Yvonne Kelly.
TELL US ABOUT YOUR BACKGROUND. I was born in Co. Cavan and studied international languages in NUI, Galway. I worked in the airline industry and advertising before finally following my heart to study to become a professional jeweller. After graduating from college with a distinction, I set up my jewellery brand and have never looked back! WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Being asked to design a nautical-themed wedding band for a Hollywood celebrity!
WHAT’S YOUR AMBITION FOR YOUR BRAND? To be an internationally successful brand and to continue making memorable pieces of jewellery that connect with people and make them happy. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart and soul of my brand is wearable art that has love, good humour, and quality Irish craftsmanship at its core. WHERE DOES YOUR BRAND NAME COME FROM? My brand name is my name, Yvonne Kelly. The surname Kelly is a popular Irish name, and I’m very proud of my heritage. WHO IS YOUR DREAM MUSE? WHY? I’d have to say, Meryl Streep. I admire her talent, integrity, style, and sense of fun! YOUR DREAM COLLABORATION? My dream collaboration would be with Lady Gaga as I love her quirkiness, and she certainly doesn’t let boundaries limit her imagination! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement is an incredible platform for telling the stories of talented Irish designers and craftspeople and helping expose their brands to an international audience. WHO DO YOU WANT TO WEAR IRISH? Everyone who appreciates quality and unique style. TAKE US THROUGH YOUR CREATIVE PROCESS? When making jewellery, I like to take an unconventional approach. I am inspired by ordinary things and giving them a new life or dimension in metal form. My flip flop collection is an example–even though we don’t get to wear flip flops much in Ireland, you can always wear one around your neck! HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland and its people are a constant source of inspiration in my work. This land is bursting with creative talent and to be surrounded by such talent is a privilege. At the heart of the Irish psyche is good humour, charm and creative abundance; I endeavour to capture this in my work. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am proud to call Ireland my home, and I designed the ‘House of Love’ pendant as a symbol of the importance—of having a place to call home, be it a physical place, building or simply a feeling of being ‘home.’ MOST COVETED ITEM IN YOUR COLLECTION? My best selling ‘Buckets of Love’ pendant—it is a reminder to me every day to fill it up with love, spread the love and never empty it! THREE THINGS YOU CAN’T LIVE WITHOUT? Love, laughter, and strong coffee! YOUR GO-TO STYLING TRICK? Keep it simple and wear a smile with every outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I climbed Africa’s highest mountain Mount Kilimanjaro (for my sins!), but it taught me the meaning of resilience and never giving up!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Karen Kirby of Kirkbee Designs.
TELL US ABOUT YOUR BACKGROUND. I graduated from the Grafton Academy in 2000 with an honors diploma. Upon graduating, I went straight to work in one of the largest fashion houses in Ireland, where I stayed for seven years going from intern to head of design. Within the role of head womenswear designer, I led a large team and travelled extensively within this role. Travel has been my main catalyst in opening my mind creatively and a massive influence on launching Kirbee. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The most defining moment of my career was launching into Brown Thomas in Dublin and Cork in January 2019. Sitting alongside international brands in such a premium store is a dream come true. WHAT’S YOUR AMBITION FOR YOUR BRAND? My main ambition is to grow the brand internationally and have Kirbee as the premium childrenswear range in the Irish market. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Kirbee is all about a feeling of nostalgia and creating memories; the beauty of childhood innocence.
WHERE DOES YOUR BRAND NAME COME FROM? My maiden name is Karen Kirby. My mum was a talented tailor and seamstress—that’s were my love of design came from. The brand name is a nod to my family. WHO IS YOUR DREAM MUSE? WHY? Princess Charlotte. I absolutely love the way Kate Middleton dresses her children in this very innocent, childlike way. It’s magical, and the portraits she has of her children are timeless. YOUR DREAM COLLABORATION? My dream collaboration would be with a company like Foxford. I adore what they have achieved with their brand, making it commercial while still honoring the strong roots of their heritage. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Ireland is a magical land of creativity; an island of artists. Wearing Irish is a fantastic way of showing this to the world. WHO DO YOU WANT TO WEAR IRISH? Everybody! Like Spain is known for its excellent wine, tapas, and sunshine, why shouldn’t Ireland be known for beautifully made clothes? TAKE US THROUGH YOUR CREATIVE PROCESS? I usually start with my colour palette for that season, which can be influenced by something in nature to a colour combination I have seen in a Beatrix Potter book, for example. Travel is also a significant influence on my collections. I also try to inject new shapes into every season’s collection, just like I did when I was a womenswear designer. When colours are finalized, I work on incorporating them into beautiful prints. Cotton is the main fabric used in my creations as it is the most natural fibre to have against a child’s skin. My coats are made from a soft mouflon fabric, and I produce the coats in the collection’s main colours, so they will coordinate with my dresses. Every season I add new silhouettes with my coats, and they really have become the signature of the Kirbee brand. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I travelled extensively as a womenswear designer and noted how beautifully the children dressed in European countries like Spain, France, and Italy. I wanted to create this beautiful, timeless way of dressing children, taking my influence from Ireland and Irish culture. It has become hugely important for Irish people to support Irish design and Irish industry. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Family is everything to me, and this is the core of Kirbee, deep-rooted in my great-grandfather having his own tailoring business in Dublin city. Living and being born in Ireland has given me a great sense of belief, belief that we as a country can be independent and take inspiration from our beautiful land. We are submerged in beauty, craft, and history; we are a country with amazing working fabric mills from the depths of Donegal tweed to Foxford in Mayo. Fashion is back, and craftsmanship is relevant again. Wearing Irish is such an incredible platform to expose the world to the talent in our small but wonderful country. MOST COVETED ITEM IN YOUR COLLECTION? Our coats. We have a full range of dresses, pinafores, blouses, but it is our coats that signifies what our brand stands for—classic pieces with a contemporary twist. THREE THINGS YOU CAN’T LIVE WITHOUT? My children, sunglasses, and my heart shaped Chupi earrings. YOUR GO-TO STYLING TRICK? Always pare it back. Less is definitely more. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I grew up in North County Dublin by the sea. This is my most special place, looking out to the sea and knowing that as Irish people, we are united on this beautiful island.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Luke Dully of Walker & Hunt.
TELL US ABOUT YOUR BACKGROUND. I studied commerce at National University College Galway before graduating in 2016. I began working in a finance role in Dublin before moving to Austin, Texas, to gain more experience. I had the opportunity to work at Facebook and work part-time in Kendra Scott’s international fulfillment centre before coming home to launch in 2019. I’ve always had a love for fashion. I suppose I come from a slightly different angle than most designers. I come from the business to the fashion side, whereas most come from a fashion background. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The most defining moment was when I first realized the actual size and scalability a business like this could have. From seeing the size of the operation, Kendra Scott had and listening to her journey to success it gave me the motivation I needed to start Walker & Hunt fully. WHAT’S YOUR AMBITION FOR YOUR BRAND? To become a global brand name with a wide range of products and accessories. I hope to make Walker & Hunt a sustainable and Eco- Friendly brand over the next few years as I think there is a significant shift coming in this direction.
HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Refined. Versatile. Sophisticated. YOUR DREAM COLLABORATION? It would either be Andrea Pirlo or Tom Hardy. Both staples of masculinity. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? When I was working in Dublin, I realised that there wasn’t an Irish High Street brand that represented me. All my friends, including myself, were buying global brands. That was one of the main reasons for starting Walker & Hunt. I am thrilled to see that there are so many other Irish designers like me who are inspired by the WearingIrish movement, and together, I think we can continue to put Ireland on the map. WHO DO YOU WANT TO WEAR IRISH? All people who like a subtle and classic look and share our brand values. When a foreigner thinks of Ireland, certain things come to mind—Jameson and Guinness; writers like Yeats and Oscar Wilde; our lush green landscapes; Riverdance and U2. Ireland is a small country full of icons that have been exported around the world. I hope to create something on par with our other icons, and that represents Ireland on a global stage. TAKE US THROUGH YOUR CREATIVE PROCESS? Throughout the years, I have built up a portfolio of designs and ideas. The team and I sit down and decide what suits before bringing our samples forward to retailers for their opinion. Because we are so new and relatively small, we have to pick and choose wisely before going into bulk production. We hope to continue to add to our product range as we develop. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I think that Ireland has inspired Walker & Hunt’s subtle and classic designs hugely. I believe that most Irish men like a simple and refined look, as I do. I think that one of the factors this comes down to is how small Ireland is. The close-knit communities in which we live in is what keeps most Irish people so grounded. I think this is fantastic. If you start to get notions about yourself, it won’t be long before being brought back down to earth by your friends or family. I think this similar grounding reflects in Irish male fashion as they tend not to dress too extravagantly. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish means our heritage, our people, our beautiful landscape, and the simplicity of life. I think this is why Walker & Hunt being an Irish company, works so well. We focus on a subtle look and use Ireland’s iconic scenery and rich heritage to amplify that. MOST COVETED ITEM IN YOUR COLLECTION? Either our weekender bags or our sweatshirts. We have a new range coming out over the next few months, and I hope people like them just as much. THREE THINGS YOU CAN’T LIVE WITHOUT? Friends, family, and tea & biscuits.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Geraldine O’Meara.
TELL US ABOUT YOUR BACKGROUND. I was born in Manchester, England to Irish parents, both from Co. Offaly. I always loved Ireland and moved to Offaly on my own when I was 19, to set up a dressmaking business. I am a self-taught designer, sewing from an early age and gaining experience in design and manufacture through the years. The business has evolved, and my label Geraldine O’Meara Designs is now established in Crinkle, Birr, Co. Offaly. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? There have been a few. I designed outfits for the former Taoiseach’s wife, Mary Cowen, on her St. Patrick’s Day visit, to the White House, two years in a row, to meet President Obama and the First Lady. My designs have also been worn on the red carpet in Hong Kong at the premiere of Transformers 4 movie, and I have had the opportunity of dressing many Irish TV celebrities for red carpet events—Kathyrn Thomas, Claire Byrne, Lucy Kennedy, Lorraine Keane, and Laura Woods. WHAT’S YOUR AMBITION FOR YOUR BRAND? To continue designing and making quality bespoke dresses for special occasions, but also to expand my ready-to-wear collection.
HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? My brand is based on creating well-made occasion wear for the modern woman—classic designs with a twist and a touch of elegance. WHERE DOES YOUR BRAND NAME COME FROM? My own name, Geraldine O’Meara. WHO IS YOUR DREAM MUSE? WHY? My dream muse would be Kate, the Duchess of Cambridge, who epitomises pure elegance and style. She is a classic beauty, perfect for wearing my day dresses and evening gowns. YOUR DREAM COLLABORATION? I would love to collaborate on an evening wear collection with Elie Saab, as he uses the most beautiful fabrics and laces, and knows how to do red carpet looks so well. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The #WearingIrish movement has grown rapidly through social media, creating a fantastic platform for Irish designers, placing them in the global market and showing off the vast talent that is available in Ireland. WHO DO YOU WANT TO WEAR IRISH? Everyone, especially the Irish people abroad, who can continue to showcase the exceptional talent and creativity that Ireland has to offer. TAKE US THROUGH YOUR CREATIVE PROCESS? Each creation starts with the fabric rather than a sketch. I might have a design in mind, but it is influenced by the drape of the material or the design and quality of the lace I’m using. The finished result is often completely different from my original design. The creative process can be straightforward, but it usually takes a few detours to achieve the desired look. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Being able to work in Ireland, the country I love, designing and producing my collections is of great importance to me. I am lucky enough to work from my home studio in rural Ireland away from the madness of the city, so creativity is more free flowing with fewer interruptions. Working from home means, I am always thinking of new ideas and designs and can work at any time of the day (and often the night). WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am proud to be Irish, working in a country I love, that is full of heritage, history, and amazing people and places, all of which inspire me to create classic designs. MOST COVETED ITEM IN YOUR COLLECTION? The “Elaine” red and black coat. It has a timeless, elegant design and can be worn over a simple classic dress. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, scissors, and a sewing machine. YOUR GO-TO STYLING TRICK? Keep it simple, elegant, and classic. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am married to Denis and have two adult children, Laura and Dermot, my greatest achievements in life.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Ashleigh Myles. Visit ashleighmylesmillinery.com for more!
TELL US ABOUT YOUR BACKGROUND. I’m a self-taught milliner. From as far back as I can remember, I have always had a love of fashion, experimenting with knitting and sewing. Millinery has become my first passion. I love that I can be as creative as I feel and transform that feeling into a wearable hat. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? It would have to be winning Millinery Designer of the Year at the Irish Fashion and Innovation Awards in March 2019. It was a huge honour to be recognized for my work amongst inspirational and successful business persons. WHAT’S YOUR AMBITION FOR YOUR BRAND? To gain as much exposure as I possibly can and reach out to as many ladies as possible to share my creations. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? To be recognized as a unique milliner who has a passion for making clients happy and feel beautiful, and that more fashion lovers will come to choose me to help create their perfect hat. WHERE DOES YOUR BRAND NAME COME FROM? It’s my full name.
YOUR DREAM COLLABORATION? I am living the dream at the moment by getting the opportunity to display my creations in the iconic Brown Thomas in Grafton Street for CREATE 2019. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It would have to be the strong, fierce woman behind this movement—Margaret Molloy. She has such dedication and a love of Irish designers, and she is helping expand designer awareness each day, both at home in Ireland and abroad. WHO DO YOU WANT TO WEAR IRISH? Everyone should wear and appreciate Irish designs as there is always a beautiful story of dedicated craft and passion behind every creation. TAKE US THROUGH YOUR CREATIVE PROCESS? I have an idea and start by blocking the base; I hand sew, wire and cover in chosen fabrics. I create the centerpiece using all types of tools and materials. For example, my recent collection in Brown Thomas was created using recycled cable ties. I always try to think outside the box. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland is full of beauty and quirkiness, and it’s very inspiring to me. I am very proud of my Irishness, and the beauty Ireland has to offer. I like to create this in my hats. It can be from everyday objects to remarkable landscape designs to plants and flowers. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am very proud to be an Irish woman and an Irish designer; I feel incredibly fortunate and thankful that I was born with a creative and sometimes complicated mind. MOST COVETED ITEM IN YOUR COLLECTION? It would have to be my “An Awen” cable ties collection. It was a very proud moment seeing my collection win the Irish Fashion Innovation Awards 2019 Millinery Category by the use of the humble cable tie. THREE THINGS YOU CAN’T LIVE WITHOUT? My work, my mobile phone and my blusher brush. YOUR GO-TO STYLING TRICK? It would have to be my only ever extravagant gift to myself, my bifocal Prada glasses to hide my hardworking tired eyes! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I can play Salley Gardens on the fiddle.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Catriona Hanly. Visit catrionahanly.com for more!
TELL US ABOUT YOUR BACKGROUND. I established a jewellery line in over 350 boutiques throughout Ireland and the UK. When I was in the US, I went on to deliver interior projects in leading hotels and private residences, from which I gathered experience and went on to the fashion world, creating timeless heritage pieces. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? When I won the VIP Style Award for best jewellery in all of Ireland. Also, in 2018, I was named Designer of the Year at The Rose of Tralee Fashion Show.
WHAT’S YOUR AMBITION FOR YOUR BRAND? To grow my brand globally and to expand the collection further; I would love to do a luxury kidswear range. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Unique timeless statement pieces with signature collars and cuffs, designed in luxurious fabrics. WHERE DOES YOUR BRAND NAME COME FROM? Since my heart and soul goes into the designs, the brand is my name. YOUR DREAM MUSE? WHY? Amal Clooney—I love that she embodies such style and elegance so effortlessly, from her workwear as a busy career woman to her evening wear in front of LA’s glitterati. YOUR DREAM COLLABORATION? I have great admiration for Bergdorf Goodman as a retailer, so I would love to collaborate with them to have a collection in their store. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It’s impressive to see so many talented Irish men and women get a platform to showcase their designs. WHO DO YOU WANT TO WEAR IRISH? I’d love to see Cate Blanchett wear Irish because of her timeless elegance and Jennifer Lawrence, embracing her Irish roots! TAKE US THROUGH YOUR CREATIVE PROCESS? Fabrics set my world on fire! I’m inspired by the rich and luxurious fabrics that I incorporate into my collections. I’m inspired creatively by many things: fashion past and present, travel, art. However, it is when I see the fabric that my creative journey takes off. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My Irish roots and time living here have inspired my collections, especially the tweeds. You can’t get much more Irish than that fabric. I grew up in the countryside around Irish castles and manor estates, so this influence is very prevalent in my designs. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? As I’ve traveled so much, I feel like a citizen of the world. However, I can’t deny the strong influence my home country has on the look and feel of my collections. MOST COVETED ITEM IN YOUR COLLECTION? I love the suits; they are streamlined, edgy, and fun. THREE THINGS YOU CAN’T LIVE WITHOUT? My phone, my pearl earrings, and a spritz of Hermes perfume before I go out. YOUR GO-TO STYLING TRICK? An elegant silk scarf (preferably Hermes) lifts an outfit to the next level. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. If I weren’t a fashion designer, I’d love to be a race car driver!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Debbie Millington. Visit debbiemillington.com for more!
TELL US ABOUT YOUR BACKGROUND. After graduating from the National College of Art and Design with a degree in fashion, I worked as a style assistant in Brown Thomas before moving to London to work for a TV production company, The New Renaissance. It was in Australia that I began assisting in the costume departments for films, such as Star Wars and Moulin Rouge. Now I juggle motherhood, travel and movie making, continuing my love for costume design in the film world. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Costume designer Colleen Atwood bought some of my scarves for Fantastic Beasts. Also, celebrities Paul Weller, Anna Friel, Jude Law, film director Reed Morano, costume designer Stranger Things, Malgosia Turzanska and Bond producers have various designs from my collections. Another client, who is a big fan of the brand, told me she would keep my scarf with her Hermés collection as an heirloom piece, to pass down to her daughters. WHAT’S YOUR AMBITION FOR YOUR BRAND? I hope that over time, the brand will gain international recognition and become a successful household name; the go-to scarf brand of choice, famed for unique designs, vibrant colours, and luxuriously soft silk. I hope to see my scarves selling in Liberty London, Harrods and Barneys New York.
HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? The scarves are inspired by a wonderland of personal travel photography and experiences from around the world, injecting each scarf with vibrant exotic colour and pattern, that promise to boost your mood and complexion while making you look and feel a million dollars. WHERE DOES YOUR BRAND NAME COME FROM? The brand name comes from the brand founder and designer, Debbie Millington. YOUR DREAM MUSE? WHY? I have always adored Iris Aphel, her sense of dress and the way she wears colour. At 97 she is still a force of nature. As she says “Life can be dull but you can always have fun with colour when you dress”. She is so confident in what she wears and her combined use of pattern, colour and texture within the one outfit is simply outstanding! YOUR DREAM COLLABORATION? I would love to work with Timorous Beasties the surreal and provocative wallpaper design company or Chinese couture designer Guo Pei, whose extravagant embroideries and larger than life costumes are unrivalled sculptural works of art. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish offers a sense of community for designers and a unified collective strength, bringing together creatives from all walks of life. They open doors and offer opportunities to designers to showcase their brands on a more global stage, taking the idea of what is “Irish” out of the traditional sense and benching Irish products in a more contemporary forward thinking platform, which I love. WHO DO YOU WANT TO WEAR IRISH? I would like more Irish people to wear and show more support for local designers and crafts. There is such a wide variety of high quality home grown products here in Ireland, from woven textiles, pottery, ceramics, fashion, accessories, homeware and soft furnishings. The choice is endless and there is little to no need to look abroad when gifting. TAKE US THROUGH YOUR CREATIVE PROCESS? I do not follow trends or seasons and produce two new collections a year. Design ideas for me generally start from a travel memory or photograph, which I then draw or use directly to create a repeat pattern in Photoshop. I often overlay many photographic images to create a layered design within the square. I then send the finished files to a highly reputable UK based print company, where they sustainably print ( using non toxic Azo Free inks) , cut, hand roll and sew each individual silk scarf. I have chosen to print in the UK as I can carefully monitor production and know that all work meets strict EU quality and human rights standards. No tiny hands are used in the making of any of my silk scarves and they are not mass produced in China. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland continually inspires my work. I love to visit botanical gardens and stately homes for inspiration, drawing on ideas from flowers, trees, wildlife, nature, interior decor, furnishings and architecture. The magnificent landscapes and seascapes and the diversity of Irish culture, music and fine art painting provide an endless source of inspiration for me. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am always proud to be Irish travelling abroad, everyone always loves the Irish and welcome you with open arms. Being Irish has opened many doors for me and allowing me to visit and enjoy so many countries, people being overly generous with their time. Eventhough I have always cherished my traditional heritage, I am keen however to produce a product that offers a more contemporary twist on the Irish scarf. MOST COVETED ITEM IN YOUR COLLECTION? The Jellyfish design was inspired by the aquatic pulsating jellyfish I witnessed in the West of Ireland. It is such an unusual print but one of my best sellers, the combination of the elegant black and punchy orange border, with highlights of gold in the tentacles, is truly indulgent in sumptuous silk. Also the Zebra print, inspired by an overland safari trip in the African Serengeti, is an iconic design. Exquisite in all the colour ways – pink, red, green and citrus yellow, it is a dramatic statement piece sure to turn heads. THREE THINGS YOU CAN’T LIVE WITHOUT? My camera, fun, family and friends. YOUR GO-TO STYLING TRICK? Have plenty of block colours in your wardrobe and let your silk scarf add the pattern, colour and dramatic touch to your ensemble, letting the vibrant colours of the scarves naturally boost your complexion and enhance your skin tone and features. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I struck it lucky gold panning in the gold rush town of Dawson City, Alaska.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Robbie Henshaw of Henshaw Eyewear. Visit henshaweyewear.com for more!
TELL US ABOUT YOUR BACKGROUND. I am from Athlone, Co. Westmeath and grew up on the banks of the River Shannon. I have recently completed a degree in Economics at University College Dublin, and I play professional rugby for Leinster and Ireland. The idea for my eyewear brand came after I began to experience problems with my eyes after prolonged time looking at screens. I researched the issue and discovered I was suffering from digital eye strain.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? It has to be winning the PRO12 Trophy with Connacht in 2016. A lot of people gave us no chance, but we believed in ourselves, our strategy, and most importantly, we believed in the people of the province who backed us all the way. It shows that despite all the odds if you believe in the process, you will increase the chances of success, which is something I have taken with me into the business. WHAT’S YOUR AMBITION FOR YOUR BRAND? To educate society on the importance of eye health and eye care. I want to develop an internationally known eyewear brand from Ireland. WHERE DOES YOUR BRAND NAME COME FROM? We played around with a few different names, but I kept coming back to “Henshaw” as I wanted to keep family rooted in everything we do. YOUR DREAM COLLABORATION? I want to collaborate with Niall Horan. He’s also from Westmeath and is a talented musician making great strides in the USA. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish has inspired us immensely on this journey, showing us that when you put the work in, global success is possible. Designer Alison Conneely is an incredible story coming from WearingIrish, and in time we hope we’ll have a similar path. WHO DO YOU WANT TO WEAR IRISH? Young and old, from every corner of the planet. The creativity coming out of Ireland is world-class, and WearingIrish designs is a gift. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My latest collection is inspired by my love of the river and especially Lough Ree. We have created a collection for those who love the outdoors, who love an adventure. I named each of the frames after a part of Lough Ree in Athlone. The Lecarrow frames are my personal favourite in the sunglass collection. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? My whole career revolves around my pride in being Irish. Wearing the green jersey has opened my eyes to Irish communities both here and across the world. I am proud to represent Ireland on the rugby pitch and equally pleased to have launched an Irish eyewear brand. MOST COVETED ITEM IN YOUR COLLECTION? My favorite pair are the Henshaw I Blue Block glasses. THREE THINGS YOU CAN’T LIVE WITHOUT? Coffee, my BBQ, and my accordion. YOUR GO-TO STYLING TRICK? You can’t go wrong with a plain white T-shirt. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I have 20/20 vision, so I never needed to wear prescription glasses. However, due to my use of screens, i.e., laptops, smartphones, etc., I began to experience eye strain. This inspired me to create my brand. I want to educate people about my blue light glasses and the importance of wearing them, regardless of whether you have a prescription or not.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Ruza Leko of Leko and Leko. Visit lekoandleko.com for more!
TELL US ABOUT YOUR BACKGROUND. Growing up in war-torn Croatia, opportunities were rare and the atmosphere gloomy. I travelled to Ireland, studied here, and have worked as a designer since. One day I made a necklace while upcycling an old belt, which inspired my father to work with me on developing more ideas. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? My first full-time job as an in-house designer at Science Gallery. The position ultimately shaped how I work, think, and problem solve. Working with talented and diverse people over the years motivated me to create my projects. WHAT’S YOUR AMBITION FOR YOUR BRAND? I would love to see Leko & Leko jewellery featured in more galleries and exhibitions, both here and abroad. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Leko & Leko pieces are dark, yet elegant and delicate, echoing the nature of the material—5,000-year-old bog-oak.
WHERE DOES YOUR BRAND NAME COME FROM? Leko & Leko is a brand designed and made by father/daughter duo, Ivan Leko and Ruza Leko. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? In a society crowded by an impersonal fast fashion industry, the Wearingirish movement shifts the motivation to buying something if you love it, if you need it, and you know how it is made. WHO DO YOU WANT TO WEAR IRISH? Everyone with good taste! TAKE US THROUGH YOUR CREATIVE PROCESS. I start by sketching out ideas, after which I meet my dad to work on new pieces a few times each year. We make several versions until we are pleased with the design. Working in bog-oak can be slow, but it is always rewarding to see the finished pieces. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? For me, Ireland is a good place. I feel good here. Attitudes, opportunities and humor, it all affects my own sense of place, how I feel and therefore the work I produce. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? As a Croatian national living in Ireland for the last 17 years, Ireland is now my home and has influenced me tremendously—check out the material I use! MOST COVETED ITEM IN YOUR COLLECTION? The Gaia pendant! THREE THINGS YOU CAN’T LIVE WITHOUT? My dogs, yoga, and nature. YOUR GO-TO STYLING TRICK? Wearing simple combinations of black, white, and grey works for me and my jewellery. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I have 47 house plants.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Katie O’Riordan. Visit theoandgeorge.com for more!
TELL US ABOUT YOUR BACKGROUND. I have always loved fashion, but I took the long route to get here. With a background in physics and architecture, I was always curious about science and design. My first major stint in fashion design was with Burton Snowboards, where I managed the outerwear division and designed technical garments. It wasn’t until I moved to Ireland when I was 30 that I got formal training from Grafton Academy and started Theo + George. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? While I was working for Burton Snowboards, I had the opportunity to work on the designs for the US Olympic Snowboard uniform. I was flown out to Vancouver to watch the Olympics and got to meet fellow Olympic designer Vera Wang. WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition for Theo + George is for it to become the go-to premium, sustainable essentials brand. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Our brand idea, Everyday Effortless, is about simplifying your life, making the right choices to live life with more ease.
WHERE DOES YOUR BRAND NAME COME FROM? The brand is named after my two grandfathers. WHO IS YOUR DREAM MUSE? WHY? Emma Stone because she is a natural beauty, refined and elegant. Plus, she believes in and supports sustainable fashion. YOUR DREAM COLLABORATION? I would love to collaborate with American brand Everlane, Cuyana or Reformation. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Ireland is a small country, but it harbours incredible creative talents. I’m inspired by how the WearingIrish movement is creating connections for Irish talent globally. WHO DO YOU WANT TO WEAR IRISH? Meghan Markle, Duchess of Sussex. TAKE US THROUGH YOUR CREATIVE PROCESS. I am constantly documenting inspiration on my phone—from architecture to textiles. For me, the creative process doesn’t have a start or finish line. It is something I’m always refining. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland has a huge influence on my designs, especially the climate. Each collection I design is usually centered around a key outerwear piece. If you live in Ireland, you know how important these staples are to you wardrobe. MOST COVETED ITEM IN YOUR COLLECTION? The Alannah bomber jacket is by far the most coveted item in our collection. It was designed for our first collection and worn by Amy Huberman that year. To date, it is still one of the most sought after styles. THREE THINGS YOU CAN’T LIVE WITHOUT? My family, friends, and the perfect t-shirt. YOUR GO-TO STYLING TRICK? I’m a big fan of the French tuck. By tucking in your shirt slightly in the front, you instantly look more polished.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Louise Monaghan of Rant and Rave. Visit rantandrave.eu for more!
TELL US ABOUT YOUR BACKGROUND. My dream was to become a fashion designer but in the mid-’80s this created head-scratching moments for my teachers and my parents as to how to go about doing fashion. I completed my A level Art in Armagh, which led me to Harrogate Institute of Arts and Technology to study foundation art. Suddenly fashion became a very realistic option. I went on to UWE Bristol to earn my fashion degree. I was fortunate to live near Moygashel Co. Tyrone, where Paul Costelloe had an office. I had the privilege to work there during summer holidays and get sponsored for my final collection with beautiful Moygashel linen. My first job was with a denim plant in Athlone. I loved everything about denim manufacturing and learning the ropes at the factories. When things got tough for Irish manufacturing, our directors decided that to stay in business we had to set up our brand. So, in 2005 Rant and Rave was born. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I probably have two defining moments. The first is being involved in Rant and Rave from the get-go. Witnessing how it has evolved into a reputable brand fills me with immense pride. Also, seeing people wearing Rant and Rave is as exhilarating today as it was for me 14 years ago. The second moment was being mentioned a few years back in my local primary school pantomime: Cinderella was asked if she was wearing a Louise Jordan (my maiden name) creation. I was gratified to think that one day, I could inspire a whole new generation to dream and to achieve as I did.
WHAT’S YOUR AMBITION FOR YOUR BRAND? I will always strive to design products I love and to grow as an Irish brand. I hope Rant and Rave will encourage and inspire a new generation of talent to come and work with our team. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Each season we create a refined, powerful, and inspiring collection of colour and pattern with a formidable love and appreciation for denim. WHERE DOES YOUR BRAND NAME COME FROM? Our marketing executive Carina came up with the name for us. It reflects our ambitions, which was for women to wear our collection and immediately want to “rant and rave” about it with their friends. WHO IS YOUR DREAM MUSE? WHY? The Duchess of Sussex, Meghan Markle. She is simply stunning and never over worked. YOUR DREAM COLLABORATION? This is a brand goal for us, so we will not mention any names for now. However, it will be with an Irish name; we just need to be sure the timing and product are right. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The #WearingIrish movement is an inspiring platform to showcase and create awareness for all the incredible Irish talent we have. At Rant and Rave, we feel privileged to be part of this. WHO DO YOU WANT TO WEAR IRISH? Everyone who is Irish; I feel it is so vital to support homegrown talent. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? A sense of place is crucial to the roots and history of any brand. For me, the deep Monaghan roots of Rant and Rave strengthens the ethos of our brand. Understanding that our natural heritage is steeping in creativity only inspires our originality. Known as the Farney county, Monaghanmay be the smallest county in Ulster, but it is full of creativity, providing us with one of the country’s most celebrated poets—Patrick Kavanagh. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish fills me with gratitude, pride, and has taught me that we can be the best. Riverdance in the 1994 Eurovision showed global audiences that for such a small country, Ireland’s creativity is world-class. For me, this is the moment the world saw what we were capable of. MOST COVETED ITEM IN YOUR COLLECTION? It would have to be our very first style, the Rosette Flare. This style is the reason we are in business today as it established our label from the beginning. The Rosette was a heavy stonewashed flare. This summer we even had a flare back in our range for the first time! For sentimental reasons, I will never part with mine. THREE THINGS YOU CAN’T LIVE WITHOUT? My boys (my husband and my son), my phone (solely for the camera—pictures record history, which is so important) and flowers (creating sunshine even when it is raining). YOUR GO-TO STYLING TRICK? Never over coordinate! As a general rule, two colours is a “no” for me. Always add a third colour! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. My parents taught me to walk on the sunny side of the street. I always try to look on the bright side of life and I hope that I can pass this outlook onto my son.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Kate O’Sullivan. Visit irelandseyeonline.com for more!
TELL US ABOUT YOUR BACKGROUND. IrelandsEye was founded in Dublin in 1988 by my grandparents and their children. What started in the garage of my grandparent’s home has, over thirty years later, now grown to become a well-known Irish knitwear brand exporting to over twenty countries worldwide. WHAT’S YOUR AMBITION FOR YOUR BRAND? To become the world’s most sought-after Irish knitwear brand. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? We create effortlessly stylish garments for life, by stitching the essence of what the world loves most about Ireland into each piece. WHERE DOES YOUR BRAND NAME COME FROM? Our brand name was inspired by Ireland’s Eye, a small uninhabited island located just off the coast of Howth in Dublin, near where we manufacture. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement is a platform showcasing to the world that Irish design is something to be coveted. WHO DO YOU WANT TO WEAR IRISH? Everyone!
TAKE US THROUGH YOUR CREATIVE PROCESS. Our creative process begins with our design team taking a look at the full story of what is happening in the world and where we fit in. Trend forecasting inspires the new colours we bring in to our collection, as well as the overall theme for the collection and original designs. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? As one of the few Irish knitwear manufacturers remaining on the East Coast of Ireland, we take inspiration from our unique location—situated by the coast but on the edge of the bustling city of Dublin. Our garments are designed specifically with that urban coastal lifestyle in mind. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish means being proud of my roots and showcasing that to the world. It heavily influences our designs; you’ll find a nod to our Irish heritage across all of our pieces. MOST COVETED ITEM IN YOUR COLLECTION? My personal favourite is our Milford Hooded Coat. Made with a wool cotton yarn, it’s the perfect transeasonal piece. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, coffee, and a good sunset. YOUR GO-TO STYLING TRICK? You’ll almost always find me in black jeans—I can dress them up or down, and they pair perfectly with any IrelandsEye garment! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I’m a qualified microbiologist!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Ciara Silke. Visit ciarasilke.com for more!
TELL US ABOUT YOUR BACKGROUND. I’ve always loved art and design and knew that somehow, I would carve out a career bringing together the elements of these that I love. After completing a degree in Printed Textile Design in the National College of Art and Design (NCAD), I worked as a designer for a small surf-wear company in Ireland. When the opportunity arose, I jumped at the chance to work for Diane Von Furstenberg in New York and the experiences I had there really inspired me to set up my label. At DVF, I was surrounded by vibrant prints, embellished opulent fabrics, and most importantly, freedom for expression. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Seeing one of my scarves around the neck of an attendee at the Oscars ceremony a couple of years back was a real defining moment for me on a personal level. It gave me a tremendous sense of accomplishment that one of my designs was rubbing shoulders with the brands worn by Hollywood royalty on the red carpet. WHAT’S YOUR AMBITION FOR YOUR BRAND? The dream is to keep growing my business on an international level and continue developing new product ranges building on the aesthetic of Ciara Silke. Maybe even a Ciara Silke store someday!
HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Unusual color combinations combined with a simple and elegant luxury aesthetic. WHERE DOES YOUR BRAND NAME COME FROM? People always remark on the fact that my surname is Silke and I work with silk. It was meant to be. But the name came first. WHO IS YOUR DREAM MUSE? WHY? Little old ladies in headscarves inspire me, especially when they have a unique perspective on combining their scarf with a trench coat that has not been seen outside in twenty years. YOUR DREAM COLLABORATION? Loewe is a fantastic brand. I’d love to collaborate with them sometime. They are really into the craft and producing beautiful lines. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I love that the WearingIrish movement is highlighting the talent we have in Ireland. There is currently such an array of amazing designers and artisans brave enough to launch their brands and finally getting the recognition they so richly deserve. WHO DO YOU WANT TO WEAR IRISH? I want people to wear Irish who might never have thought that they would. I want people to invest in new Irish designers because there is something there for everyone’s taste. TAKE US THROUGH YOUR CREATIVE PROCESS. Nature is a huge inspiration for me. Wildflowers and exotic flowers I have come across on my travels all feed into my collections. I love the Irish landscape and unique elements we find on our little Island. I live by the sea, so I’m lucky to have this as a constant inspiration. I find nature provides the most stunning colour combinations, shapes, patterns, and textures. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am very proud of my Irish heritage and culture. This pride can be seen in my creations—both in the designs themselves which extract from our beautiful Irish flora and in the Gaeilge names that I give the scarfs. MOST COVETED ITEM IN YOUR COLLECTION? Recently I have been working on a capsule collection of neck scarves. These are exciting designs that will launch soon on my website. Product development is lots of work but so much fun when the new collections come together. THREE THINGS YOU CAN’T LIVE WITHOUT? My Bláth Poipín silk scarf which is so luxurious—when I wear this on my travels I get so many compliments and it always reminds me of the wild fields of poppy flowers in Ireland. My work phone for business purposes. My Cloon Keen Bealtaine perfume made by a local perfumer here in my hometown of Galway. YOUR GO-TO STYLING TRICK? My personal styling rule ties in with the Ciara Silke brand. A colourful and beautiful accessory—be it a colourful scarf, piece of jewellery, or handbag—is the perfect way to imbue any outfit with an extra touch of style and elegance. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. That I love meeting my customer in person and building that relationship.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Michael Tutty of Tutty’s Handmade Shoes. Visit tuttyshandmadeshoes.ie for more!
TELL US ABOUT YOUR BACKGROUND. Tutty’s Handmade Shoes is a family business. Started by my grandfather George Tutty in 1946, he ran the business alongside his wife, Nelly Tutty. Eddie, his eldest son and wife Mary took it over, followed by my parents George and Marian in 2005. I’m stepping into big shoes. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Returning to the family business after taking a sabbatical. The sense of pride and excitement I felt continuing the tradition of my family business is something that motivates me to bring the brand to the next level. WHAT’S YOUR AMBITION FOR YOUR BRAND? For Tutty’s to become a relevant heritage brand and in turn, develop a robust international presence in the premium footwear market. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Family is the heart and soul of our brand. Tutty’s Handmade Shoes is built on the passion and expertise that the family poured into the brand over the past 70 years.
WHERE DOES YOUR BRAND NAME COME FROM? My grandfather George Tutty, Snr. established Tutty’s Handmade Shoes back in 1946. What better way to show pride in your work than putting your name to it? WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish Movement has inspired us to use “the pride of being Irish” as a marketing tool. WHO DO YOU WANT TO WEAR IRISH? Everybody! TAKE US THROUGH YOUR CREATIVE PROCESS. Our creative process begins and ends with our clients. It is their personality that we embrace to create our bespoke footwear. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Handmade crafts are a big part of our heritage here in Ireland. At Tutty’s Handmade Shoes, skills have been passed down through generations to maintain our work, holding onto the values of a craftsperson and shoemaker to keep our heritage alive. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? We are a proud Irish family. George Tutty, Snr. originated from Dublin, trained in Ennistimon in Co. Clare, before moving to Limerick and starting the business in Naas Co. Kildare where we have been ever since. We are proud of our roots, the skills and knowledge we have picked up along the way. MOST COVETED ITEM IN YOUR COLLECTION? The Classic Oxford Shoe. The possibilities to put your stamp on the design are endless. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, friends, and a good pair of shoes. YOUR GO-TO STYLING TRICK? A stylish yet comfortable pair of shoes will always boost your confidence—and what’s more stylish than self-confidence? TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I studied mechanical engineering in college and worked in America for several years before returning home to Ireland to work in the business alongside my father.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Julie Swan of Forgotten China. Visit forgottenchina.ie for more!
TELL US ABOUT YOUR BACKGROUND. I started Forgotten China in 2013 after nearly a decade working in marketing for the drinks industry, and later on, within the educational field. I loved anything creative and always had dreams of setting up my own business. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Forgotten China started as a hobby, selling cake stands and teacup candles but after a gust of wind at an outdoor market resulted in a mound of broken china (and a lot of tears!), I decided to turn the broken china into something beautiful. And so, the Forgotten China jewellery range was born. WHAT’S YOUR AMBITION FOR YOUR BRAND? I am very focused on growing the online sales side of the business, particularly within the U.S. market. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? “Preserving memories” is very much at the heart and soul of the business.
WHERE DOES YOUR BRAND NAME COME FROM? Forgotten China describes all of the discarded and unwanted china pieces that I have sourced in auction rooms and charity shops across the country. YOUR DREAM COLLABORATION? I would have loved to work with Arklow Pottery (when it was in existence), producing an exclusive range of jewellery pieces from their “seconds” and discarded pieces. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I find the #WearingIrish movement inspiring because the diversity of pieces that are now created in Ireland allow anyone, regardless of their style or their budget to wear beautiful Irish made products. WHO DO YOU WANT TO WEAR IRISH? I think that Irish politicians and TV presenters could make more of a concerted effort to wear and support Irish designers, particularly when working abroad. They could be massively influential if they actively supported the #WearingIrish brand. TAKE US THROUGH YOUR CREATIVE PROCESS. I source old, vintage china from charity shops and auction rooms around Ireland specifically looking for discarded, unwanted pieces, with which to make my jewellery. It gives me tremendous joy to see these old, dusty pieces become new and treasured possessions. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I actively try to source Irish china and pottery, particularly Arklow Pottery (which is now closed down). These pieces of pottery and china are part of our heritage and our culture, and so many of the patterns and designs are not desirable anymore in their original state as teacup and saucers. Sourcing authentic Irish china or pottery and with it creating unique and modern pieces of jewellery that can be worn and loved daily is very rewarding. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish is a huge honour for me and preserving the craftsmanship and designs of Irish pottery and china is a key focus for Forgotten China. MOST COVETED ITEM IN YOUR COLLECTION? The commission pieces that I create are the most coveted items in my collection. It is an honour to be asked to make jewellery from my customers’ china; a privilege to hear the background stories when I receive the china and to witness the (happy!) tears that regularly appear when customers see the finished pieces. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, great friends and regular trips to one of the best spots in Ireland, Caherdaniel in Co. Kerry. YOUR GO-TO STYLING TRICK? Less is more. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. A piece of advice that I was given when I set up Forgotten China was to be mindful that the highs will be higher than anything you may experience working as an employee, but the lows will also be lower. It has proved true so many times over the past few years, and it has regularly helped me keep things in perspective!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Eva Power. Visit theethicalsilkco.com for more!
TELL US ABOUT YOUR BACKGROUND. I have a bit of a varied background having studied Sociology and Greek & Roman Civilisation and then going on to study and practice craniosacral therapy, working mainly with lovely, little squidgy babies. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? When I started paying myself. The Ethical Silk Company is self-funded; I grew it slowly and put all revenue back into it for the first few years while I worked part-time as a therapist. It was hugely gratifying to start drawing a salary from it, finally. WHAT’S YOUR AMBITION FOR YOUR BRAND? To continue to establish in the US and keep developing new collections and products, while continuing to build our sustainable production processes. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Luxury and ethics. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The array of talent that comes from our small nation means you no longer have to look overseas to find beautiful clothes that you can wear every day.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? We design all our prints in Ireland, so inspiration comes from what’s around and what’s familiar—colour variations, shapes. This is combined with the travel I’ve done in India and along the Silk Road, so I enjoy seeing the mixture of different places coming together. MOST COVETED ITEM IN YOUR COLLECTION? My palazzo pants from our loungewear collection. Once I know I’m in for the evening, I’m in them. The pants are incredibly comfortable for curling up on the couch with a book or watching a movie. THREE THINGS YOU CAN’T LIVE WITHOUT? My favourite pair of jeans, beach days and a good moisturizer. YOUR GO-TO STYLING TRICK? Red lipstick makes any outfit feel like a “going out” outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. My most cherished items of clothing are two tops—one from each of my grandmothers. They are both over 50 years old, and as they are constructed so well, they still look great for an evening out. I feel special when I wear them.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Yvonne Beale. Visit instagram.com/yvonne_beale_design for more!
TELL US ABOUT YOUR BACKGROUND. My mother and grandmother were forever creating, so I had to, too! As a teenager, I first knitted for family and friends, and the orders just kept on coming! In 2013, I designed the “Crafted by You” collection of crochet jewellery kits. In 2014, I turned my crochet hook to leather, and I haven’t looked back since! WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? There have been a few for me! The award for the Best New Jewellery Design and Best New Product Awards for my crochet necklace “Grace” at Ireland’s leading Craft Design Exhibition “Showcase” in 2011. The opportunity then to present this prize-winning necklace to First Lady Michelle Obama on her visit to Ireland in 2011. Then to receive a beautiful letter of thanks from the First Lady herself! In the Fall 2011 edition of Vogue Knitting International, my design was recognised as “… the genius of liberating traditional Irish crochet motifs…”
WHAT’S YOUR AMBITION FOR YOUR BRAND? Displayed on top catwalks in London, Paris, and New York with leading designers. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Style and quality nurtured in hand and worth every penny! YOUR DREAM COLLABORATION? Christian Dior. To see one of my necklaces or belts sitting on the ultimate little black dress? Perfection! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It is simply superb how the creation of WearingIrish links Irish design talent of every level, ready to be discovered. Irish fashion is now being displayed around the world and understood to be more than green shamrocks and lace. WHO DO YOU WANT TO WEAR IRISH? Everyone who understands and appreciates quality and style! TAKE US THROUGH YOUR CREATIVE PROCESS. Every design begins with one crochet hook and some leather cord. Then a selection of crochet stitches with a selection of hooks and cords. Different stitches and colours compliment different shapes. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Every time I go for a walk, I am looking around and notice so much that I haven’t seen before! Tremendous architecture, window shapes, decorative fanlights over main doors, decorative iron gates, colours, and more. There’s a lot to re-create in leather and crochet. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish is special to me. Where else would I have discovered all I can now do with a few needles and material of so many forms. MOST COVETED ITEM IN YOUR COLLECTION? The Drop Necklace with Silver Bead. Here is a leather crochet necklace dressed with unique silver findings and a wonderful silver ball crafted by fellow Irish designer, Inga Reed. This design has earned me significant honours including a listing on the Irish Premium Craft Portfolio in 2012, finalist in the Golden Egg Fashion Innovation Awards 2011, and selection for show at the Solus Nua exhibition of contemporary Irish Arts in Washington DC, 2011. THREE THINGS YOU CAN’T LIVE WITHOUT? My walking shoes, my golf clubs, and a taste of chocolate! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I love to walk every day!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Tahnee Morgan. Visit 7thheaven.ie for more!
TELL US ABOUT YOUR BACKGROUND. I am the youngest of seven children, brought up in Drogheda, Co Louth, opposite the river Boyne. As a child, I knew I could see and understand things that others couldn’t. My mother knew of my gift but told me to keep it secret. For years, I did. I studied fashion and trained as a milliner, like my grandparents. I was lucky and was often featured on TV and in films and magazines, but denying my gift made me unwell, and finally, I understood that I needed to set it free—in my life and my creative work.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? May 2009, following an operation, I began to feel very unwell. In the ambulance, I left my body and went to a place of light and beauty, where I felt my deceased father’s energy coming through. However, I knew I couldn’t stay. I fought to get back to my body, to my family. I was told that I could leave, but that on earth, I must work with the angels. I said I would. I opened myself to them and, soon after, added a range of spiritual jewelry and luxury scarves to my milliner designs. WHAT’S YOUR AMBITION FOR YOUR BRAND? 7th Heaven designs are not just beautiful; they are imbued with the positive healing powers of the cosmic energy I channel when creating them; because of that, I would love everyone to know them and wear them. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? In everything I do, I try to bring the grace and goodness of the angels together with the beauties of the Irish landscape. WHERE DOES YOUR BRAND NAME COME FROM? The name—7th Heaven—was spiritually given to me by Archangel Michael, when I was shown the colours of the seven archangels and inspired to create with their energy. WHO IS YOUR DREAM MUSE? WHY? No one person encapsulates what I do and believe in, except perhaps Mother Nature. Although seeing Minister Josepha Madigan wear the 7th Heaven Green Angel Raphael wrap scarf and bracelets for St Patrick’s Day 2019 in Japan was a particularly proud and beautiful moment. YOUR DREAM COLLABORATION? I am already in deep spiritual collaboration with the angels; that is enough for me. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The passion of WearingIrish to showcase the best of this beautiful country’s designs resonates with my desire to bring this to a broader audience. WHO DO YOU WANT TO WEAR IRISH? Anyone who feels the pull of Ireland, through their bloodline or their imagination. TAKE US THROUGH YOUR CREATIVE PROCESS. Each design begins as a story waiting for me to tell it; I work through exotic detailed embroidery, bejeweled fabrics, and crystals, but most of all, I work with the energy of the angels and the earth. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? To quote George Bernard Shaw, “Ireland is like no other place under Heaven.” We are a nation of healers and thinkers, and I am always inspired by the people and the natural wonders of this ancient land. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? It means everything: who I am, what I believe, how I respond to the world around me; I try to reflect the energy of this country in everything I create. MOST COVETED ITEM IN YOUR COLLECTION? 7th Heaven is about positive colours and spiritual associations. One much-loved item is the Archangel Michael bracelet, representing protection, strength and courage. THREE THINGS YOU CAN’T LIVE WITHOUT? Family gatherings, yummy bread from The Foods of Athenry, and the magical views from the Ring of Kerry. YOUR GO-TO STYLING TRICK? One of my Angel Gabriel wrap scarves, with a matching Angel Gabriel freshwater pearl beaded bracelet, and a pair of handmade pearl earrings. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I can’t live without Kerrygold butter on my potatoes!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Keira and Dairine Kennedy. Visit kdk.ie for more!
TELL US ABOUT YOUR BACKGROUND. We came to the fashion business late, having spent most of our careers working in the corporate world—Dairine still does—but we saw a gap for something we felt was missing. We love to get dressed up for events, but it can feel a bit soulless just dressing up in outfits that hold no huge meaning, and when we couldn’t find scarves in the right colours to pull an outfit together, we created our own. Each of our scarves is a recreated scene from a landscape or moment with significance to us from a street in Cork to a beautiful tree in Connemara, even an everyday scene of Dublin cobble streets. And it feels so special to wear something that has a memory attached or a story to tell.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The day KDK was part of the Night of Irish Fashion, a show hosted by the London Irish Centre. We were joined by all the Council of Irish Fashion designers, but it was a real ‘aha’ moment where we felt our collection had progressed, it was no longer digital print scarves when we saw how beautifully our photographs digitally printed on cashmere sweaters and silk kaftans, it felt really right. WHAT’S YOUR AMBITION FOR YOUR BRAND? We want the brand to expand worldwide. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? To translate the absolute beauty of the Irish landscape into wearable art. We want to continue creating products for people that they really love; there is emotion attached to our designs, the wearer gets more than something tangible when they wear KDK. WHERE DOES YOUR BRAND NAME COME FROM? Our names! Keira and Dairine Kennedy—KDK. WHO IS YOUR DREAM MUSE? WHY? We have a fondness for Penelope Cruz and Blake Lively so to see either of them in a KDK piece would make us extra happy. YOUR DREAM COLLABORATION? We love Charlotte Olympia—her quirky designs are not only beautifully crafted but innovative, colourful, and most of all, fun. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? To see Irish talent and craft portrayed in a contemporary way is so inspiring. It’s incredible to see heritage craft and design from Ireland being promoted, but it is what people are accustomed to seeing, WearingIrish showcases how cutting-edge we can be amongst other global players. WHO DO YOU WANT TO WEAR IRISH? Well, who wouldn’t want Michelle Obama to wear their designs? She’s fabulous in every way. TAKE US THROUGH YOUR CREATIVE PROCESS. We are constantly snapping—places, things, landscapes. Then, we play around with the images and see what designs we can digitally recreate; we tinker with colour, shapes, sizes—this can take weeks on a single design until we get it right. Then, we have to sample how it looks on different fabrics until we get it just right. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Our approach is simple; we take snaps of key Irish landmarks, unique places we’ve visited or even just beautiful, fleeting moments in time—then digitally remaster the photography and combine it with super-luxe cashmere yarns and playful colours. We want people’s memories of these special Irish places to last for more than just a moment, so their clothes have meaning, and a story to tell, which is the essence of Irishness in itself. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Ireland is known for its creative thinking, music, art, writing, and poetry—it’s in our veins, our Grandfather was also a painter—so we appreciate the artistic beauty in all of these things, that’s the essence of KDK. MOST COVETED ITEM IN YOUR COLLECTION? The most coveted by our customers is the Waterfall full-length silk kaftan; the most coveted by us is the Poolbeg pink scarf that doubles-up as a cool summer sarong. THREE THINGS YOU CAN’T LIVE WITHOUT? A good mascara, a KDK scarf, and a spritz of perfume. YOUR GO-TO STYLING TRICK? At the moment, it’s the versatility of our mini silk scarves. In any one day, I can style one in my tied-back hair or wrap it around my wrist or the handle of my bag. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I have always been a keen horse rider. I represented Ireland in Horse Riding in the World Student Games.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Joanna Kaminska. Visit jokamin.com for more!
TELL US ABOUT YOUR BACKGROUND. I’m an artist/designer originally from Poland. My background is in languages and journalism; however, my career isn’t typical. I’ve worked in a variety of jobs including for an advertisement agency, a jewelry company and a gynecologist In New York. In 2005, I came to Ireland, had two sons and Ireland became our home. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Every step advances me in what I am doing. It is a slow process, and there are no shortcuts, but there is progress! As an artist, it is an honor to have my work in the National Gallery of Ireland shop. Also, being selected for the Brown Thomas CREATE 2019 showcase is very special. WHAT’S YOUR AMBITION FOR YOUR BRAND? To bring inspiration and happiness to my customers and steadily grow my customer base. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? JOKAMIN is about looking for magic in every aspect of life. As an artist, I aim to speak a universal language that can be understood by everyone.
WHERE DOES YOUR BRAND NAME COME FROM? JOKAMIN is an abbreviation of my first and last name. WHO IS YOUR DREAM MUSE? WHY? There are so many inspirational people around the world that it is hard to choose. I heard that one of my scarves was bought for Isabella Rossellini when she was filming in Dublin—that made me very happy because she is a style icon whom I admire. YOUR DREAM COLLABORATION? I would love to design a scarf for Hermès for obvious reasons, and I would love to collaborate with designers such as those from Gucci and Vivienne Westwood, to name but a few! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It’s a great initiative to support Irish creativity, and I applaud it! WHO DO YOU WANT TO WEAR IRISH? I don’t have any specific person in mind, but it would be great if people around the globe see Irish designs as being of such high quality and creativity that they are willing to pay for them. TAKE US THROUGH YOUR CREATIVE PROCESS. I tell stories through my art, and when I work on a new design, it is a similar process. We are all connected, and I believe we experience similar challenges. Whatever I experience, or I see I throw it down on paper. However, if I am working on a scarf, I am more design-driven with colours and design placement. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I need nature to recharge. What I love in Ireland is that the landscape is peaceful and does not change drastically. I dislike visual chaos, and I find that there is harmony here. I hope that Irish people realize how lucky they are to be surrounded by such scenery, and they should protect it. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish means being accepted and welcomed; living in Ireland has given me the freedom to create. MOST COVETED ITEM IN YOUR COLLECTION? It’s funny but my very first scarf design “Marionettes” has an extraordinary place in my collection. People are drawn to it. Maybe because of the colours—a blend of grey-blues, yellow ochre, orange, and white—or perhaps because of the theme? Everyone feels like a marionette at times. THREE THINGS YOU CAN’T LIVE WITHOUT? Air, movement and creating. YOUR GO-TO STYLING TRICK? Be yourself, wear what you love and what makes you happy. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Three times a week, I train in Aikido martial art. It keeps me healthy and helps me deal with life. Last year I achieved my black belt in Aikido, so I’m proud of that.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Simon Barber. Visit designireland.ie/designers/simon-barber-jewellery for more!
TELL US ABOUT YOUR BACKGROUND. We have a family-run jewellery shop in Fermoy, Co. Cork that has been in business since 1869. I have grown up around it; always tinkering in the workshop. I studied art and then horology (watchmaking) before returning to the shop. I started developing my pieces in my spare time, and things grew from there. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? My first trade show three years ago when I started supplying other shops.
WHAT’S YOUR AMBITION FOR YOUR BRAND? World domination. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Simple, elegant and different. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It’s nice to see someone showcasing all the small independent Irish makers who are quietly working away, and if they’re anything like me, not particularly good at self-promotion. TAKE US THROUGH YOUR CREATIVE PROCESS. Walks and canoeing by the river have always been my way of clearing my head, and I often return home with the start of an idea. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I have always lived where I live, so knowing what is particularly different about being Irish is hard to say, it’s just the way I am. Having said that, there must be some cultural influence that seeps into you. Many people have said that my work is very Irish. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I never intended to make anything “Irish-y,” but people often say that they see Irish influence in my work. MOST COVETED ITEM IN YOUR COLLECTION? Moonshine pendant. THREE THINGS YOU CAN’T LIVE WITHOUT? Roast potatoes, Swiss Army knife, and a hat. YOUR GO-TO STYLING TRICK? Old wool army trousers and a waistcoat, at least that’s what I have been wearing for years now.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Paul Costelloe. Visit paulcostelloe.com for more!
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The first time visiting Princess Diana at Kensington Palace to dress her for an upcoming trip to India. When I walked into the drawing room looking out over Hyde Park, I was so thrilled. WHAT’S YOUR AMBITION FOR YOUR BRAND? To realise Paul Costelloe as a truly global fashion brand. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Material and texture. Only by understanding the origin of a fabric, its composition and the personal stories in it can we craft something customers will love and cherish. WHERE DOES YOUR BRAND NAME COME FROM? Myself. WHO IS YOUR DREAM MUSE? WHY? Anyone who has a sense of humour. YOUR DREAM COLLABORATION? To be a costume designer for a movie starring Gwyneth Paltrow and Christopher Bale.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Ireland is now deservedly getting recognised for its young design talent, and the WearingIrish movement has a vital role to play in driving this recognition. WHO DO YOU WANT TO WEAR IRISH? Everyone. I am proud to wear Irish brands and materials, but prices must be competitive. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS- SPECIFICALLY IRELAND? Ireland plays a big role in my creative thinking—working with Irish materials (linens and tweeds) and the landscapes of Ireland that I am constantly painting. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? It helps to keep me grounded and realistic. MOST COVETED ITEM IN YOUR COLLECTION? A red military coat from my Autumn/Winter 2019-20 womenswear catwalk collection. THREE THINGS YOU CAN’T LIVE WITHOUT? My wife, my children, and my paint brush. YOUR GO-TO STYLING TRICK? For men, a white scarf to be an individual. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I failed most exams at school and didn’t even take my leaving cert exams.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Brian. Visit soulengraver.com for more!
TELL US ABOUT YOUR BACKGROUND. As a master hand engraver and jewellery designer for over 20 years, I have dedicated my life’s work to creating meaningful jewellery that inspires deep connections between people, the land, and the heritage of Ireland. Having served a six-year apprenticeship (rather a long time ago). I am one of a small band of true artisans in this field. Using classical hand engraving techniques that date back to the Renaissance, I apply dedication to the art, attention to detail and a sensitivity that is key to creating such unique jewellery with real meaning.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I was the master hand engraver for Weir & Sons for over 15 years. Working there I had the privilege to work on many prestigious things, most notably the Webb Ellis Trophy (Rugby World Cup). Upon leaving Ireland’s premier jewellery retailer, I launched the Soul Engraver brand with two collections, namely Resonate and Sacred Trees. The brand featured at Showcase 2018 run by the Design & Crafts Council of Ireland in the RDS. Soul Engraver picked up a coveted award for best new product, from a field of over 100+ startup companies. A week later, I was invited to meet An Taoiseach at City Hall—a very proud moment. WHAT’S YOUR AMBITION FOR YOUR BRAND? To stay authentic and create stunningly beautiful pieces from the heart that touch the soul. It is our ambition to be the Irish jewellery brand synonymous with creating deep connections between people. Quality and uniqueness should be a benchmark for any brand. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? While people love beauty, beauty alone doesn’t make a piece special—it’s about meaning. People give beautiful meanings to the things they love. It’s about marking moments in the stream of time, about love itself. In those many hours, and days, and years that I sat inscribing love into metal, an idea took shape. What if first you took the meaning, and then from that, you created the thing? Creating deep connections between people and Irish jewellery with real meaning is the heart and soul of the brand. WHERE DOES YOUR BRAND NAME COME FROM? Funnily enough, people assume I am the Soul Engraver, but as the master craftsperson, I merely give people a voice for what they would like to say to others (or what they would like to say about themselves). So, I am not the Soul Engraver. The person who gives the gift is the Soul Engraver. They have put so much thought into the gift/piece; it is they who will leave a mark on the receiver’s soul. WHO IS YOUR DREAM MUSE? WHY? Margaret Molloy is an inspiration to us all and wears Irish so well. YOUR DREAM COLLABORATION? We have been fortunate to collaborate with Weir & Sons, Dublin and most recently the extremely exclusive Adare Manor, Limerick. Fulfilling the needs of all our customers is of importance. With every collaboration, we live a dream. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? We can see a lot of synergies between our brands. The WearingIrish movement fundamentally inspires deep connections between people, the land, and the heritage of Ireland. WHO DO YOU WANT TO WEAR IRISH? Everyone! There is a little bit of Ireland in us all. TAKE US THROUGH YOUR CREATIVE PROCESS. For our ready-to-wear collections, we are united by a common theme—a connection to a land and its people, it is a living and breathing culture. It’s about being rooted—in relationships, in nature, in a personal and collective history. Together, we are stronger. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? We are incredibly creative people and always have been. The people, the land, and the heritage of Ireland have influenced everything we do. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, family, and family. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. Labhraim Gaeilge!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Emer Roberts. Visit emerroberts.com for more!
TELL US ABOUT YOUR BACKGROUND. I received my MFA in Sculpture with NCAD, Dublin in 2009. Since then, I have collaborated with culinary artists/philosophers MOUTH for conceptual banquets while working continuously in my studio. There is continuity in the varied projects I have had the privilege of working on. Authenticity is important to me. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Winning three awards consecutively in 2019: I was awarded Accessories Designer of the Year in Fashion and Textiles with the Institute of Designers in Ireland (IDI) and Best Product in the Jewellery category at Showcase 2019; I went on to win the Jewellery Designer of the Year award with the Irish Fashion Innovation Awards. WHAT’S YOUR AMBITION FOR YOUR BRAND? To be recognized for pushing boundaries with strong, original design. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? An edgy and elegant luxury fine jewellery brand. WHERE DOES YOUR BRAND NAME COME FROM? My brand name is my name.
WHO IS YOUR DREAM MUSE? WHY? A dream combination of Meret Oppenheim, Elsa Schiaparelli, and Eileen Gray. They were all forces of nature in their creative outputs, and for their individual aesthetics, which appeals to me. YOUR DREAM COLLABORATION? One such as Lee McQueen for his conceptual fine art intentions in fashion. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It is a potent opportunity to reveal contemporary Irish design to the international marketplace. WHO DO YOU WANT TO WEAR IRISH? Those who appreciate quality art, craft, and design. TAKE US THROUGH YOUR CREATIVE PROCESS. I am up at daybreak and very content in the studio, designing as I create. My process varies with the architectural/art deco designs or the divergent Wearable Biology fine jewellery. With the wearable art designs, I work from my moulds and cast and manipulate in wax. Or deconstruct metals to reimagine new architectural pieces. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Waterstown Park, one of the most ecologically important parks in Dublin, was our extended back garden growing up. Close to the Phoenix Park, we had the best of city and country. My father brought his love of (Westmeath) country life to Dublin, breeding a variety of animals. This informed my fine arts practice which revolved around the mammal, similarity between species and the institutional space. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? To me, being Irish is to be good-humoured and decent. Coming from a large, creative family provides an ever-evolving influence to never take myself too seriously in pursuit of authenticity. MOST COVETED ITEM IN YOUR COLLECTION? My current Art Nouveau-inspired Jaw collection from the Wearable Biology, wearable art designs. Cast from the lower jaw of the rat, it is edgy in subject matter and elegant in execution and embodies the essence of my brand. THREE THINGS YOU CAN’T LIVE WITHOUT? Thinking art, creating art and my little warrior daughter. YOUR GO-TO STYLING TRICK? Stand tall. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I have one green eye and one blue eye.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Elaine Keogh. Visit elainekeogh.co.uk for more!
TELL US ABOUT YOUR BACKGROUND. I grew up in the Georgian town of Birr, in the midlands of Ireland. I started millinery ten years ago while attending LCF before starting my official traditional training under Rose Cory MBE, (Royal Warrant holder for 47 years), my training lasted four years. Following this, I studied Sustainable Fashion in the Netherlands for one year. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? In 2016, I was chosen to launch my winter collection in Brown Thomas under the CREATE initiative, and this was an incredible achievement as the theme was sustainability and the focus of my new brand at the time. WHAT’S YOUR AMBITION FOR YOUR BRAND? I am undergoing research into new ways of making Elaine Keogh a more sustainable brand by looking deep into my supply chain work on projects that will incorporate positive change in the industry, sourcing fabrics responsibly, including Irish made fabrics. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? My brand combines traditional craftsmanship and slow fashion to create responsible, quality, timeless hats that are a little hug for your head.
WHERE DOES YOUR BRAND NAME COME FROM? My brand name is my first name, Elaine, which is a version of my mother’s name, Helen, and my family name Keogh, whose crest is a lion, an emblem of deathless courage with a hand which symbolizes faith, sincerity, and justice, so ELAINE KEOGH is a true Irish family brand. WHO IS YOUR DREAM MUSE? WHY? Meryl Streep as she uses the platform she has to give women all over the world a voice. I make hats for strong women like her. YOUR DREAM COLLABORATION? Zac Posen—for his ability to allow his fabrics to whisper his designs to the world. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The Wearing Irish movement inspires me because it was set up by a strong Irish woman, Margaret, who has given a platform to Irish designers in the US and is connecting people through fashion. WHO DO YOU WANT TO WEAR IRISH? Michelle Obama, she is married to an Irish man after all! HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? In 2015, I set up at Belmont Mill, Co. Offaly, an incredible 18th-century building, and gardens set in the wild landscape of the boglands. Inspired by the sparseness of the surrounding area during the winter months and the chaos of the wildflowers during the summer months each collection is born. The structural design of each hat reflects the scenery in rural Ireland and each hat trades excessive detailing for a purity of design, emphasizing a gentlewoman style. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am incredibly proud of our heritage and culture and the high standard of craftsmanship around our country. While I have traveled for studies, I have always been drawn back to the midlands of Ireland where I am most inspired. MOST COVETED ITEM IN YOUR COLLECTION? A hat named “Harriet.” I always know a Harriet client. She is a powerful lady—ever daring, sophisticated and stylish. THREE THINGS YOU CAN’T LIVE WITHOUT? Burt’s Bees lip balm, sunglasses and a silk turban. YOUR GO-TO STYLING TRICK? A silk turban is great to dress up or down and is known to turn fuzzy hair silky soft. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I love numbers: I am the youngest of seven children, the fifth girl and the ninth in our family. I incorporate these numbers into every collection I do—the number of petals in a flower, pattern pieces, or the amount of hats in each collection.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Paul Galvin.
TELL US ABOUT YOUR BACKGROUND. I am one of a family of seven from Lixnaw, County Kerry. I play a lot of sport especially hurling and Gaelic football. I studied Arts in UCC and taught for almost ten years before authoring and editing my autobiography which was published in 2014. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Publishing my first story with Dunnes Stores. It was called Vanguard and told the story of vanguard soldiers at the forefront of military formations. It also reflected those moments as a footballer standing to attention for Amhrán na bhFiann before big matches when I felt like I was at the vanguard of a movement. WHAT’S YOUR AMBITION FOR YOUR BRAND? To bring culture and meaning to menswear, to include more men in the conversation, to educate through storytelling. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Wearable culture, masculinity, and meaning.
WHERE DOES YOUR BRAND NAME COME FROM? My brand name is my own name but each story or collection—Vanguard, Push, Born Mad, Mister, Shelby, Bogman, Raglan, Tattooed Man, Équipe, Scaffolder—could be brands in their own right. WHO IS YOUR DREAM MUSE? WHY? Language is a muse. My Spring 2020 collection is called Scaffolder. It tells the story of Mohed Altrad but the most interesting part for me is the collection name itself. YOUR DREAM COLLABORATION? Art Comes First. Adidas. JW Anderson. Bjarke Ingels. Es Devlin. Annie Mac. Mohed Altrad. Cillian Murphy. Kanye West. Jackie Nickerson. Luke Kelly. Samuel Beckett. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Its positivity and intent to promote and support Irish business and creativity. WHO DO YOU WANT TO WEAR IRISH? Michael Fassbender. TAKE US THROUGH YOUR CREATIVE PROCESS. I regularly run with a pen in my shorts so as to take notes when I stop for a coffee. I observe and absorb my surroundings and think about language. I refer to my dictionary app daily. When the right word comes to me for a collection name, everything else comes together. I read a lot. Raf Simons speaks of incubation time for ideas. This is very important but requires silence and solitude which isn’t easy to come by. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? If you are a cultural storyteller, then place is everything. I come from the bogs of north Kerry. I have referenced boglands, bog culture, bog architecture, bog music, turf, peat briquettes, and sleáns in my Bogman collection. I think that says it all about the importance of place in my work. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I have been influenced for collections by the National Anthem, Michael & John Walker, Samuel Beckett, Patrick O’Connell, Cillian Murphy, Tom De Paor, Luka Bloom, The Dubliners, James F. O’Connell—all culturally important, masculine and Irish, through and through. Unfortunately, the “fashion” world excludes masculinity in many ways. I’m trying to carve out a place and a brand for men, Irish or otherwise. MOST COVETED ITEM IN YOUR COLLECTION? Flat caps. Then print storytelling pieces; peat briquette print shirts, Luke banjo print shirt, Dancing Man print shirt. THREE THINGS YOU CAN’T LIVE WITHOUT? My wife, daughter and family. YOUR GO-TO STYLING TRICK? Good proportions. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I speak fluent Irish.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Rita White. Visit rita-white.myshopify.com for more!
TELL US ABOUT YOUR BACKGROUND. My background is in nursing and psychology. I am intrigued by the human condition and our ability to grow, transform and become whatever we desire to be. I studied fashion design and eventually, I earned my degree in art & design textiles from the Galway-Mayo Institute of Technology in 2012 as a mature student. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? To date, I think it would be winning the Accessories Designer of the Year Award at The Irish Fashion Innovation Awards 2019. It was a great honor to be acknowledged by one’s peers and those who know fashion. WHAT’S YOUR AMBITION FOR YOUR BRAND? I love fashion design, and I’d like to see my prints on garment separates such as dresses and tops and to reach a wider global audience. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart and soul of my brand is to brighten someone’s day with a colourful, inspirational and luxurious piece that makes them feel and look great.
WHERE DOES YOUR BRAND NAME COME FROM? It’s simply my name with “art” added to the end. WHO IS YOUR DREAM MUSE? WHY? My dream muse would be a strong, mature, iconic woman representing strength and embracing maturity with style and integrity such as Oprah, Helen Mirren, and Jane Fonda. YOUR DREAM COLLABORATION? Hermès, of course, would be the dream, as they love and appreciate art and the story on their stunning scarves; to design for them would be a dream come true. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Margaret Molloy is so very stylish and fashionable herself that one is delighted and honored to see her wear and style one’s pieces so well and creatively, often in ways and places that bring new life to one’s product. WHO DO YOU WANT TO WEAR IRISH? Sourcing fabrics, manufacturing, and printing often have to be sourced outside the country, meaning a lot of time, finance, research, and dedication is required. All this is evident in the uniqueness of our products. I want the whole world to wear and appreciate Irish. TAKE US THROUGH YOUR CREATIVE PROCESS. My hand drawings are scanned and worked on in Photoshop where they come alive with color, becoming a unique design with a depth of meaning. They are then printed onto the best thick silks and finished with a hand rolled hem. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My drawings are inspired by what’s around me, such as people watching or after a walk among nature. I may draw amazing shapes and colours that evolve into abstract birds and plants, all of which are from uniquely Irish experiences in our quaint streets and countryside. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? We are fortunate to absorb our amazing landscape and we have some great cultural traits such as friendliness, empathy, and genuineness—all of which I hope is evident in my work. MOST COVETED ITEM IN YOUR COLLECTION? I love the “Birds Wearing Shoes” design, as these birds drawn from my imagination have developed into little characters that want to wear shoes to express their individuality. Some appear as abstract robins or other Irish birds, and they are communicating with each other in a human way. It’s such fun, and there is exceptional detail in each character with its unique shoe design. THREE THINGS YOU CAN’T LIVE WITHOUT? I hope I never have to live without chats with Laura, friends and fresh air. YOUR GO-TO STYLING TRICK? A beautiful silk scarf transforms any outfit. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I want to live and work in America and bring my Irish designs to New York.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Linda Wilson. Visit lindawilsonknitwear.com for more!
TELL US ABOUT YOUR BACKGROUND. I graduated from the Limerick School of Art and Design with a BA in fashion and design in 1993. After working in the knitwear industry in Ireland for several years, I established my label in 2000. In addition to managing my business, I also teach the fashion knitwear and textile course in LSAD. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I have so many, but one would be arriving in Dublin a couple of years ago and discovering an image of one of my jumpers on a billboard outside the RDS!
WHAT’S YOUR AMBITION FOR YOUR BRAND? To continue to create contemporary knitwear that is inspired by and produced in Ireland but selling worldwide. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Growing up in rural Donegal, I am passionate about the stunning landscape I took for granted as a child. In every collection, I strive to pay homage to the colour and texture that surrounds me every time I go home. YOUR DREAM COLLABORATION? Issey Miyake for his use of technology in his fabrics, and Delpozo for their use of colour and structure. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? Ireland has a wealth of designers, and the WearingIrish movement has brought Irish design onto the world platform. WHO DO YOU WANT TO WEAR IRISH? Everyone. TAKE US THROUGH YOUR CREATIVE PROCESS. I love taking photos of anything and everything. My process always starts with these images. Usually, it’s a texture or a pattern that has caught my eye and inspires my process. From these images, I swatch allowing my fabrics and use of colour to lead the direction of the collection. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Inspired by the rich tapestry of our Irish heritage, I strive in my designs to be evocative of the past but with a contemporary step into the future. Through observing what has gone before, as a designer, I endeavor to create garments that celebrate our sense of place and uniqueness. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? It is fundamental to my business, and I am proud that every piece I create is designed and made in Ireland. MOST COVETED ITEM IN YOUR COLLECTION? My tie blossom scarf. It has been in the collection now for several years, and it continues to grow in demand. THREE THINGS YOU CAN’T LIVE WITHOUT? My camera, color and coffee. YOUR GO-TO STYLING TRICK? Wear what makes you happy! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. While I am passionate about knitwear, I sadly am an atrocious hand knitter!!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Eimear Lynch of Ella Green Jewellery. Visit ellagreenjewellery.com for more!
TELL US ABOUT YOUR BACKGROUND. I have always adored jewelry and have been designing and making it since I was a little girl, my mind’s eye full of treasures due to countless retellings of Arabian Nights and the Brothers Grimm. As a child, I was constantly taking jewelry apart to reassemble it a different way. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Getting Ella Green stocked in Dublin’s DesignYard. I’ve always admired the store and never dreamed I could one day be there with such an amazing selection of Irish and European designers. They are fantastic to work with, and I look forward to bringing new pieces to them each year. WHAT’S YOUR AMBITION FOR YOUR BRAND? To develop relationships with and be stocked by my favorite American stores: Roseark, Catbird, and Twist. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Ella Green is fearless, peerless, and precious. WHERE DOES YOUR BRAND NAME COME FROM? My daughter’s name is Ella, and I am obsessed with green, the color of nature!
WHO IS YOUR DREAM MUSE? WHY? Saoirse Ronan because she is self-possessed, intelligent, doesn’t take herself too seriously and always looks immaculate but left-of-center, which I love. YOUR DREAM COLLABORATION? I would love to collaborate with American artist Ashley Longshore as she is brilliant, loud, brash and I think I think it would be brilliant fun and challenging to work with an artist with such a different style to mine! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? It’s a great example of using the power of social media for something positive and life-affirming, and it just so happens to have been launched from the other side of the planet from the Irish themselves—how lucky are we?! WHO DO YOU WANT TO WEAR IRISH? Start with Irish people wearing more Irish and expand the movement from there—we can all be ambassadors for each other. Having documentaries like “The True Cost” highlight the terrible human and environmental costs of fast fashion is brilliant. The world’s collective fashion IQ is rising, and this is vital for the future of our planet. One of the upsides for Irish design is that consumers can feel good about choosing small batch design out of countries such as Ireland. TAKE US THROUGH YOUR CREATIVE PROCESS. It often starts with a dream or image that comes crashing through when I’m almost asleep or meditating and NOT trying to conjure anything. Then, I fashion a drawing or prototype in plastic or silver, and it goes through several Irish artisans; casters, setters, polishers before making its debut! HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? We’re all citizens of the world now in a global marketplace. However, the beauty of Ireland is always present in my creative process. Everything Ella Green is imagined, designed and 100% made in Ireland. Ireland is baked into my Ella Green’s DNA. MOST COVETED ITEM IN YOUR COLLECTION? Our Freedom Amazonian ring, inlaid with malachite, onyx and opal on hammered 14k yellow gold studded with tsavorite garnet. It is one-of-a-kind, so when it is gone, it’s gone! THREE THINGS YOU CAN’T LIVE WITHOUT? Jewelry with stories and meaning, family and Apollo the cat. YOUR GO-TO STYLING TRICK? My mother always said, “Invest in a good coat and bag.” She was right, so I have! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I used to play the trumpet!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Edel MacBride. Visit edelmacbride.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born the eldest (and shortest) of six children in the one-horse, seven-church village of Convoy in Donegal. I was inspired creatively at home—my mum knit, so I learned to knit and sew, and I helped at my granny Margaret’s busy dressmaking studio. I completed foundation art at LYIT Letterkenny and fashion design at LSAD Limerick. I was a fashion intern at Neiman Marcus in Boston while studying entrepreneurship at Boston College. Years of making, wholesaling, retailing and consulting followed under my Edel MacBride label in both Derry and Donegal. In 2010, I founded Knitfield to conserve local skills through sharing knowledge. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Winning “Knitwear Designer of the Year” at the Late Late Show Fashion Awards in 1995. WHAT’S YOUR AMBITION FOR YOUR BRAND? Excellence and evolution of sustainable knitwear using more 100% Irish provenance product. I want to monetize our design rich pattern archive of thirty years, too. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? A desire to rebirth a local textile tradition in a sustainable manner.
WHERE DOES YOUR BRAND NAME COME FROM? My brand, Edel MacBride, is my maiden name. I huff if the Ais left out of MacBride. Knit-field embodied a feeling of freedom to indulge a craft dream for me. WHO IS YOUR DREAM MUSE? WHY? After watching “A Star is Born,” I found myself drawn to Barbra Streisand. I love that Streisand’s manager of over fifty years, Marty Erlichman, was the one who made the Clancy brothers wear their white Aran sweaters on the Ed Sullivan Show. YOUR DREAM COLLABORATION? I have been a Levi’s fan since my teenage years and loved their collaboration with Liberty print and feel they are tagging craft well to their brand heritage. I have ideas and have always loved patches! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? From the beginning, the simplicity of vision and lack of dogma made #WearingIrish an attractive mission to me—plus I believe in the power of a busy woman to get the job done. WHO DO YOU WANT TO WEAR IRISH? Supportive customers over the decades aside, I wish more Irish in Ireland would believe in #WearingIrish. We need to offer the engaged diaspora more choice and more effortless fulfillment, too. TAKE US THROUGH YOUR CREATIVE PROCESS. I constantly handknit swatches and fill notebooks with doodles. My studio combines hand framed knitting with highly skilled handknitting and crochet. I like to design with a particular brief but expect artistic freedom. My sixth sense takes over in predicting great combinations of texture, colour, stitch reference and shape. I have learned to trust my judgment and look less at trends. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? As an Irish knitwear designer, place has been both an inspiration and a drawback.I am very grateful for skills learned young, but initially, my call was to a world of fashion as defined by my diva-like aunts in the 1970s. Aran knitting, for example, was a ‘genre’ I was running from or at times, trying to change. But eventually, the grasshopper became the master. Time and opportunity awakened within me a love for this unique Irish design language. I believe my role is to carry the torch and make it relevant, making the very best Aran handknits in the world and to #KeepIrelandKnitting. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish means different things in different places. However, I found a new alignment with my cultural identity by exhibiting at Milwaukee Irish Fest in 2011. People were so vocal and encouraging about the skill and quality of my work. I return every year for a confidence boost! MOST COVETED ITEM IN YOUR COLLECTION? A Kelly green handknit Adam-Eve hoodie in a merino and mohair blend, spun in Donegal. THREE THINGS YOU CAN’T LIVE WITHOUT? My family, the clear Donegal air and the Derry sense of humor. YOUR GO-TO STYLING TRICK? My grandmother always said, “Show off your best bits”. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. A humblebrag is my thank you letter from Hillary Clinton, personally signed after their first visit to Derry in November 1995. I still remember the postman’s quizzical look at the large White House stamped envelope.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with John Shevlin of Shevlin Millinery. Visit shevlin.ie for more!
TELL US ABOUT YOUR BACKGROUND. Shevlin Millinery started in 1960, in Dublin, as P.Shevlin Ltd, Millinery Manufacturers. It was a hat making company started by my late father. I grew up with hats around me; I also spent a few years in general clothing production, the experience of which has remained with me to this day. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I think it was probably getting the contract to design and produce the Aer Lingus uniform hat for the couturier Ib Jorgensen’s uniform design in the ’80s. It was a more substantial contract than I had expected, and I had a panic moment wondering how I was going to produce the initial order! WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition for my designs is to create and produce quality hats that can be worn for both everyday wear and special occasions worldwide. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? I think the heart and soul of my brand is the passion I have for producing what I produce.
WHERE DOES YOUR BRAND NAME COME FROM? The brand name comes from my family name, Shevlin. WHO IS YOUR DREAM MUSE? WHY? It would have to be Jean Butler, because she is a most glamorous Irish ambassador. YOUR DREAM COLLABORATION? My dream collaboration would be with Liberty London. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WEARINGIRISH movement is a fantastic promoter of Irish fashion and jewellery. WHO DO YOU WANT TO WEAR IRISH? All ladies and gentlemen who appreciate modern-day Irish quality. TAKE US THROUGH YOUR CREATIVE PROCESS. My creative process starts with a shape in my mind and not with a pen and paper. Hats are about the silhouette, and I prefer to work directly with the material and to experiment with the ideas in my head. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My sense of place is vital to me, being Irish and proud to be Irish. I have never really wanted to live in another country, and home is where the heart is, as they say. I want to be known as an Irish designer and maker of hats that have both local and international appeal. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish for me is very important as the Irish have a strong identity and history. In my hat making career, I have a strong history, and I’m proud of that. Ireland has become a leader on the world stage in several areas, and for such a small country we have a vast global influence in all walks of life. I also want to be a leader in my field. MOST COVETED ITEM IN YOUR COLLECTION? The most coveted item in my collection is my leopard print classic trilby. THREE THINGS YOU CAN’T LIVE WITHOUT? Good food, good company…and a good sewing machine! YOUR GO-TO STYLING TRICK? The trick is to look at how a hat looks on a real head; failing that, seeing how it looks on a head and shoulders bust. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am well known as a James Joyce lookalike, and I’m the most photographed person on Bloomsday!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Clare O’Connor. Visit clareoconnor.net for more!
TELL US ABOUT YOUR BACKGROUND. I am an artist/designer with a background in graphic design. I’ve studied design & visual arts practice, both to degree level, graduating in 2001with a BDES and in 2009with a BA. I have lived, worked and exhibited in Berlin and Venice.I launched my brand of wearable art in January 2018. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? In Berlin, I worked as an artist assistant for Thomas Kilpper on his State of Control project. We had access to all areas to the former GDR Ministry for State Security headquarters; Thomas carved 90 artworks into the lino floor of the 1,600 sqm canteen. I managed the studio space and helped Thomas prepare, ink up and create large-scale prints from the carved floor. Such a fantastic project to be part of.
WHAT’S YOUR AMBITION FOR YOUR BRAND? I plan to expand my accessories range and create a full RTW collection and a select range of household special editions, which will be available through selected luxury stores worldwide. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? My brand and my creative practice are all about colour, energy, and positivity. I aim to create a brand that empowers us to be ourselves, uplifts us and makes us feel good. WHERE DOES YOUR BRAND NAME COME FROM? My brand name is my name. I did consider using my great grandmother’s name Brabazon as it is a unique surname, but I like the way Clare O’Connor is distinctively Irish; I think that is an integral part of my brand as it is my heritage and I am very proud of that. WHO IS YOUR DREAM MUSE? WHY? My dream muse would have to be Saoirse Ronan. She is so natural, elegant and has an effortless style with an edgy, quirky side too, which I love. YOUR DREAM COLLABORATION? I would love to collaborate with Dunnes Stores; I love the way they have upped their game. They have worked with a selection of Ireland’s top designers, which celebrates, promotes and supports Irish design, bringing awareness and giving the general public access to quality, contemporary Irish design. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I love that the WearingIrish movement is encouraging people to buy and wear Irish and be genuinely appreciative and aware of the fantastic quality and diversity we have available to us through Irish designers. TAKE US THROUGH YOUR CREATIVE PROCESS. I take inspiration from my paintings and prints. I like to layer and work intuitively when I paint, so I combine splashes of paint, drips, stripes, collage, tape, patterns and lots of colour. My paintings result in vibrant, bright pieces that are full of positive energy. I aim to communicate a heightened sense of power, which uplifts us. I then take photos of my paintings, and I use sections for my designs and import them into Photoshop, where I sometimes layer them further or use them as they are. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I live in Meath, and I have a great connection to Tara—I go there every week for meditation, to recharge, centre and align my energies, and I try to channel those energies through my work. Irish people had deep spiritualism, like the Native Americans, which was muddied and disregarded by patriarchal Christian colonialism. However, a lot of people are reconnecting with that now. The connection I feel to Tara helps me to strengthen my relationship with my inner creativity and helps hugely to focus and develop my creative process. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? We are known to be one of the friendliest nations on earth. Everyone generally loves the Irish, and I think that is down to our fun, down-to-earth, open and honest way we communicate and our adaptability. I think that naturally comes through my work, as my style is fun, dynamic, eclectic, and full of positive energy. MOST COVETED ITEM IN YOUR COLLECTION? My signature large scarves. They are so versatile and wearable, bringing luxury to everyday life. THREE THINGS YOU CAN’T LIVE WITHOUT? Painting, my cats and Chanel perfume. YOUR GO-TO STYLING TRICK? Layering. I love dresses over jeans and trousers or jumpers over dresses and of course, always finished off with a scarf. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. To finance my life and my creativity, I have worked in many exciting jobs along the way: the Venice Biennale, a tour guide, a painting assistant for Anselm Reyle; a travel writer for National Geographic, but the most fun was working as a celebrant. I once married a lovely couple on a gondola on the Grand Canal in Venice—we must have been in thousands of tourists’ photos!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Sharon Hoey of Andtate. Visit andtate.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born in Dublin and live here with my husband (business partner) and three sons. I began my career at the Grafton Academy Dublin and started my fashion business in 1985. I have had the business all my working life, and I am very excited about my new brand—Andtate shirts. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? It was closing a deal to stock a chain of top UK stores in 2000. It changed our business entirely and allowed us to think like a big business, to grow and experiment with new markets and products. WHAT’S YOUR AMBITION FOR YOUR BRAND? To build Andtate Shirts into a successful global brand. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Real shirts for real women who appreciate sustainable luxury fashion.
WHERE DOES YOUR BRAND NAME COME FROM? The And of Andtate is my father-in-law’s initials, a very dapper dresser born in 1906. WHO IS YOUR DREAM MUSE? WHY? I don’t have any one person in mind; I am inspired by so many people who are driven to succeed on their chosen paths in business, sport, and the arts. YOUR DREAM COLLABORATION? A Vogueshoot with Isabella Rossellini, Jane Fonda, Queen Rania of Jordan, Meghan Markle, and Saoirse Ronan as they are all incredible women of different ages and talents who look amazing in white shirts! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The simplicity of the concept and how one person can highlight the wealth of design and talent that is in Ireland, but largely undiscovered around the world. WHO DO YOU WANT TO WEAR IRISH? I would like to see more people buy less but choose better. As Irish products are of a very high standard of quality and design, they are the perfect choice for all markets. TAKE US THROUGH YOUR CREATIVE PROCESS. I have never found it easy; I never seem to have a pencil at the ready when I get an idea. I start each season under pressure, but somehow 30 odd years later I always make the deadlines. A rope to tie me to the chair, a pen and paper in a quiet space are how I begin! HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I work in the capital. I love Dublin and need the buzz of cities. I absorb my ideas as I’m going about my business, but it’s down in wild west Cork where I can get some space to draw and sketch that my creative process starts. I escape to my sanctuary there as often as possible. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I feel Irish, particularly when abroad. I love that we have an exceptional heritage in handcrafted designs—linen, wool, glass, tweed, leather, etc. and I often look to our past for design influence. MOST COVETED ITEM IN YOUR COLLECTION? The first shirt I designed for Andtate. THREE THINGS YOU CAN’T LIVE WITHOUT? Chanel No 5, red lipstick and white wine. YOUR GO-TO STYLING TRICK? A good blow-dry, red lipstick and a statement bag. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I love all aspects of building. I’m fascinated by structure and sometimes wish I had studied engineering.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Mary Enright of Mary Enright Jewellery. Visit maryenright.com for more!
TELL US ABOUT YOUR BACKGROUND. My formal training was at St. John’s College Cork followed by the Design & Crafts Council of Ireland. After several years of industry experience, I launched my ME Jewellery brand in 2010 and opened a design studio and retail outlet in Kinsale, Co. Cork. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Moving to New York. It was a difficult decision to close my store and relocate, but it was a huge opportunity too, and one that I couldn’t turn down. Since moving, I have had my work included in New York City Jewelry Week and most recently in the Who’s Who in Visual Art Encyclopedia. More exhibitions and collaborations are on the horizon.
WHAT’S YOUR AMBITION FOR YOUR BRAND? To increase my profile in the US, building on the industry connections I have made, being recognised for the design and craftsmanship in my work, and most importantly, being known as a creator of beautiful things. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart and soul of my brand is simplicity of form and shape, using the materials to create effects of light and shade and movement. WHERE DOES YOUR BRAND NAME COME FROM? My brand name was an easy one, it’s simply called ME. It’s my initials and registered Makers Mark with the Dublin Assay Office. WHO IS YOUR DREAM MUSE? WHY? My muse has always been Mother Nature, a constant source of artistic inspiration. YOUR DREAM COLLABORATION? I would love to collaborate with Debra Messing. Her appreciation of jewellery as being wearable sculptures, her love of bold colours and statement pieces would allow me the freedom to create a new line without diluting the simplicity in aesthetic of my ME brand, we could call the line Messing & ME. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish is a movement born from a passion for promoting the abundance of talented Irish designers in an authentic and natural way. WHO DO YOU WANT TO WEAR IRISH? I want everyone to wear Irish. If you look at the WearingIrish design directory, there’s an extensive range of product, styles, and materials—something for everyone. TAKE US THROUGH YOUR CREATIVE PROCESS. I design on paper first. Generally, I have an idea in mind if I’m working on a collection and I will refine my sketches until I find “the one.” Once I have finalized what materials to use, I sit at my jewellers bench and create the pieces. My commission work is more collaborative as I am creating a unique piece for a client. The jewellery I design must hold meaning and memories specific to them. I hope that all the jewellery I create will become treasured possessions and heirlooms in the future. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Growing up on the west coast of Ireland, you cannot help but fall in love with nature. It is an everchanging canvas of beauty and has always influenced my work. It is reflected in the colour palate I choose for gemstones, and it is evident in collections like my Wild Irish Rose and Flutterby Butterfly. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? To me being Irish means being a storyteller, a romantic and an adventurer. I believe a sense of romance and storytelling is the essence of the jewellery I create. While my designs are not considered traditionally Celtic, they remain intrinsically Irish. My sense of adventure has continually led me to seek a place and meaning in the wider world and sparked my incredible jewellery journey which has brought me from Cork to New York. MOST COVETED ITEM IN YOUR COLLECTION? Flutterby Butterfly THREE THINGS YOU CAN’T LIVE WITHOUT? Sketchpad & pencil, coffee with cream, and the ocean (for mind, body and soul). YOUR GO-TO STYLING TRICK? Wear one stand-out piece, be it jewellery, a dress, a scarf or bag, and keep the rest simple. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. The most precious piece of jewellery I own is my grandmother’s wedding ring.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Tracy Gilbert of Tracy Gilbert Designs. Visit tracygilbertdesigns.com for more!
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Realizing after I made my first Growing Home (Irish roots) piece that there is a market for pieces that are an extension of little aul’ me. I have a huge gráfor the Irish language, Irish history and people who savour their connection to Ireland and my pieces reflect this. WHAT’S YOUR AMBITION FOR YOUR BRAND? To keep creating pieces that have a strong meaning attaching to them. It’s so important to me that my pieces resonate with the wearer and make people happy—and if that leads to global domination, then so be it!
WHO IS YOUR DREAM MUSE? WHY? My dream muse would have to be Saoirse Ronan. A modern Irish icon and so authentic—just watch the Origin Green video on YouTube. Can you imagine a Tracy Gilbert piece around Saoirse’s neck?? I CAN!! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish movement shows what can be achieved when one’s heart is providing momentum. It’s inspiring to see the impact one person can have on the world by simply deciding to act. WHO DO YOU WANT TO WEAR IRISH? I’m a firm believer in the more the merrier! But Sophie Turner and Meghan Markle spring to mind. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My Growing Home Collection epitomizes this. I see Ireland as a tree with strong roots, continuing to grow and providing a shelter for us and those who will come after us. I’m also inspired by Celtic spirituality and the ancient Irish connection with sunlight, as seen in places like Newgrange. Many of my pieces attempt to recreate the magic of Newgrange by allowing light to shine through them. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? My Irishness—our language (an Ghaeilge), culture and wild ways—is a key part of my identity. All of my pieces contain at least one of these three key elements. THREE THINGS YOU CAN’T LIVE WITHOUT? Fresh air, light and the sea. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I’m an actuary by profession who stumbled into jewellery making/design. I followed my heart and haven’t looked back.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Chupi Sweetman of Chupi. Visit chupi.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born in the Wicklow Mountains, a region known as the garden of Ireland. Growing up surrounded by so much beauty made me truly appreciate how magical Ireland is. At 21, I was scouted by Topshop from my first year in college as the youngest designer to ever work for the company. After a six-year career in fast-fashion, I wanted to create something that lasted forever and celebrated Ireland’s incredible design heritage, and so in April 2013 Chupi, the brand was born. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? When I started everyone told me I was crazy, that it was impossible to create beautiful jewellery in Ireland and sell it online. Last year we made 24,000 pieces of gold & diamond jewellery in Ireland, sent 9,000 of those around the world and employed 47 people to do it. I can’t imagine a prouder feeling. WHAT’S YOUR AMBITION FOR YOUR BRAND? We aspire to be a destination brand that people travel to Ireland for. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart and soul of the Chupi brand can be found in the jewellery itself: from our ring bands cast from real hawthorn twigs to our hand-stamped pieces, so much love and care have gone into each piece we produce.
WHERE DOES YOUR BRAND NAME COME FROM? Our brand name comes from our founder and CEO’s name, Chupi Sweetman. WHO IS YOUR DREAM MUSE? WHY? Emma Watson. A champion for beautiful things made with love. YOUR DREAM COLLABORATION? I’m afraid I don’t have one yet! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I adore everything the WearingIrish movement stands for. Ireland has an incredible wealth of creative talent and craftsmanship and is known for its rich design heritage. We are incredibly proud to say that our jewellery is made in Ireland and loved everywhere. WHY DO YOU WANT TO WEAR IRISH? We started our business in Ireland to celebrate the incredible creativity in Ireland; there is abundant talent here, so Wearing Irish is not only celebrating Ireland but wearing some of the most beautiful pieces too. TAKE US THROUGH YOUR CREATIVE PROCESS. I start every collection with a story and sketch. From there, I think about who will wear the piece and what moment it will mark. Sometimes it flows like crazy, and sometimes I sit staring at a blank page. Either way, I find myself—the best, happiest, most challenged and interested version of me. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My love for wild and natural things serves as the inspiration behind my designs; I’m so inspired by the imperfect natural beauty of feathers, twigs, and leaves. In the early days, the beauty and strength of swans served as my main inspiration. However, the perfect pieces don’t always present themselves straight away. I collected hundreds of swan feathers before I found the perfect one! Every one of our pieces is made with love, made responsibly, made socially and ethically; that in itself is unique. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I’m inspired by growing up in Ireland: the wild landscape, the stories we tell about everything and the incredible warmth and love of our people. It’s easy to be cynical but Ireland is filled with kindness and people who genuinely care; it’s what everyone who comes to visit says, and we should fight like hell to hold onto that magic. MOST COVETED ITEM IN YOUR COLLECTION? The most coveted item in our collection would have to be the You Me and Magic Grey Diamond Ring. The band is cast in 14k gold from a beautiful hawthorn twig found in the woods of Ireland. Grey diamonds are a little piece of magic, and each one is entirely unique. When you wear a Grey Diamond, you truly have a one in a million gemstone. THREE THINGS YOU CAN’T LIVE WITHOUT? My engagement ring, my sketchbook and my husband, Brian! YOUR GO-TO STYLING TRICK? Style is about joy so wear things that make you happy. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. My favourite place is in the middle of the mountains. When I’m there, I feel so free and always return ready to change the world.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Sonya Lennon of Lennon Courtney. Visit dunnesstores.com/lennoncourtney for more!
TELL US ABOUT YOUR BACKGROUND. I’ve always been fascinated with fashion, and it was never an option for me to do anything other than work in the industry. Straight after school, I went to work in fashion retail, high-end boutiques and I fine-tuned my love of international brands like Comme des Garcons, Yohji, Ann Demeulemeester, and Rifat Ozbek. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? When I was asked to present on Off the Rails on RTE1, everything changed. I had been a commercial stylist for twenty years at that stage, a gun for hire. Suddenly, my profile rose, and I found my power. With that came a desire to have a social impact; Dress for Success Dublin came out of that. WHAT’S YOUR AMBITION FOR YOUR BRAND? Dress for Success Dublin gave me the confidence to found Lennon Courtney with Brendan Courtney. We want to spread that message, get to more women, and we are! But there is always room for growth and Lennon Courtney has international relevance, we know that because women wear it all over the world. We want to grow our wonderful tribe of women.
HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? We are a brand that offers solutions to professional women who love style but aren’t slaves to it. WHERE DOES YOUR BRAND NAME COME FROM? It’s our surnames; we had recognition and trust, so we needed that upfront and Lennon Courtney worked better than Courtney Lennon. WHO IS YOUR DREAM MUSE? WHY? We’re more interested in reality. A celebrity wearing our clothes might be a buzz for a minute but smart women presenting themselves every day and listing what Lennon Courtney they own and love, that’s very gratifying. YOUR DREAM COLLABORATION? I’d like a Lennon Courtney by Cloon Keen scent, please. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I’ve been beating the Irish design drum for over ten years, so to see the vision growing in New York is a wonderful feeling. WHO DO YOU WANT TO WEAR IRISH? Every woman who presents and represents as Irish internationally should be wearing Irish design. There is no excuse; the work is too good. TAKE US THROUGH YOUR CREATIVE PROCESS. We brainstorm inspirations together, from all sources. We build a spine of halo pieces that tell the story of our season, complete with palette, print and texture references. We then generate CAD’s and move to sample. I try on everything to feel the garment on the body. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? For us, a sense of person is more important than a sense of place. Society is now global. Our woman needs to feel relevant and fit for purpose wherever she is. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish, we are connected with 70 million people worldwide—that is who we are. MOST COVETED ITEM IN YOUR COLLECTION? It has to be a full-length ivory silk sheath with patch pockets from our first collection. THREE THINGS YOU CAN’T LIVE WITHOUT? A key print dress, a Lennon Courtney knit coat and lipstick. YOUR GO-TO STYLING TRICK? Get really good core basics and play with your accessories. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I believe passionately in supporting (particularly) women to unlock their potential.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Áine Breen from Liwu Jewellery with Meaning. Visit her website for more!
TELL US ABOUT YOUR BACKGROUND. I am from north County Wexford. Although I loved art and design in school, at university, I studied commerce and then qualified as a chartered accountant. It was not until I moved to China that I rediscovered my creative side that Liwu Jewellery with Meaning was born. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? In 2018, Liwu Jewellery was chosen for the “Everyone Wins” Oscars gift bag. WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition for Liwu Jewellery with Meaning is to be known as the Irish jewellery brand with meaning, and to spread thoughtful, meaningful jewellery throughout the world. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? The heart of the brand is one of kindness, thoughtfulness, and empowerment through simple design coupled with ancient, meaningful symbolism.
WHERE DOES YOUR BRAND NAME COME FROM? “Liwu” means gift in Chinese. YOUR DREAM COLLABORATION? My dream collaboration would be with Sam Barry, Editor-in-Chief of Glamour magazine in the United States. She has a great sense of style; she knows the art of Irish humor and charm and is putting significant issues to the fore with Glamour. I would love to see what we could create together! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I am delighted to see a spotlight shine on all the great talent we have here in Ireland. WHO DO YOU WANT TO WEAR IRISH? Everyone around the world but especially Irish people and people with Irish roots. TAKE US THROUGH YOUR CREATIVE PROCESS. The creative process involves lots of research of signs and symbols and their meanings. Then, I work these symbols into simple sketches of jewellery, then we make the pieces, and there may be many versions until the symbol is perfectly presented in a beautiful way. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Ireland is the inspiration behind our Native Collection. When I moved home to Ireland following my time abroad, I was eager to look at our rich ancient history and symbols. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I am incredibly proud to be Irish. I appreciate that I have had the opportunity to travel the world and been lucky enough to come back home and do a job I love. MOST COVETED ITEM IN YOUR COLLECTION? Our Serenity Five Fold Symbol pendant is our most popular piece, followed closely by the Three Lucky Stars Three Drop necklace. THREE THINGS YOU CAN’T LIVE WITHOUT? My phone (I work on the go a lot), my sketchbook for any inspiration or thoughts I have, and my sunglasses for the changeable weather we get here in the sunny east of Ireland. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I design, make and run Liwu Jewellery with Meaning in a studio located on our family farm by the sea in Wexford, where I live with my husband, young children and several animals.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Fiona Heaney of fee G. Visit feeg.ie for more!
TELL US ABOUT YOUR BACKGROUND. I graduated from NCAD Dublin with 1st class Honours in Fashion Design. I designed for some years in Dublin before moving to Sydney, designing for an Australian brand and The David Jones Group. I returned to Dublin and moved into ladies’ fashion buying before being headhunted to design and launch a new label to market. I left to create my label fee G in 2004. I designed for others in the early stages of fee G before going it alone; I have never looked back since taking the plunge. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I received a phone call from Harvey Nichols, asking to stock fee G. We were the first Irish Brand to be stocked there. It was a huge moment for me, a real sense of how far we had come from a brand I started in my living room. We supply 100+ boutiques every season with my collection. WHAT’S YOUR AMBITION FOR YOUR BRAND? To make fee G an internationally successful brand in four different markets (countries) with 200+ stockists.
HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? At fee G, we pride ourselves on honesty, passion, and creativity. We have the best team dedicated to bringing the most desirable collections to the boutique customer. As a design company, our goal is to continuously evolve and create exciting collections. As we enter our 15th year, we are as excited about the business as the day we entered it. WHERE DOES YOUR BRAND NAME COME FROM? My friends call me “fee” and my husband’s name is Don Gormley “G,” so we combined our names and talents and formed the unique brand “fee G.” YOUR DREAM COLLABORATION? I would love to collaborate with an interior designer, putting the fee G stamp of colour and pattern on interior homes. Using bold prints, colours that pop, comfortable textures, a synergy of what we do with ladies’ fashion. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? As a movement, it means stronger together, supporting a variety of talents; fashion, jewelry, millinery to name a few. It is offering a platform to our wonderful designers and creatives that are good enough to compete on a global level. WHO DO YOU WANT TO WEAR IRISH? Everyone! It’s an all-inclusive movement. TAKE US THROUGH YOUR CREATIVE PROCESS. I work on a seasonal collection, every six months delivering a new collection of +75 pieces. I attend shows in Paris and Milan to choose unique fabrics for the season ahead; I love to select new fabrics and colours to use; I never fail to get excited to start on a new collection. I design in-house and with mills to design prints that are exclusive to fee G. This gives fee G a strong sense of identity and individuality. I drape fabrics and use a creative patternmaking process to create new shapes. I love the newness every single season. It is so important to continually evolve as a designer both for myself and for our customer. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? I draw from nature and Ireland continually inspires. The magnificent landscape and ever-changing weather of this great island is a wealth of culture, music, and poetry providing a never-ending supply of inspiration. MOST COVETED ITEM IN YOUR COLLECTION? A printed linen dress with faggotting details, lined in cotton. The dress is so versatile—it can be dressed up with heels or worn casually with trainers. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, friends and fresh air—I love the outdoors. YOUR GO-TO STYLING TRICK? Add a pop of colour to any outfit; it will instantly lift your mood. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I love to sea swim.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Joanne Hynes. Visit joannehynes.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born in the west of Ireland. I earned a degree from LSAD Ireland, then an MA from Central Saint Martins London. My first break was a call from the Fred Segal store in Los Angeles, who saw my designs in London—that was the beginning. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Failure has been as crucial as every success. Everything I’ve designed over the years has helped me define the craft and DNA of the Joanne Hynes brand. WHAT’S YOUR AMBITION FOR YOUR BRAND? To bring joy and conversations to people’s lives via clothing and images. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? There’s more to it than meets the eye. It continually changes but always returns to the women in my head. WHERE DOES YOUR BRAND NAME COME FROM? My father is Hynes (Galway); my mother christened me Sarah Joanne after my great grandmother, who was from Ballinasloe.
WHO IS YOUR DREAM MUSE? WHY? I have never had a dream muse. Whoever she is, she’s constantly evolving, and above all, she’s interesting and craves both modernity and tradition. YOUR DREAM COLLABORATION? I’m living it already—with Joanne Hynes for Dunnes Stores—and it’s dreamy! WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? That sense of community and ownership is essential in today’s globalized world. WHO DO YOU WANT TO WEAR IRISH? People who appreciate great clothes as well as the complexities of designing a range today. TAKE US THROUGH YOUR CREATIVE PROCESS. It’s usually an emotional reaction, or a rebellion against the zeitgeist. I talk it out, draw it out, feel it out, scribble, procrastinate, reflect, etc. Ideas move around and shift until they sit together to tell the story. I’ve become better at compartmentalizing and knowing when to let go. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Going from the west of Ireland to Saint Martins in 2001, I immediately realized that my childhood experiences and the memories I held were the lynchpins of my DNA and what I was saying with my work. I developed so many creative design conversations from my sense of place as a child. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? From the beginning, I have shared my own fashion stories of “being Irish.” It’s a personal aesthetic based on memories and traditions that are constantly in flux and being redeveloped, but it always comes from the same place with the same sense of “the personal.” MOST COVETED ITEM IN YOUR COLLECTION? It’s hard to pick one! Possibly a series of hand embellished tweed skirts from 2006. THREE THINGS YOU CAN’T LIVE WITHOUT? Phone, credit card and passport for work purposes- how predictable! YOUR GO-TO STYLING TRICK? The other side of the brain (usually the uncomfortable side) and how you use it is so powerful! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I don’t follow fashion!
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Martina Hamilton. Visit martinahamilton.ie for more!
TELL US ABOUT YOUR BACKGROUND. I initially trained in sculpture, which exposed me to many different mediums. A hands-on approach to making and modelling is a central feature of all of the work I produce. I love that jewellery design allows you to be close to the work—to touch and feel the design. I have spent many years getting to understand my material, and also how each individual wears and interacts with a piece of jewellery. WHAT’S YOUR AMBITION FOR YOUR BRAND? With the development of each collection, my ambition is to create jewellery that endures; to always spend time considering each design, so it satisfies my humble sense of beauty and timelessness. Trends can be such a valuable indication of a society in a particular moment, but I truly believe the value of a piece is whether your daughter will wear it; whether you cherish it for years. I am fortunate enough to have wonderful customers who seek that out. Therefore, the ambition for the brand is to be a mark of timelessness, beauty, and quality. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Since I began experimenting with jewellery design over 25 years ago, my constant and unwavering inspiration is the coastline of my home place. The heart and soul of my designs is, without doubt, the everchanging and present beauty of the West of Ireland and specifically its coastline.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The idea of bringing a voice to contemporary Irish design is so important; as a nation, we have always found strength in unity. This is a wonderful example of the marriage of identity and design. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? My heritage and family history are rooted here in County Sligo. This sense of place is intrinsic to me, and imperative to my work. Seashore wanderings and days spent gazing into rockpools take centre stage in my creative process and inform many of my collections. This is an infinite source of peace for me, and inspiration for my work. This sense of place also translates to the nature of how each piece of jewellery is made. We are a small family team of goldsmiths. It is a real joy knowing that my place of work is one of humour, of people and a commitment to loyalty and quality. YOUR GO-TO STYLING TRICK? I believe classic simple colour palettes offer a refined base from which a stunning piece of fine jewellery will shine. THREE THINGS YOU CAN’T LIVE WITHOUT? Fresh, salty air blown off the Atlantic onto Streadagh Beach, shared with my family and friends, with a healthy dose of humour.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Caroline Mitchell. Visit carolinemitchellknitwear.com for more!
TELL US ABOUT YOUR BACKGROUND. My mum had me knitting and crocheting by the age of five. By 12, I was making clothes for Barbie and selling them to friends. I studied fashion design at Limerick School of Art & Design (LSAD), and after graduation, I worked in a knitwear company in Kildare and the knitwear just stuck! In 1996, I started my own label in Limerick. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? I probably have two defining moments. The first was giving up a full-time job to set up my own business with £420 in the bank, a domestic knitting machine, and 12 cones of yarn. The second was being nominated in the Best Designer category at the Irish Fashion Innovation Awards. WHAT’S YOUR AMBITION FOR YOUR BRAND? Just for people to want to wear it! HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Elegant, comfortable easy-to-wear knitwear with an attention to detail and made in Limerick. WHERE DOES YOUR BRAND NAME COME FROM? It comes from my own name (keeping it simple!)
WHO IS YOUR DREAM MUSE? WHY? I’m not sure about ‘dream’ but someone that I have dressed many times and has given me so much encouragement and inspiration is Celia Holman Lee from Limerick. If I were to choose someone famous, it would have been Elizabeth Taylor. YOUR DREAM COLLABORATION? I’d love to collaborate with knitwear designer Mark Fast; I love his use of colour and stitch. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? I love that with the help of social media, anyone in the world can see Irish designed fashion thanks to the Wearing Irish hashtag. WHO DO YOU WANT TO WEAR IRISH? Everybody. TAKE US THROUGH YOUR CREATIVE PROCESS. I still use a good old-fashioned sketch pad. I visit the Pitti Filati trade fair every year for yarn inspiration. Inspiration can come from a holiday destination or an exhibition (recently Dior in the V&A). Then I draw, and swatch from those. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? When I first started designing knitwear, my inspiration came from Celtic art and craft. I love the texture and embellishment, from stone carvings to ornate jewelry. Ireland has such a strong history of craft: lacemaking, knitting, carving, that is different from anywhere else in the world. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? I come from a long line of creative Irish women who have all influenced me, from my great aunt Florence Hobson, who was the first Irish female architect to my mother who made all my clothes when I was a child. MOST COVETED ITEM IN YOUR COLLECTION? A knitted wedding dress with a crocheted and beaded back detail. THREE THINGS YOU CAN’T LIVE WITHOUT? TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. During the early 1950s, my mum worked in Dublin for the designer Irene Gilbert.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Bernie Murphy. Visit berniemurphy.com for more!
TELL US ABOUT YOUR BACKGROUND. My name is Bernie Murphy, textile artist/fashion designer based in Buncrana, Co. Donegal, Ireland. My passion in life has always been fashion and textiles. I worked as a garment technologist with Fruit of the Loom International for 21 years, but after the company went offshore, I saw an opportunity, so I returned to college and completed a top-up BA Honours Degree in Fine and Applied Art and specialized in Textile Art at Ulster University, Belfast. I haven’t looked back since. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Launching my online business in April 2017 was the most defining moment of my new career. And then there was everything that followed—media coverage in national fashion magazines and newspapers and being stocked in prestigious shops nationwide.
WHAT’S YOUR AMBITION FOR YOUR BRAND? To design and create well enough to my satisfaction; beautiful contemporary Irish fashion design with its ‘Heritage-style’ that others will enjoy, admire and pass down to the next generation. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? Imagined, designed and handcrafted in Donegal, Ireland. WHERE DOES YOUR BRAND NAME COME FROM? I use my name, Bernie Murphy, my personal identity. And the surname is most certainly Irish. WHO IS YOUR DREAM MUSE? WHY? My dream muse would have to be Sarah Jessica Parker. I would love to see her wearing one of my designs walking down Fifth Avenue in New York City or at her second home, Donegal. YOUR DREAM COLLABORATION? My dream collaboration would be with Chanel. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The WearingIrish Movement is a wonderful initiative to showcase on an International platform the wealth of contemporary Irish fashion and design we have here in Ireland. WHO DO YOU WANT TO WEAR IRISH? I’d love to see everyone wearing Irish and to be recognized for it all over the world. TAKE US THROUGH YOUR CREATIVE PROCESS. I love exploring the drape of Donegal tweeds and making my own patterns for each design. I like to explore new ways to elaborate on existing techniques and processes to make the ordinary look extraordinary. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? A sense of place means everything to me, and Buncrana, Co. Donegal has a massive influence on my creative process. Every day—hail, rain or shine—I go for walks along the shores of Lough Swilly to gain inspiration, to recharge and to just enjoy living by the sea. I’ve been so influenced by my homeland that I called my first collection exactly that—’Homelands;’ my new collection is called ‘Belonging.’ WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? Being Irish means so much to me. My creations are inherent of the Irish textile industry, an ‘invented tradition’ with a cultural identity in modern and contemporary Irish Fashion design. MOST COVETED ITEM IN YOUR COLLECTION? The Donegal cape/coat featured in my new ‘Belonging’ Collection. The piece brings the landscape of Donegal to life through the weave, colours, textures and blends of yarn used to create the Donegal tweed. THREE THINGS YOU CAN’T LIVE WITHOUT? Family, fabric and my sewing machine. YOUR GO-TO STYLING TRICK? Less is more… if in doubt, leave it out! TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I’m the proud mother of two wonderful children: my daughter Bria and son Frank-Aran.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Melissa Curry. Visit melissacurry.com for more!
TELL US ABOUT YOUR BACKGROUND. I grew up between Mayo and Meath and pretty much packed my bags after leaving school at 17; I went to Paris to pursue my dreams. I studied visual communication and worked my way up in the fashion world, after lots of travelling in Africa and Asia. I launched my first brand in 1998 in Paris—where it all began. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Stepping into Paris Fashion Week on a whim with my first collection back in 1998. I met the head buyer for Liberty and a couple of weeks later I was sitting in her office with her team who got so excited by my work they invited me to spearhead their Millennium Advertising Campaign. Looking back this was it; a defining moment when my whole world and career changed.
WHAT’S YOUR AMBITION FOR YOUR BRAND? We have been working on a vision for the past eight years that is nearly ready to pop. We have built a sustainable and ethical brand, that has embraced a circular economy adopting ethical practices and procedures—from manufacturing to the end user/customer. We have innovated too, which will challenge the current retail business model. In January 2020 we will be heading to the USA for an exciting launch of our parent brand Melissa C. In other words, big news coming soon! HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? We are a conscious brand that focuses on uplifting those during times of personal adversity. WHERE DOES YOUR BRAND NAME COME FROM? My main accessories line goes under my name, but my new health and wellness brand BYOS (Be Your Own Success), emerged from a piece of jewelry that has a message to share. This spearheads the brand. WHO IS YOUR DREAM MUSE? WHY? I don’t have one particular muse, but I am inspired by Dries Van Noten andMaison Margiela for their depth and constant evolution in colour and fabric and their innovation. YOUR DREAM COLLABORATION? Tom Ford. I think collaboration is key to challenging oneself, and one’s process; it also invites one to explore new narratives and deliver infinite possibilities. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? WearingIrish propels the incredibly rich imagination and talent of Irish designers and craftspeople of this country forward, bridging and building new possibilities and exciting connections. WHO DO YOU WANT TO WEAR IRISH? Ellen DeGeneres TAKE US THROUGH YOUR CREATIVE PROCESS. My creative process changes continuously; it depends on the project or my collections. Fun and functionality and colour are critical components of my work. I like to play with narratives and texture, and let my imagination and materials do the rest. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND? Living in Ireland gives us the ability to not only think creatively but to become inspired by the incredible people that call it home. One of our collections, the new Póg line, was directly inspired by the Gaelic word for “kiss.” I challenged myself to capture the Irish humour, imagination, and the connection we make with people and places around the globe. WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? My Irish and French experiences have influenced me, and it’s that blend that excites and inspires me. MOST COVETED ITEM IN YOUR COLLECTION? My Success Bar, it’s my positive reinforcement. THREE THINGS YOU CAN’T LIVE WITHOUT? Music, dancing, and Belle (my Basset Hound). YOUR GO-TO STYLING TRICK? My red lipstick and a statement piece of jewellery.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Niall Tyrrell. Visit nialltyrrell.com for more!
TELL US ABOUT YOUR BACKGROUND. I am a native of County Galway. After completing a degree course in fashion design at the National College of Art and Design in Dublin, I worked for several years in couture houses in London and Paris. In the late 1990s, I returned to Dublin to set up a collaborative label called Tyrrell & Brennan. The label changed direction in 2013 when Donald retired, and I have continued the brand under my own name since then. WHAT’S YOUR AMBITION FOR YOUR BRAND? To expand my ready-to-wear line, introduce complimentary accessories, and to continue to empower women who wear my pieces.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? There have been several defining career moments that created brand awareness, notably being commissioned to design three gowns for Enya to wear on the Oscars red carpet–a first for an Irish label. Other highlights include being asked to dress former President McAleese when she met Queen Elizabeth and former US President Obama on their historic visits to Ireland. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? Every season, I do a small ready-to-wear range to hang alongside my bespoke collection. To have something bespoke, using top quality fabrics is a luxury, but the level of satisfaction in seeing the wearer feeling empowered by a garment created for them is genuinely wonderful. I intend to design pieces that transcend seasons. There is an element of sustainability since a well-cut garment with traditional couture techniques can last for years—If not decades. YOUR DREAM MUSE? Right now, my dream muse would have to be the actress Claire Foy as she embodies a contemporary yet refined, modern, timeless elegance. I would love to have the opportunity to design for her someday. YOUR DREAM COLLABORATION? Every time I dress a potential new client, it becomes a dream collaboration. As they live through their clothes, it continually inspires and challenges me. WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT? The wearing Irish movement has literally created a fantastic awareness of the many wonderful and talented designers who work in and out of Ireland, highlighting the immense talent, craftsmanship, and diversity of Irish design…that’s inspiring! TAKE US THROUGH YOUR CREATIVE PROCESS. For me, it begins with the fabric. I source my fabrics from international trade fairs as well as indigenous Irish producers. One season always inspires the progression of the next. My environment constantly inspires me; I am like a sponge. I always sketch and find that inspiration can strike at any time. After I sketch and decide the direction I am taking for the collection, I then proceed to make and cut the pattern and create the toiles before I hand over the design to be produced into a finished garment. HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS – SPECIFICALLY IRELAND? My entire business is based in Ireland. I am very proud of the fact that I create and make all of our collections in Ireland. I adore the Irish countryside, and I am a great lover of nature and its changing seasons. I am a romantic at heart, and I find that Ireland and its wonderfully diverse countryside is a very romantic place. It is no coincidence that there is a very romantic timeless quality to my work, as a result of this inspiration and heritage. WHAT DOES BEING IRISH MEAN TO YOU, AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS? The rich cultural and often, romantic cultural heritage has had an undoubtedly massive influence on my design aesthetic. MOST COVETED ITEM IN YOUR COLLECTION? An all-in-one tailored jacket with a pleated flared skirt detail inspired by a classic dressage jacket. THREE THINGS YOU CAN’T LIVE WITHOUT? YOUR GO-TO STYLING TRICK? Keep it simple but always with a twist. TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK. I am a part-time sheep farmer and love to escape back to the Galway farm to check in on the flock at every opportunity my work allows.
WEARINGIRISH showcases top designers/brands from Ireland. In this series, meet the designers and hear their stories. Here Margaret chats with Rosy Temple of Magee 1866.
Visit magee1866.com for more!
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? With over 150 years behind us, Magee 1866 has seen and made many changes over the decades to ensure that we survive for centuries to come. Most recently, the decision to start selling online has been a game changer. It gives us the chance to have a shop window to the world. WHAT’S YOUR AMBITION FOR YOUR BRAND? To be a heritage brand that pushes contemporary boundaries, putting sustainability and Irish design at the forefront of global fashion. HOW WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND? We’re a family business, grown from our distinctive heritage in the northwest of Ireland, with a passion for the journey from wool to wearer. WHERE DOES YOUR BRAND NAME COME FROM? Robert Temple, my great grandfather, worked with his cousin John Magee, who founded and named the company in 1866. YOUR DREAM COLLABORATION? In the future, we’d love to work with contemporary Irish artists, mixing mediums between our designers’ creative eye and an artist’s perspective.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
Ireland is bursting with creative talent, and we’re so excited to be part of a movement that highlights that part of our small island’s culture.
WHO DO YOU WANT TO WEAR IRISH?
For starters, we’d love those with an Irish connection to jump onboard and wear the best of our designs. We’d also like to go beyond nations and let Irish design speak for itself, connecting with anybody who has an appreciation for inspired fashion.
TAKE US THROUGH YOUR CREATIVE PROCESS.
It’s a complex journey for us, starting with our fabric designers. They choose the colour of the yarns, the intricate textile patterns, and the combination of natural fibres—from wool to cashmere to linen. Then, the process passes to our clothing designers, who bring the fabric to life in timeless creations that stand apart from fads and fast fashion.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS – SPECIFICALLY IRELAND?
It’s twofold for us at Magee 1866. County Donegal has given us a centuries-old tradition of weaving and working with wool, and the knowledge of that craft has been passed down from generation to generation. Parallel to this, the rugged coastal and mountainous landscape in northwest Ireland is an endless source of inspiration, reflected in our richly-toned colour palette and distinctive patterns.
WHAT DOES BEING IRISH MEAN TO YOU, AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
It doesn’t mean being kitsch, or having a tricolor stitched on every label! It’s a much deeper sense of place and community which defines our character, our craft and our very DNA.
MOST COVETED ITEM IN YOUR COLLECTION?
Aha! Watch this space. Our AW19 collection brings some real hero pieces to the fore. We’re excited for tweed reinvented in a men’s duffel coat, and a statement coat in vibrant crimson and bold black for women.
THREE THINGS YOU CAN’T LIVE WITHOUT?
A bicycle so that I can skip the car and pedal into work along the Donegal coastline. A fountain pen so that I can use one pen for life and not buy hundreds of rubbish plastic biros. An Emma coat, which is one of our most timeless herringbone creations in wool and cashmere; it will last far beyond the next generation in business!
YOUR GO-TO STYLING TRICK?
I travel a lot, and always keep one of our colourful tweed capes handy to pop over a dress to bring a little Magee 1866 to an evening event, or to wrap up warm after finding a place for an impromptu wild swim!
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
Before joining the family business, I flew to Cape Horn and solo cycled 2,500km north to spend time working on an organic merino wool sheep farm in Patagonia. I am an expert at pulling sheep s*** out of wool after shearing!
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Kiernan Mulhern of Triona Design.
Visit trionadesign.com for more!
TELL US ABOUT YOUR BACKGROUND. My name is Kieran Mulhern and I’m the Brand Director for my family-run brand Triona, based in Ardara, the home of Donegal Tweed. Triona was formed in 1984 by my parents, Denis and Ann Mulhern. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The most defining moment was during my teenage years, realizing the appreciation of our customers, especially those from overseas, for the quality of our fabrics and products. WHAT’S YOUR AMBITION FOR YOUR BRAND? Our ambition is to bring Triona to the US and beyond, to show the quality and exclusive clothing we produce. DID YOU HAVE A MENTOR IN THE BUSINESS? My parents, naturally. WHAT SETS YOUR DESIGNS APART? Our fabrics set us apart and are exclusive to us. Also, having five generations in making tweed is something to be proud of. WHERE DOES YOUR BRAND NAME COME FROM? Triona is a take from my sister’s name, Catriona.
WHO IS YOUR DREAM MUSE? WHY?
Our dream muse is Anne Hathaway. She’s the epitome of elegance and already owns a Triona coat.
YOUR DREAM COLLABORATION?
Our dream collaboration would be with a designer or retailer to produce an exclusive collection. It would have to be with someone completely different to what we do to make it interesting. Perhaps a milliner!
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
WearingIrish offers us the opportunity to reach past our comfort zone and take our clothing to the US and beyond.
WHO DO YOU WANT TO WEAR IRISH?
We want those that appreciate quality made goods with a rich heritage background to wear Irish.
TELL US WHAT NEW YORK CITY MEANS TO YOU?
New York is the epicenter of the world and provides a wonderful platform to help promote our brand. No city in the world has the same energy as New York and I find it very inspirational.
TAKE US THROUGH YOUR CREATIVE PROCESS.
Donegal tweed fabric is our main focus that we work from. Our tweeds are exclusive and colors are inspired by the colors of the Irish landscape.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
I think us Irish must be the proudest nation in the world! It’s wonderful to visit the US and see how well received we are here. It truly feels special and, with that, very inspiring to bring our product here.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND?
All of our tweeds and designs are done from Donegal. Everything happens from here in the quiet and idyllic environment that gives us a great base to think and create!
MOST COVETED ITEM IN YOUR COLLECTION?
Our oversized belted wool coat.
THREE THINGS YOU CAN’T LIVE WITHOUT?
The three F’s – fabric, family and friends.
YOUR GO-TO STYLING TRICK?
Personally, I’m very simple when it comes to style but I do carry a woolen scarf with me that is sure to top off any look.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
On behalf of myself and my family, we would like to thank Margaret Molloy and the #wearingirish team for giving us this great opportunity. We appreciate the incredible work you have done to make this happen.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Aoibheann MacNamara and Triona Lillis of The Tweed Project.
Visit thetweedproject.com for more!
TELL US ABOUT YOUR BACKGROUND. There are two of us at The Tweed Project. Aoibheann MacNamara’s background is in arts administration but is also a specialist at Ard Bia, an enduring restaurant in Galway. She’s into slow food and now into slow fashion. Triona Lillis is a costume designer in the Irish TV and film industries. WHAT’S YOUR AMBITION FOR YOUR BRAND? Our ambition is to move gently in business so that the pieces exist for a lifetime. We work in an interesting and humour-filled way in the west of Ireland. HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND? We work with our indigenous Irish fabrics and with an embrace and respect for a global world. We take influence from travel and subtly nod to trends. We work slowly and the product exists gently within the heritage world of fashion. WHERE DOES YOUR BRAND NAME COME FROM? Our brand name is made, produced and inspired by the west of Ireland. It exists only because of the geographical location.
WHO IS YOUR DREAM MUSE? WHY?
The landscape of the west of Ireland remains always, and totally, our overly-communicative muse.
YOUR DREAM COLLABORATION?
Our dream collaboration is with each other, when we would be free of other personal and work-related commitments.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
WearingIrish is challenging transparency in production and authenticity and that is crucial for our industry’s future and global reach.
WHO DO YOU WANT TO WEAR IRISH?
We want the youth to wear Irish so they care about what they wear and care about their fashion heritage and shout about it.
TELL US WHAT NEW YORK CITY MEANS TO YOU.
New York City has always meant uber cool fun. It’s a place where anything can happen.
TAKE US THROUGH YOUR CREATIVE PROCESS.
We created a capsule starter collection and we add to it slowly year on year. We do what we want, when it feels right, and generally feel out the same direction, whether it be adding tassels or producing tartan.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
The brand only exists for us because we are Irish and we want to modernize and subvert the tradition of Irish-ness. It is our total inspiration.
MOST COVETED ITEM IN YOUR COLLECTION?
The most coveted item in our collection would have to be our tweed kaftan done in collaboration with Starstyling Berlin and printed with glow-in-the-dark designs.
THREE THINGS YOU CAN’T LIVE WITHOUT?
We couldn’t live without our children, the sea, and good relationships.
YOUR GO-TO STYLING TRICK?
An amazing coat can always cover sins!
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
We’re a little crazy!
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Sara Hall, Creative Director, Sands & Hall.
Visit sandsandhall.com for more!
TELL US ABOUT YOUR BACKGROUND. My background is in public relations and advertising, working in both Ireland and Canada. After the birth of my first daughter, I had some time to take stock and think about what I really wanted to do. I was inspired to begin working with materials that I loved and to create pieces that I had ideas for – the difficult part was getting it off the ground from there but I haven’t looked back. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? That’s a hard one to answer. There are many defining moments, but I think having the full AW1718 feature on Vogue UK was the ‘what on earth’ moment for me. WHAT’S YOUR AMBITION FOR YOUR BRAND? I would love to expand our collections and for Sands & Hall to become much more well-known. I’d like to have my pieces adorn women across the globe, showcasing the best of Irish design and heritage products, and demonstrating that slow fashion can make timeless fashion statements. DO YOU HAVE A MENTOR IN THE BUSINESS? Unfortunately, I have not had the benefit of working closely with a mentor in a specific fashion house or education establishment, but I’ve been heavily influenced by the work of fashion houses such as Celine. I very much had to learn on the job – taking my initial ideas and finding the right people to guide and support me. In doing so, I was very fortunate to come across you and WearingIrish (through social media) and that was a defining moment. I look to you as someone I can go to for guidance and as an authority in the industry. For me the clothing that you wear serves many purposes – some practical and some emotional. In particular, an outerwear piece needs to be both protective and make a statement. Over recent years, I have felt uneasy about the fast fashion culture and subconsciously longed for a slower, more honest and creative approach to the clothing that we wear, reminiscent of times gone by. It was this desire that encouraged me to create pieces for the modern-day woman that would be timeless yet contemporary, fashion forward yet taking inspiration from the past. I wanted to enable strong women everywhere to be able to make a fashion statement in a chic and comfortable way. WHERE DOES YOUR BRAND NAME COME FROM? Sands is my maiden name and Hall is my married name (my husband’s surname). I felt it important to take ownership of the brand and give it true grounding and heritage.
HOW YOU WOULD DEFINE THE HEART AND SOUL OF YOUR BRAND?
WHO IS YOUR DREAM MUSE? WHY?
Kate Moss is my dream muse. I’ve enjoyed watching her through endless campaigns and many transformations, yet she always keeps an air of mystery and is true to herself. Her natural, honest beauty is a tonic – she is a strong, inspiring woman without being overt or fake.
YOUR DREAM COLLABORATION?
My dream collaboration would be with the store Liberty, London. The history itself of the store and how it was founded 143 years ago by one individual with a 2,000 pound loan astounds me. The fashion in Liberty is so different when compared to any other store. Walking through it is a full-on experience and the buyers know what they are doing in each and every section. Any trip to London for me always includes a visit to Liberty. To see Sands & Hall in there some day would be a dream come true.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
I’m inspired by everything WearingIrish stands for—bringing Irish fashion design to the rest of the world and showing how much talent is in the beautiful Island of Ireland. I’m also thrilled to be able to use materials sourced in Ireland with a huge amount of heritage in my designs so WearingIrish is the perfect showcase for our brand. I think it is an incredible thing to do for Irish fashion and I am so proud and excited to be a part of it.
TELL US WHAT NEW YORK CITY MEANS TO YOU.
It’s huge. A dream come true – to dream of working in fashion and bring your ideas to life is one thing but to bring my designs to New York City is the ultimate goal. After all, it’s the center of the fashion industry.
TAKE US THROUGH YOUR CREATIVE PROCESS.
I’m not sure that the creative process ever really has a beginning, as I always have so many ideas and trends that I am following. So the beginning is really deciding which idea to focus on first and which elements are really essential to making the style special and uniquely Sands & Hall.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
I have always been proud of my heritage and my Irish background as I grew up in a huge musical family, surrounded by beautiful, natural landscapes in Co Down, North of Ireland. I have always visited Donegal and it is the natural landscape there, and the wool of the animals that graze there, that go into our Donegal Tweed. I am so proud to be able to take this traditional ingredient and present it for today’s fashion conscious.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND?
The honesty and culture of Ireland is part of my nature and inspires me to create pieces that stand out and stand proud – spreading the word as we Irish do. I think it is important to remember history and this is part of the creative process for me – taking inspiration from the classics of the past and turning them into timeless pieces of the future.
MOST COVETED ITEM IN YOUR COLLECTION?
Our fitted cape is the dream cape in our collection – it really makes a statement and is the most desired piece for special events and horse-racing. Personally though, I cannot be parted from the new Relaxed Coat which features in our AW1819 collection, especially in Sedwick Dove Donegal Tweed.
THREE THINGS YOU CAN’T LIVE WITHOUT?
I can’t live without my loved ones, coats and water!
YOUR GO-TO STYLING TRICK?
I like to pair a vintage find with an expensive piece as they bounce off each other so well – elevating each other in different ways.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
I’m actually quite a shy person and I get nervous when public speaking, even though my current and past jobs would suggest differently. I feel a lot more comfortable when I am talking about the things I’m passionate about, like my business.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Natalie Coleman, Creative Director, NATALIEBCOLEMAN.
Visit nataliebcoleman.com for more!
TELL US ABOUT YOUR BACKGROUND. I graduated from the Limerick School of Art & Design with a BA in Fashion & Design in 2006. A year later, I was studying on the MA Fashion in Womenswear at Central Saint Martins under the tutelage of the late Louise Wilson. In addition to owning and running a successful label, I’m also a fashion lecturer at the National College of Art & Design in Dublin. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? The most defining moment of my career has to be coming up with the inspiration for the All the Jewellery I Never Got collection as it got picked up by so many great stores and press. WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition is to continue to grow the brand on an international level and to continue to collaborate with people that are challenging norms in music, print, photography. DID YOU HAVE A MENTOR IN THE BUSINESS? I started up at the same time as a lot of my peers that I studied with in London so we have really supported each other. The Irish Design and Craft Council and the British Fashion Council have also been great in terms of advice.
WHAT WOULD YOU DEFINE THE HEART AND SOUL OF YOUR BRAND AS?
Our collections play on feminine silhouettes with humorous, and sometimes subversive, illustrative prints and motifs. The label’s work pivots between tradition and innovation. The use of indigenous tweeds from family weavers Molloy & Sons in Donegal are frequently used in the collections. We have developed a modern Irishness through the work. This narrative is coupled with opulent fabrics, appliques, whimsical hand beaded and hand painted surface decoration. Our label draws on the natural heritage, traditional techniques and skills inherent in the Irish textile industry and fuses them with modernity and innovation. We present our collections at London and Paris Fashion Weeks and we have just presented Autumn/Winter 2018 collection at London Fashion Week Designer Showrooms. The collections have been featured in magazines including Harper’s Bazaar, Self, Grazia, Marie Claire, Elle and Source Magazine. Fans of the label include Laura Whitmore, Angela Scanlon, Marina & The Diamonds, Suki Waterhouse, Lily Collins, Little Mix, Tami Roman, Esperanza Spalding and Mary J Blige.
WHERE DOES YOUR BRAND NAME COME FROM?
It is an eponymous label with the “B” standing for my Mother’s name, Bridie.
WHO IS YOUR DREAM MUSE? WHY?
I love Edith Beauvoir Beale and her daughter, little Edie. The Maysles brothers made a documentary about their lives in their East Hampton home in the 70’s titled Grey Gardens. It really captures a poetic, beautiful and tragic story of mother-daughter love, dysfunctionality and beauty unraveling. Our collections are inspired by the stories of women, both contemporary and in the past, and these inspirations really embody and inspire our design approach.
YOUR DREAM COLLABORATION?
We have been asked to collaborate with ASOS and Anthropology before but the timing was not right. Now would be a great time to work with a high street store.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
We have inherited such a rich legacy through Ireland’s textile history. It’s a really exciting time to say something new, using traditional techniques in an innovative way, and sharing this through the WearingIrish initiative.
WHO DO YOU WANT TO WEAR IRISH?
I want Beyoncé to wear Irish.
TELL US WHAT NEW YORK CITY MEANS TO YOU?
New York City means vibrancy, energy, connectedness and opportunity to me.
TAKE US THROUGH YOUR CREATIVE PROCESS.
I normally start with a story, a narrative. Each season the collection is almost like a diary page for me. I’m always influenced by what is going on around me culturally, and of course historically. But I bring something of myself in, through my own perspective or experience, that helps me to generate new ideas. I think it is vital to have something fresh or new to say. At the moment, we are developing a lot of our own embroideries for the next season through drawing and humorous texts.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
Our label draws on the natural heritage, traditional techniques and skills inherent in the Irish textile industry and fuses them with modernity and innovation. We have collaborated for several seasons with sixth generation Irish weavers Molloy and Sons, creating tweeds that are unique to our label from Donegal wools.
MOST COVETED ITEM IN YOUR COLLECTION?
This season, people have loved the tweed coats and the silk taffeta skirts that are quilted by us in the studio using a light wool padding. I will definitely be living in the linen textured dresses!
THREE THINGS YOU CAN’T LIVE WITHOUT?
I can’t live without mascara, my phone and my gold lambskin hoodie from a few seasons ago.
YOUR GO-TO STYLING TRICK?
My go-to is a great coat and sunglasses!
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
In 2013, I was asked to be the first Irish design ambassador to Microsoft Ireland. This is an exciting role for me and my label, bridging innovation and technology with fashion. The Surface pro4 device is used in my studio to practice sketch and to photograph visual concepts for the collection while also operating as a social media tool to connect with my followers and clients.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Anne Behan, Creative Director, Aine.
Visit aineknitwear.com for more!
TELL US ABOUT YOUR BACKGROUND. I graduated from the distinguished Limerick School of Art and Design (LSAD) with a degree in fashion design. My specialty was knitwear, winning the Student Knitwear Designer Award, and I went on to study for a postgraduate qualification in Knitwear and Computer Aided Design, also at LSAD. After graduation I worked at various fashion and knitwear companies, including Carraig Donn and Ireland’s Eye Knitwear. WHAT’S YOUR AMBITION FOR YOUR BRAND? I would like my brand to sell worldwide and be synonymous with beauty, quality and heritage. WHAT IS THE HEART AND SOUL OF YOUR BRAND? The Aine label is firmly rooted in the rich heritage of Ireland’s knitwear traditions. The brand brings these traditions into modern life using contemporary designs and incorporating color and texture into fabrics that create simple, easy to wear shapes. The label uses only the finest natural luxury yarns, such as cashmere blends, silk mixes and the softest lambswool sourced in Ireland, Scotland and Italy. WHERE DOES YOUR BRAND NAME COME FROM? Aine is the Celtic language translation for Anne.
WHO IS YOUR DREAM MUSE? WHY?
Alexander McQueen is my dream muse. I loved his mastery of taking an old style or pattern and updating it in a new, unrelated fabric to create something even more beautiful (like the AW 2006-7 dress made from pheasant feather or the 2001 SS mussel shell vest). I also love the way he recut fabrics, like tartan, to make them look new and different.
YOUR DREAM COLLABORATION?
My dream collaboration would be with Vivienne Westwood.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
WearingIrish is a celebration of the best Irish creations and their designers.
WHO DO YOU WANT TO WEAR IRISH?
I want anybody who likes the garments or jewelry, for either their design aesthetic or the story behind the brand, to wear Irish.
TAKE US THROUGH YOUR CREATIVE PROCESS.
I start all my collections with a weekend away along the Wild Atlantic Way to shoot the colors and textures of the countryside. Then I go to a yarn fair in Florence to research new ideas in fiber technology, machinery, color and trends for the following season. I decide on a theme and then swatch the yarns and colors together until I am happy with the look and feel of the knitted fabrics. The fall and flow of the textiles usually dictate the final shape and style of the garment.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
I am proud of being Irish and of Ireland as a country. We are a people who are rooted in tradition and who consistently lead the way in achieving excellence. For a small country, our influence on the world stage is extraordinary. The history, the people, the culture and traditions, the landscape, the music and folklore all influence my designs.
MOST COVETED ITEM IN YOUR COLLECTION?
The most coveted item in my collection is a simple floral collar, knitted in the softest lambswool. It is decorative yet functional, keeping you warm without adding bulk to your silhouette.
THREE THINGS YOU CAN’T LIVE WITHOUT?
I can’t live without color, texture and tradition.
YOUR GO-TO STYLING TRICK?
Black with a pop of color.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
I’m committed to supporting my local community by manufacturing and sourcing raw materials within my locality. This helps to keep people in the rural communities and avoids the shift to urban areas.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Gemma O Leary, Creative Director, Inner Island.
Visit innerisland.ie for more!
TELL US ABOUT YOUR BACKGROUND. I started my journey through various short courses and internships in Canada, Scotland and Dublin. Having little formal education, I learned my trade on the job and through experimentation. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Releasing my first collection was the most defining moment of my career. It can be frightening to put your heart into something and then show it to the world. Overcoming the fear was the first step on this adventure. Without taking that step, everything that followed would not have happened.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
My ambition is to bring the INNER ISLAND brand to a wider audience and have a presence in suitable high-end stores in every country in the world. In addition, I’d like to increase sales by 50% each year for the next three years. I still want to retain an exclusive but affordable cult-brand vibe as I continue to grow.
WHAT SETS YOUR BRAND APART?
We think design integrity and quality are essential but that you shouldn’t have to pay the world to get it. To achieve this, we work on a separate design story for each collection and I personally make all the pieces using the ancient art of metalworking combined with modern technologies. The ethos of the brand is to bring a refined, subtle approach to design starting with simple shapes and introducing unexpected details. The intention is to create pieces that will surprise and delight with a modern contemporary aesthetic.
WHERE DOES YOUR BRAND NAME COME FROM?
The name INNER ISLAND comes from a song by a Swedish artist called El Pedro Del Mar. For me, it denotes that each of us has a sense of self that can be influenced by those around us, but we should not abandon our personal identity.
WHO IS YOUR DREAM MUSE? WHY?
My dream muse is Tilda Swinton. She is from a very rare group of women who do in fact represent everything a muse should be— influential, emotional and transformative.
YOUR DREAM COLLABORATION?
My dream collaboration would be with Issey Miyake.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
Irish design has moved on from Claddagh rings and Aran sweaters. WearingIrish highlights the wealth of talent we have on this island.
WHO DO YOU WANT TO WEAR IRISH?
Everyone!
TELL US WHAT NEW YORK CITY MEANS TO YOU.
New York City is an exciting melting pot of culture. If you stand in Times Square long enough, you’ll see the entire world walk by.
TAKE US THROUGH YOUR CREATIVE PROCESS.
Inspiration can strike at any moment from anywhere. I have collections inspired by a seventh century stained glass window, the curve of a wooden boat and even an ancient board game. For me, a point of reference is important to help create something truly unique.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
Being Irish has influenced every fiber of who I am and therefore what I create. We have an unrivaled and evolving culture. I take great inspiration and pride from our past and also feel a responsibility to continue the high standard of craftsmanship for which Ireland is renowned.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND?
As I live in a remote area of Ireland, it has a huge influence on my creative process. I look out my studio window at a huge expanse of countryside that calms my mind and allows the creativity to flow. Being remote also forces me to look inward in my creative process as I’m not bombarded with the stimuli that you would get in the city.
MOST COVETED ITEM IN YOUR COLLECTION?
The most coveted item in my collection would be the Large Ammil earrings. They are an oxymoron; a minimal statement earring.
THREE THINGS YOU CAN’T LIVE WITHOUT?
I can’t live without my sketch pad, coffee and phone.
YOUR GO-TO STYLING TRICK?
Know when to stop. If you’re drawing attention to your face and neckline with layered necklaces, or a statement piece, perhaps you don’t need an armful of bangles to compete for attention.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
Rain is one of my favorite sounds.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Garvan De Bruir, Creative Director and Craftsman, DE BRUIR.
Visit debruir.com for more!
TELL US ABOUT YOUR BACKGROUND. My formal training was as a furniture designer and craftsman in the UK. My graduate work won a ‘Future of Design Award’ in London and was exhibited in Dubai as the reward. I specialized in timber and cast metal but I loved incorporating leather for any upholstery. The early years of my practice were in the UK before relocating back home to Kildare and self-building the timber structures that form the DE BRUIR workshops. There, alongside making furniture, I also began experimenting with making leather bags. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? Simply getting online was the most defining moment. In the early days of Etsy.com, I listed a few bags and was amazed at the confidence of a buyer in the USA, Australia, or Japan in making such a significant purchase based purely on some images, identifying the integrity of my leather and the honesty of my construction methods. I thought this bag-making venture must be worth pursuing.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
The ambition is that people aspire to owning a DE BRUIR bag, mostly because they think they look handsome! But, of course, the appearance of the bag has to be backed up with an earned reputation for uncompromising quality and longevity. Each bag sold and in use should become a walking advertisement for the brand.
DO YOU HAVE A MENTOR IN BUSINESS?
Any mentoring that I’ve received thus far has been in creative or technical capacities. As the collection is nearing completion, I’d definitely welcome a mentor in helping to make the brand and business more commercial.
WHAT SETS YOUR DESIGNS APART?
In the DE BRUIR collection, the caliber of both the leather and the craftsmanship is paramount. My workshop is located in Kildare, the equestrian heartland of Ireland. In horse racing, leather is considered as a structural and industrial material. Saddles and bridles are made to function and endure in hard-working environments. From the tanning specification of the leather, to the robustness of the stitching or the solid brass fixings, every detail must play its part for each item to succeed. Also, as I am essentially self-taught in bag making, approaching the process from a structural background has defined the unique aesthetic of the bags.
WHERE DOES YOUR BRAND NAME COME FROM?
DE BRUIR is my surname. It’s quite a unique name so happily the .com version was available when launching the brand.
WHO IS YOUR DREAM MUSE, AND WHY?
It is probably towards characters in the style of Indiana Jones. There is a ruggedness to the bags that enjoy being challenged on all manner of adventures. And afterwards to just be dusted off and polished back to life with just a few fading scars to tell the tale.
YOUR DREAM COLLABORATION?
I’d love to be investigating the potential for leather in tensile architecture or large installations. So any architect that will listen would do! Leather has largely been forgotten as the industrial material that featured throughout history. Its particular strengths and versatility made it a core material of many civilizations. As a natural and ecologically sustainable material, we should be seeking out more uses for it beyond just luxury items.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
WearingIrish acknowledges that there is a community of designers in Ireland that are each working to a level of excellence in their field. And, as importantly, there is a community of design patrons seeking our rich output around the world. As designer-makers, if we continue pursuing our creative ambitions, there is an audience to whom we can market our work.
WHO DO YOU WANT TO WEAR IRISH?
Any and all international design enthusiasts are the target for WearingIrish. We know we compete at the highest level in quality and sustainability and it falls on our design skills to appeal consistently on an international stage.
TELL US WHAT NEW YORK CITY MEANS TO YOU.
It’s an international style capital and the place where I’d envision my brand being appreciated. It comes with a particularly well-informed consumer, who places an emphasis on the source of a product and the authenticity behind the making of it.
TAKE US THROUGH YOUR CREATIVE PROCESS.
I prototype a lot. It is mostly investigating methods of construction, solving details and letting those solutions define the design. I use the various bags, accessories, or jacket prototypes myself to best inform and improve their functionality. I’m pretty reckless in how I treat the prototypes to ensure they are able to endure a long working life.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
I think Irish designers have an affinity for the very core natural materials (wool, leather, wood, stone, ceramic, glass, metal…). We have an awareness of their properties when in their rawest stage and the ability to be inventive with their natural beauty. Perhaps this affinity is based on our closeness to the land and animals. There is little satisfaction for me in working with processed materials instead, designing and making from first principles brings the real reward.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND?
The specification of leather I use is typical of my local equestrian industry – leather is celebrated for its longevity in tough working environments. It is just a happy coincidence that it is also one of the most handsome and luxurious materials in the natural world!
WHAT’S THE MOST COVETED ITEM IN YOUR COLLECTION?
The Sports Bag is probably the most coveted design as it has the broadest appeal. It achieves a unisex design. While keeping the same features and proportions, simply tailoring the size and the texture of the leather will give it a more masculine or feminine feel.
THREE THINGS YOU CAN’T LIVE WITHOUT?
While I have a nice enough car, I really love my beaten-up van. It allows me to do the most diverse projects. I’m self-building a house and, as always, my van is a complete workhorse.
Next comes the prototype of the wax-cotton gilet design. I’ve been wearing it doing everything from building stone walls to chain-sawing down trees. I’m testing it to destruction and it simply won’t give in!
I do need my workshop too. It’s an environment I’ve built around me – some spaces within it are suited for streamlined production but some purely for experimental work. It keeps me excited about the making process.
YOUR GO-TO STYLING TRICK?
I keep a long cut of leather as a scarf – it is the outside of the cow-hide so has one undulating edge and one straight-cut edge. It’s classic color and texture combines with any outfit. Arranged tidily with the polished face out, it can achieve a formal look very effectively. Or bringing the open-grain face outwards and worn loosely, it can be windswept and adventurous. No matter how it is worn though, it always smells great!
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD DO THAT WE DIDN’T ASK.
My favorite sewing machine has to be a Pearson No.6! At well over 100 years old, and propelled by hand with a fly wheel, it achieves the most fantastic stitch (through up to 15mm thicknesses of leather). At the last count, I had 15 different industrial sewing machines in the workshop, all appropriate to different tasks, but nothing to rival the 19th century Pearson for timeless quality. It’s fitting for such a legendary material!
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Blaithin Ennis, Creative Director and Designer, Blaithin Ennis.
Visit blaithinennis.com for more!
TELL US ABOUT YOUR BACKGROUND. I spent four years studying at the National College of Art and Design (NCAD) in Dublin, specializing in embroidered textiles. I interned with Diane Von Furstenberg in New York during my third year of college. After graduating, I worked for three years in retail before starting my own business. I’ve participated in the CREATE initiative at Brown Thomas, a luxury department store in Ireland, for three years and have won a number of jewelry and entrepreneurial awards.
WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER?
The most defining moment of my career was when I had the opportunity to intern at Diane Von Furstenberg. This helped me gain a huge amount of insight into the overall design process and how it merges with business.
WHAT’S YOUR AMBITION FOR YOUR BRAND?
My ambition is to continue designing bespoke handmade pieces and build on my reputation as an innovative jewelry and accessory designer. At the same time, I’d like to pursue a possible collaboration with a worldwide brand as the in-store jewelry and accessory designer. One of my longtime ambitions is to design costume pieces for movies.
DO YOU HAVE A MENTOR IN BUSINESS?
A lot of my design work is self-taught, but I’ve had inspiring mentors over the years from as early back as my art teacher Paul McCloskey in secondary school. Nigel Cheney from NCAD, Joan Spencer, local businesswoman from Wexford and various members of the Local Enterprise Office have also been mentors to me.
WHAT SETS YOUR DESIGNS APART?
I believe what sets my brand apart is the unique and innovative process of material manipulation I use to create beautiful jewelry and accessories. Each piece is handmade at my studio in Ireland.
WHERE DOES YOUR BRAND NAME COME FROM?
My brand name is my own name! I’m proud to be Irish and translated it means ‘Little Flower’. Blaithin is pronounced (Blaw- heen).
WHO IS YOUR DREAM MUSE, AND WHY?
Angelina Jolie is my dream muse. I’ve always loved her versatility, sometimes daring and thought-provoking style. She also achieves understated cool and elegance which I really admire.
YOUR DREAM COLLABORATION?
Collaborating with a high street brand like COS/Victoria Secret Runway or the ultimate dream… CHANEL!
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
The Irish have such an affiliation with American history and society. I think it’s wonderful that the WearingIrish movement represents the culture of Ireland in such an engaging and authentic way.
WHO DO YOU WANT TO WEAR IRISH?
People with Irish heritage playing significant roles in American society who will have an innate interest in spreading the word.
TELL US WHAT NEW YORK CITY MEANS TO YOU.
To me, New York City is an intense bubble of amazing history, culture and creativity. It’s a city that makes so many Americans proud of who they are and what their country represents to the world.
TAKE US THROUGH YOUR CREATIVE PROCESS.
My creative process varies. I tend to focus on sampling and experimentation when designing new collections. My ready-to-wear pieces always stem from the larger couture work.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
Ireland is a beautiful country with deep rooted heritage and culture and a profound affinity to the arts. With the 20th anniversary of the Good Friday Agreement approaching, it’s a reminder of how fortunate we are to now be living with peace.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND?
Sisal, Aramid, Karelian, Topaz are some of the names used in my collections. These are knotting and sailing terms that have influenced my craft over time. My dad and younger sisters are avid dingy sailors in Ireland and I have always been fascinated by the materials and techniques they use. Living in coastal Ireland has had a profound impact on my creative process and inspiration.
WHAT’S THE MOST COVETED ITEM IN YOUR COLLECTION?
My DVF Stephanie knit bag, a most memorable piece from my internship.
THREE THINGS YOU CAN’T LIVE WITHOUT?
I can’t live without a cup of daily coffee (usually 11am), my iPad and the amazing local artisan cheese from Co. Carlow!
YOUR GO-TO STYLING TRICK?
My go-to styling trick is my use of accessories to compliment my individual style. I have collections of wonderful handmade Italian hats, wool and leather gloves and belts that I have collected over the years.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD DO THAT WE DIDN’T ASK.
I am a huge Disney fan! I have always loved performance, dance, and music all things Disney encompasses so well. One of my collections was inspired by Walt Disney’s 1920’s Fantasia and it’s “Pastoral Symphony.” The Centaurette scene from the movie inspired my large-scale blush pieces. The femininity, but also the underlying strength of the characters, is what I love the most.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Alison Conneely, Creative Director, Alison Conneely.
Visit alisonconneely.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born on the Ardbear Peninsula, in Ireland’s iconic western landscape terrain, Connemara, which is also home to the creative imagination of director John Ford and playwright Martin McDonagh’s famed ‘Beauty Queen of Leenane’. These dramatic moorlands have grounded, inspired and informed my narrative as a contemporary Irish designer. WHAT HAS BEEN THE MOST DEFINING MOMENT OF YOUR CAREER? Being chosen as Irish design representative by the National Museum of Ireland for the 1916 centenary commemorations. WHAT’S YOUR AMBITION FOR YOUR BRAND? My ambition is to create a modern design mythology rooted in the lost traditions of the past, create cutting-edge garments for future generations to wear (embedded with subtle historic symbolism – a world view into intricate island folk-ways) and weaving fine-line garments for 21st century heroines. 
DO YOU HAVE A MENTOR?
My mentor is my extraordinary friend and collaborator, the designer and artist, Roisin Gartland.
WHAT IS THE HEART AND SOUL OF YOUR BRAND?
The heart and soul of my brand can be found in the fine lines, metamorphic contours and mellow tones with shades of iridescent. Our practice is rooted in the rich textile tradition of Ireland’s dramatic Atlantic coast, and our design philosophy is imagined through a delicate modernist lens. Many of the fabrics are hand dyed locally on the Ardbear Peninsula, from rock moss, gorse, and seasonal heather blooms. In addition, a selection of our headpieces are woven from organic wool on our family farm. The flora and fauna of Connemara’s botanical wonderland inspires the template of our unique artisan tailoring methods.
WHO IS YOUR DREAM MUSE? WHY?
My dream muse would be Eileen Grey, a pioneering Irish artist, architect and designer. She was a modernist whose soul was in her everlasting vision and genre-defying ethos.
YOUR DREAM COLLABORATION?
I believe that our skill set as makers, our ancestral Irish roots, our organic textile focus and contemporary vision would merge successfully with the conscientious lifestyle philosophy and trusted curatorial platform that is Goop. Just imagine our handcrafted Irish tweed coat on Goop’s living platform. Spun and dyed in the wild Atlantic coastline, it is crafted with a modern lens, worn by the mindful woman.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
WearingIrish is both inspired and alluring. It’s the untold tale, living folklore stitched and woven, worn and shared.
WHO DO YOU WANT TO WEAR IRISH?
Evening strollers, night time revelers, autumn brides and shy subway commuters, nostalgic city dwellers, Springtime femininities, and those inclined to wander in a living old day dream are among those I wish to wear Irish.
TELL US WHAT NEW YORK CITY MEANS TO YOU.
To me, New York City is a prism for creative pilgrims, a hive for the immigrant dream.
TAKE US THROUGH YOUR CREATIVE PROCESS.
I think all creative people have influences greater than they imagine. From the epic saga of Queen Meadhbh of Connaught to the rhythmic beat of the loom weaving my tweed in the valley of Ardara, Donegal. A walk through the mauve heather and bog-cotton bogs in June to the captivating Pina Bausch in Cafe Muller. From the reveries of Plath, to the off-beat dance scene in Yorgos Lanthimo’s film, Dogtooth. Watching Olwen Fouere enchant in James Joyce’s River Run.
HOW DOES A SENSE OF PLACE INFORM YOUR CREATIVE PROCESS— SPECIFICALLY IRELAND?
The landscape of my playground growing up was a dramatic yet isolating canvas. Vast wind-swept moorland, meandering harsh Atlantic shoreline, isolated hawthorn trees, narrow winding roadways drifting into famine speckled mountains. I always tried to imagine characters walking through this wilderness, whether away from, lost in or coming back to it. I understand now that the characters of my imagination, as an island dwelling youth, were informed by a storytelling generation, pining for an era where people once populated the landscape as famine hungry peasants, spailpins, banshees, and other wandering souls. I wondered if there could ever be new archetypes imagined. What it is to be an Irish woman in the present, threading through a mythological past, stitching a more reflexive future. I hunted beyond the terrain of my locale, darting through history and time in Ireland, 3000 years prior to Queen Meadhbh of Connaught, to turn of the century Celtic Revival ambassadors- Maude Gonne, Lady Gregory, and Lilly & Lolly Yeats, W.B.’s overshadowed sisters. The old, the new, the brave and understated, I make for the heroines of today.
MOST COVETED ITEM IN YOUR COLLECTION?
My silk kidskin cape, sculpted on an ancient fur machine.
THREE THINGS YOU CAN’T LIVE WITHOUT?
I can’t live without my ‘Bella’s Faul’ tweed coat, a cycle through the valley of Leenane, Connemara towards sunset, or my thimble, my thread, my love.
YOUR GO-TO STYLING TRICK?
Pare it back.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD KNOW THAT I DIDN’T ASK.
In my secret life, I am the eternal nine-year-old tomboy, parallel parking my go kart with denim shorts and scuffed knees singing ‘Just Like a Prayer, I’ll take ya there’.
WEARINGIRISH NYC 2018 showcases ten top designers from Ireland. In this series, meet the makers and hear their stories. Here Margaret chats with Jennifer Rothwell, Creative Director, Jennifer Rothwell.
Visit jenniferrothwell.com for more!
TELL US ABOUT YOUR BACKGROUND. I was born in New York but raised in Dublin. After graduating from the National College of Art and Design in Dublin, I went back to New York to gain invaluable industry experience and worked for many high-profile companies such as Norma Kamali and Calvin Klein. In 2006, I returned to Ireland and launched my label, Jennifer Rothwell. WHAT WAS THE MOST DEFINING MOMENT OF YOUR CAREER? When the National Museum of Ireland purchased three of my prints for their Contemporary Collections in 2016. WHAT’S YOUR AMBITION FOR JENNIFER ROTHWELL? My ambition is to take my brand global and reignite the Celtic revival while also introducing a new generation to Ireland’s rich culture and heritage through my contemporary designs. My hope is that helps to create employment in the Irish design sector and also reignites fashion manufacturing in Ireland.
DO YOU HAVE A MENTOR IN BUSINESS?
I am a mentor for the Design and Craft Council of Ireland and enjoy sharing my knowledge with new businesses and up-and-coming designers. However, I also seek out mentoring myself when needed, specifically in areas such as Search Engine Optimization (SEO’s), social media and market strategies.
WHAT SETS YOUR DESIGNS APART?
I create beautiful wearable digital printed works of art that are striking, colorful and meant to uplift one’s spirit. I am inspired by Irish heritage and culture and introduce these elements into my contemporary designs. I am very passionate about my Irish heritage and passionate about manufacturing in Ireland.
WHO IS YOUR DREAM MUSE, AND WHY?
My dream muse is Florence Welch. I love her music and style and would absolutely love her to wear Jennifer Rothwell, specifically the Madeline print, inspired by fellow artist and muse, Harry Clarke.
WHAT INSPIRES YOU ABOUT THE WEARINGIRISH MOVEMENT?
I love that the WearingIrish movement is highlighting the great talent we have in Ireland while also showcasing Irish design on the global stage!
WHO DO YOU WANT TO WEAR IRISH?
Everyone! In particular, I’d like my fellow designers, artists and the wider global community to wear Irish.
WHAT DOES NEW YORK MEAN TO YOU?
New York City has a very special place in my heart. It’s the city of my birth and the place I took my first breath of life!
TAKE US THROUGH YOUR CREATIVE PROCESS.
I am inspired by my Irish heritage, it’s culture and folklore, nature and different places and cultures around the world. I generally start my design process with a concept or idea and then work on the process of designing the print. After the print has been designed, I drape the fabric on my tailoring mannequin’s different shapes and silhouettes. I design on the form.
WHAT DOES BEING IRISH MEAN TO YOU AND IN WHAT WAY HAS IT INFLUENCED YOUR CREATIONS?
The fact that I was born in America, raised in Ireland, and then returned back to live in the USA for awhile gives me a greater appreciation of my Irish heritage and culture. That is why I am so passionate about reigniting the Celtic revival and introducing a new generation to amazing Irish artists such as Harry Clarke as well as the intricate illustrations of the Book of Kells.
WHAT’S THE MOST COVETED ITEM IN YOUR COLLECTION?
It’s actually my very first print, and now my signature, the “hummingbird print” for dresses, accessories and the coveted pocket squared for men.
THREE THINGS YOU CAN’T LIVE WITHOUT?
First and foremost it’s my family, being creative, and my retreat in Wexford, Ireland.
YOUR GO-TO STYLING TRICK?
For women, throw on a colorful and striking Jennifer Rothwell scarf to brighten up any outfit and uplift your spirits. For men, pop on a colorful bow tie or pocket square, to look instantly stylish and stand out in the crowd.
TELL US ONE THING ABOUT YOURSELF THAT PEOPLE SHOULD DO THAT WE DIDN’T ASK.
Jennifer Rothwell is currently the first and only designer that digitally prints and manufactures in Ireland, a fact that makes me extremely proud. I have been manufacturing my designs in Ireland since 2010 and I’m extremely passionate about bringing manufacturing back to Ireland once again and to create employment in the wider Irish design community, thus keeping families together and the design talent in Ireland.